Photoshoot at Vigeland Museum: Aibell

The next set of photos I am going to show you is the Aibell, the dress I made for Hillesvåg Ullvarefabrikk, knitted in the divine Tinde pelt wool yarn. This was actually the first garment we photographed at the Vigeland Museum at our photoshoot in November. So while Sissel Fylling was working on Emma Ross’ hair and makeup, Eivind Røhne and I looked at the different halls and what we wanted as the backdrop to the different designs. We were awestruck by the large plaster sculptures in the Monolitt Hall and decided to start there. I styled the dress with boots from Monica Stålvang and statement jewellery from Kaja Gjedebo Design. Em did look magnificent in the dress. First I wanted to show you how I prefer the dress, simply hanging down and with the cowl worn as a collar.

I did have a hard time choosing photos, especially for this dress since I also wanted to show off the different ways it can be worn. Here is my introduction to the dress: Named after the Celtic Goddess of Munster who had a magical harp in her possession is this ballon shaped dress where the shaping is done by the cables. The a-line created by the cables is mirrored on the body. The fronthas Right cables beginning at hip one at a time, while the back has Left cables. A cowl make a high cabled collar or a belt. Wear it loose hanging down, slightly pulled up or as a tunic with the rib turned.

Aibell is knitted in Hillesvåg Ullvarefabrikk, Tinde pelt wool yarn made of 100% pelt wool with 260 meters/284 yards per 100 grams using 3.5 mm/US 4 and 3 mm/US 2.5 for the bottom rib. The gauge is 21 stitches and 30 rows in stockinette stitch measures 10 cm/4″ square.

The dress is knitted in pieces and seamed. The cables shape the dress, by adding one cable at a time. Add elastic to the bottom if you prefer to wear it higher up. Adjust the length in the stocking stitch area, depending on how you prefer to wear it. The cowl can easily be adjusted to your preferred height by adding cable repeats or purl stitches in between the cables.

Next view is the rib pulled up. Em is wearing size Small with a bust circumference of 92 cm/36.25 but the pattern has been graded from size XS to 2XL: 86 to 122 cm/33.75 to 48″.

Here is how it looks slightly pulled up from the back.

My last option was to pull the rib inside out and using it as interfacing for a tunic. Here you can see it without the cowl. The neck has an I-cord bind off.

 A close up photo with the cowl, showing the dress worn as a tunic from the back.

Just before Em went to put on trousers for the photos with the dress worn as a tunic, Sissel had an idea. It was a revelation really. She suggested using the cowl as a belt. So we had a go at helping Em putting on the cowl.

It is not a look that will suit everyone but I did love seeing this trendy young look, so thank you Sissel for that idea! You can easily adjust the cowl or belt to your own preference.

Here is the final photo I will show you of Aibell and it is just in time for the test knit which begins on Monday in my Ravelry group. The English pattern will be released after the test knit is completed with the Norwegian pattern and yarn kits will be launched by Hillesvåg Ullvarefabrikk at “Fagstrikk” in Oslo in April. I am so thrilled with all these photos! Thank you to my amazing team!


2 thoughts on “Photoshoot at Vigeland Museum: Aibell

  1. Absolutely stunning construction and technical choices. It’s not really cold enough to wear a wool knit dress where I live (maybe 2-3 weeks of snow each winter) but wow, this pattern is tempting!

Comments are closed.