Tag Archives: Bøler Kirke

Photoshoot at Bøler Church: Airic

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I loved seeing Airic on Emma Ross, and how stylish she made it look. Make up & Hair Stylist Sissel Fylling made sure her stunning hair looked immaculate and set off the grey background at Bøler Kirke/Church. Eivind Røhne brilliantly captured the moment while Michael was making sure the lights were switched off. The statement silver jewellery is by Kaja Gjedebo Design. Airic – In a contemporary style with provocative visual lines – created by the sideways knitted cable panel to make a waterfall bottom – is this long cardigan. The body is all in stockinette stitch to offset the cables. Even the sleeve has a cable panel knitted sideways as a cuff. Airic is Celtic for agreeable, just as this long cardigan will cover you up. It is knitted in the divine Di Gilpin’s  Lalland Lambswool and is a Scottish lambswool with a magical twist.

Em has changed into sculptural shoes by Camilla Skovgaard and a black tube top for this second sequence of photos taken by the spacious entrance to the church hall. Airic is knitted in the soft Di Gilpin’s  Lalland Lambswool made of 100% Scottish lambswool and comes in 50 grams balls with 175 meters/191 yards. Airic was knitted by Kristin Nygård, aka Quiltefeen on Ravelry and Instagram, using a 3.75 mm/US 5 needle and with a 24 stitches & 30 rows in stocking stitch to 10 cm/4″ square gauge.

The cable panel on the lower body is worked sideways, then the upper body is picked up and knitted along the long side of lower body and worked from the bottom and up. The upper body is worked back and forth in one piece with false seams from the pick up on the lower body to the underarm, then the upper fronts and back are worked separately.

Emma is wearing size S, but it will become available in sizes XS to 2XL with a bust circumference of 86 to 128 cm/33.75 to 50.5″ with the collar overlapped.  In these photos the collar is just folded down. As you might see it has the same silhouette as the Rørbye Cardigan recently published in knit.wear Fall/Winter 2017 knitted in Dale Garn Eco Wool. These magnificent rib braids are also found in Norah Gaughan’s Knitted Cable Sourcebook. I chose to add garter stitches to the sides to this one and knitted the last stitch on the Lower Body instead of making an I-cord edge.

Both the Norwegian and the English pattern will be released in April, after the test knitting is finished. It begins 26th February in my Ravelry group. In addition to meeting Di Gilpin in Vienna last year, I also met Emma Boyles of The Little Grey Sheep. So next out among these professional photos is Melva, knitted in British Stein Fine Wool 4ply hand-dyed by Emma herself.

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Photoshoot at Bøler Church: Ardra

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Here is Ardra professionally photographed by Eivind Røhne, worn by the gorgeous Emma Ross at Bøler Kirke/Church, late in October. Yes, I did know that the cognac shade of Sølje by Hillesvåg Ullvarefabrikk would suit Em perfectly. Sissel Fylling did start by cutting Em’s hair and had her assistant Nora helping her. Jewellery designer Kaja Gjedebo Design, who lives close to the church, were also with us for the first part of the day. I styled the pullover with black pencil pants, a turtle neck and Monica Stålvang’s stunning boots. Here is my introduction to Ardra: Round knot cables run along the body of this a-line pullover with a slightly longer back. Only one cable adorns each sleeve. The body is worked in the round and ends in a round neck with an I-cord bind-off. A false seam on the sides make the fit better. Ardra is Celtic and means noble.

The yarn kit was launched at Oslo Design Fair in January by Hillesvåg Ullvarefabrikk and will shortly be available in selected yarn stores. The pullover was beautiful knitted, using 3 mm/US 2.5 and a 24 stitches and 32 rows gauge, by Kristin Nygård, aka Quiltefeen on Ravelry and Instagram, since I was busy working on another new design. Sølje Pelsull is made of 100% pelt wool with 350 meters/383 yards on each 100 gram skein and comes in 30 beautiful shades.

The body is knitted in the round with short rows for a longer curved hem at the back up to the armhole. Then it is worked back and forth in Back and Front. The sleeves are knitted in the round up to the armhole. Emma is wearing size Small with 4.5 cm/1.75″ positive ease. I have graded the pattern from size XS to 2XL with a bust circumference of 84 to 126 cm/33 to 49.5″.

Finally the back view with the extra long curve at the bottom. The cables are from Norah Gaughan’s brilliant Knitted Cable Sourcebook, and appear smaller due to the thinner yarn than on the poncho Donia. The English pattern for Ardra will be test knitted in my Ravelry group beginning on 23rd of April before it is released in mid June.

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Photoshoot at Bøler Church: Barra

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Barra was photographed at Bøler Kirke/Church in the opposite corner to Cahal, to complement the light brown Sølje yarn by Hillesvåg Ullvarefabrikk the cardigan is made of. Just as brilliant photographer Eivind Røhne suggested. I was delighted to see gorgeous model Emma Ross, with makeup & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design, wearing the jacket with such flair. Barra is styled with pencil pants and a black turtleneck as well as with Monica Stålvang’s stunning boots. Here is my introduction to the cardigan: Elaborate spear cables run like a spine on the back of this long jacket before they are moved towards the shoulder at the top. At the front one cable follow the line along the v-neck. The sleeve has a spear cable running around it at the bottom, before the upper part is knitted in the round in stockinette stitch. The a-line cardigan is named Barra – Celtic for spear.

The cardigan was beautifully knitted by Anne Langfjæran, aka kosekontoret on Instagram, using 3 mm/US 2.5 needles to a gauge of 24 stitches and 34 rows/rounds in stocking stitch to 10 cm/4″ square. Hillesvåg Ullvarefabrikk, Sølje is made of 100% pelt yarn with 350 meters/383 yards on each 100 gram skein in a lovely melange brown. Emma is wearing size Small with 4.5 cm/1.75″ positive ease. I have graded the pattern from size XS to 2XL with a bust circumference of 84 to 126 cm/33 to 49.5″.

The body is worked flat in pieces, unlike the long sleeves which are worked in the round after the sideways cable panel to the armhole. Stitches are picked up along right side of cable panel for the top sleeve. The cable is the same I used on the pullover Melva and found in Norah Gaughan’s inspirational Knitted Cable Sourcebook. I attached 10 buttons with a 15 mm/0.52″ diameter on the button band which is picked up and knitted at the end.

Here is the a view of the back, and you can see how the cables are moved towards the shoulder at the top, while they are moved from the v-neck shaping at the front. The Norwegian Barra yarn kits were launched by Hillesvåg Ullvarefabrikk at Oslo Design Fair, while the Norwegian pattern will be released shortly and available at Ravelry. The English pattern will be test knitted in my Ravelry group beginning on the 14th May and it will be released around 6 weeks later.

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Photoshoot at Bøler Church: Cahal

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Next out is Cahal in my series of pictures from our photoshoot at Bøler Kirke/Church brilliantly taken by Eivind Røhne. The vest, knitted in Olive Green Tinde Pelsull from Hillesvåg Ullvarefabrikk, looked stunning on model Emma Ross with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design. The perfect boots are by Monica Stålvang. Cahal, and the other three designs in the Hillesvåg Collection, were all styled with black pencil pants and a black turtle neck pullover. Cahal is an Origami vest with reversible cables that folds into shape. Vents are made by leaving the seam open at the bottom. The horizontal seam draws a line across the shoulders ending in a curve at the armhole. You can wear the vest with both sides out by making a neat or flat seam. The name Cahal is Celtic for strong in battle.

Emma is wearing size S, with a finished bust measurement of 106.5 cm/42″ but the Cahal is also available in sizes M/L and XL/2XL with these measurements: 117 (127) cm/46 (50)”. The vest is knitted in two parts. The front is a square, while the back has 30.5 cm/12″ extra body length that folds to the front at each shoulder to form the upper front and the neck opening.

Cahal is knitted using 3.5 mm/US 4 circular needle and a gauge of 21 stitches and 30 rows in stocking stitch measuring 10 cm/4″ square. I was fortunate to have Grete Jenssen, aka ma9 on Ravelry, knitting this vest for me. The lovely yarn, Tinde Pelsull, is made of 100% pelt wool, with 260 meters/284 yards per 100 gram skein.

The back of Cahal with the courtyard next to the chapel at Bøler Church in the background. We could not have planned the colour scheme with all the natural materials any better. I love this straight back view. The intricate cables are from Norah Gaughan’s brilliant Knitted Cable Sourcebook.

Not only the cables are reversible on this vest, I think the whole garment is reversible. I considered working a flat neat seam, but opted for a visible seam creating an even more marked shoulder line instead. Seams with the sewing allowance visible is in fashion at the moment and I like the rougher look it gave to the vest. As usual I used a crochet hook and worked a slip stitch seam. This cropped photo was chosen as the cover for the retailers brochure by Hillesvåg Ullvarefabrikk.

Sissel wanted to try out a new hair style on these reverse set of photos and added several extra hair bands on Emma’s wonderful hair. We were all in favour and waited patiently as she did it. Above you can see the result! I also love this stylish photo and I am so grateful for having such a wonderful team!

Last, is the view of the back with the wrong side out. The English pattern will be test knitted in my Ravelry group before its release. The test knit will begin 9th of April. The Norwegian pattern will be released shortly. The yarn kits were launched last week at the Oslo Design Fair and will be available online at Hillesvåg Ullvarefabrikk’s website: www.ull.no and in selected yarn stores shortly.

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Behind the Scenes: Photoshoot at Bøler Church

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Our photoshoot day, last Wednesday, had a grey start but it cleared and the sun came out in the afternoon. Michael and I picked up the gorgeous model Emma Ross – Em for short – at her hotel in Oslo, before we drove to Bøler suburb and the church. Em flew in from Manchester in the United Kingdom the day before and we were excited to meet her. Bøler Kirke is a community church by HBA Arkitekter completed in 2011. See more photos here:  www.bygg.no. Photographer Eivind Røhne came as we were unpacking the car and meet the parish priest Dag Auli. We were given not only one room for lunch and our luggage but also a separate one for makeup with even larger windows towards the forest. We were given access to every part of the church, except for the Church Hall during the funeral at midday and given a tour of the church. Eivind and I did go all 121 steps to the top of the Bell Tower and had a lovely view of the nearby lake Østensjøvannet, but the platform at the top was tiny and the long drop to the ground made us both dizzy. The makeup & hair artist Sissel Fylling with her assistant Nora arrived and were introduced to Em. Yes, she needed a haircut (read: as we have come to expect) and we did not need to convince Em to accept. While Sissel and Nora set to work on Em’s hair and then makeup, I prepared the rail with the clothes and went on another tour with Eivind & Michael to locate locations. There were 3 backdrops we immediately wanted: The entrance area to the Church hall with its light concrete walls, the rusty cor-ten wall panel and the chapel courtyard. Michael has taken all these wonderful photos. Above is the entrance area and you see Sissel and me at work, while Em is checking out the biblical text written about the entrance to the Church Hall. She is wearing 1 of the 7 new designs, a long cardigan made in the lovely Di Gilpin’s Lalland Lambswool yarn with a unique twist.

Jewellery designer Kaja Gjedebo who lives at Bøler, came on her bicycle with a large selection for me to choose from. Yes, I did pick some of her new statement pieces and some old favourites. Kaja knows this community church well and could tell us about some of the events that take place here. It is one of the few churches with a licence to serve alcohol in connection with the concerts and other events organised at the church. Above you see Em covered in a felted wooly blanket (see Røros Tweed) to keep warm, as Eivind is checking the light and his flash. Yes, we have several of those blankets. Under she is wearing 1 of 3 designs that needed new photos: Autumn Symphony knitted in Hillesvåg Ullvarefabrikk, Ask-Hifa 2. On our agenda was to photograph a total of 10 garments during the day.Here you see Eivind in action photographing 1 of the 4 new designs for Hillesvåg Ullvarefabrikk in the courtyard next to the chapel. Yes, it was a cold day so Em did want that blanket. We started by photographing here as the funeral was going ahead in the Church Hall. After photographing the 4 garments made for Hillesvåg, we needed to get warm and decided to have lunch. I had checked catering but since we were only 7, we bought lunch from a coffee shop in the city center and brought a selections of drinks & fruit with us. As always we had plenty of fun and discussed postures for Em to test out. Both Sissel and I popped into a number of Eivind’s shoots to correct or adjust her hair, makeup or outfit. I love this shoot of Eivind explaining. Em is wearing the Bowery Tunic, one of the designs returned from Interweave, I had to photograph again before I can release it with new photos after the rights have reverted to me. The design was made for knit.wear Spring/Summer 2017. The high ceiling, the light concrete and the full height windows gave this entrance area a sacral light. The impressive lighting is even found in the corridor at the side of the Church Hall as well as inside the Hall itself.

I also wanted to show you half of the church seen from the car park towards the chapel and the courtyard behind it. The tower is the Light Tower and not the Bell Tower which is at the opposite end. We are standing in front of the opposite rusty cor-ten wall panel with the name carved into it. This is also were we ended our photoshoot. The priest came in and asked how it was going on all our locations. We had a brilliant day! Thank you! Now, I am trying to choose photos from Eivind’s selection and trying to finish those patterns…

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