Submissions & Deadlines

DSCN1898 submissionsI am finishing off another design just in time for the photoshoot tomorrow, and I have started work on submissions to Wool People 9, published by the American yarn company Brooklyn Tweed, and to Interweave Knits. The first company accept submissions by e-mail while the second want the swatches and all essential info sent by post, hence it needs to be planned in good time. Here you can see the Wool People 9 Mood Boards and read the Interweave’s Contributor Guidelines and study the Content Submission Form. The magazine Close-Up 18  is one I have ordered from the Scandinavian trend institute called Pej gruppen in Denmark, which usually have a large book stand at the Gave/Gift & Interior Fair at Lillestrøm, outside of Oslo. They had one this August too, but did not have the Knit & Tricot magazine to my dismay, hence I had to order it. I love looking at garment styles, colors and stitch patterns chosen. They help to inspire, to release ideas, and to try out new paths.

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Design in Progress: Conic Coat

DSCN1704Here is another of my designs in progress. I have slightly modified one of my Brooklyn Tweed Designs Submissions, and the pattern will be published in Familien’s Strikkebok this autumn instead. The yarn I chose is Embla – Hifa 3, a pure wool with bounce, in a shade called lilac beige (read: in other words; taupe) which is perfect for a certain pair of Monica Stålvang shoes. I do hope the coat will match her stunning shoes, and I am ready for the challenge! The stitch pattern I have chosen is Blocks and Triangles by Lynne Barr – the boring blocks are on the back, and they are completely flat unlike the sculptural triangles on the front. Yes, they are made with a DPN or a cable needle in hand. Above is the bottom of one of the sleeves, I will start making the other now, so that I can work them together to the end. After pondering for awhile I decided not to knit them in the round because of the equal amount of purl and knit, the yarn overs on the WS, and the folding. I have also tested how I wanted to make the hem and to make the set up perfect I chose the old fashion way of sewing it up.  The coat itself will have an a-line shape and end in a large shawl collar in a seeded rib pattern. I am very pleased it is an addictive stitch pattern, just as long as I remember  to increase along the way, since I am working as fast as I can with plenty of ideas flowing through my head at the moment!

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Brooklyn Tweed Design Submissions

_DSC1386For the first time the submission for Wool People is open to all designers, and not only to invited guest designers, so just as I anticipated Brooklyn Tweed have received an overwhelming amount of submissions due to their popularity, and stunning tweed yarns. In their submission information they urged designers to include at least 3-4 submissions within the proposal, so I have sent off 3 submissions. If one of my designs is chosen for Wool People 8, and I am not too optimistic, I will be informed no later than 14th March. Any design submission is time consuming but rewarding since I already have another magazine who want them, despite not having seen my ideas yet. Brooklyn Tweed have two yarns; Shelter and Loft, both made of pure wool spun in historic Harrisville, New Hampshire, from the fleece of Wyoming grown Targhee-Columbia sheep; “We fleece dye our wool to achieve rich heathers that give even the simplest fabrics depth and sophistication”. Shelter is worsted/aran weight with 128 m/140 yds per 50 g and Loft is fingering/4-ply with 251 m/275 yds per 50 g, and you can see the shade card for both yarns above. The knitwear design and yarn company was founded in 2007 by designer, blogger and photographer Jared Flood. Among my favorite designs, chosen because of their beautiful texture, are Channel Cardigan by Jared Flood from BT Winter 14, see Ravelry and Kenzo by Olga Buraya-Kefelian from Wool People 4, see Ravelry. For the full collection see Brooklyn Tweed.

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