Melva Pattern Released

Emma Boyles of The Little Grey Sheep suggested I launch my Melva pattern in time for the Edinburgh Yarn Festival (read: EYF, for us knitters) and I am happy to say that I made it with the help of my test knitters and new technical editor Kristen TenDyke. The Little Grey Sheep will have a stand at the Festival, sell the yarn Stein Fine Wool 4ply in lovely hand dyed shades as well as my Melva pattern. I would have loved to be there, but know I have my own ambassadors there. One of my Austrian test knitters, Barbara will be there wearing her version of Melva, and so will one of my Norwegian sample knitters, Kristin, as well as my new translator (yes, this is very exciting and more news will follow shortly). Emma also commissioned Amanda, aka demonknitter24 on Ravelry, to make her a version of Melva for the festival, so I am hoping for a small line up of Melva. Both English and the Norwegian pattern are available at Ravelry and at Loveknitting. Above you see it gorgeously worn by Emma Ross, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design, all brilliantly captured by Eivind Røhne. Below is a photograph of the lovely yarn in the shade Outback taken in our garden last July by my husband.Here is my introduction to the pattern: Named after Melva, Celtic for ruler, a straight sweater with fancy cables at the top and the bottom. The intricate cable is fit for a ruler. Ribbing in the side makes the sweater figure-hugging, while the stockinette stitch center panel shows off the stunning hand dyed Stein Fine Wool 4ply from The Little Grey Sheep. The sleeve mirrors the body, but it is worked flat.

Melva pattern is available in English and in Norwegian (på norsk).

Sizes: XS (S, M, L, XL, 2XL)

Finished measurements:
Bust: 88 (94, 100, 106, 112, 124) cm/34.75 (37, 39.25, 41.75, 44, 48.75)“
Length: 60 (61, 62, 63, 64, 65) cm/23.5 (24, 24.5, 24.75, 25.25, 25.5)”
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.5)“
Modelled in size XS with 2.5 cm/1” positive ease.

Yarn: The Little Grey Sheep British Stein Fine Wool 4ply (100% wool, 100 g, 330 m/360 yds). Sample is knitted in Outback: 5 (6, 6, 6, 7, 8) skeins;
1536 (1666, 1796, 1926, 2056, 2316) m/1679 (1821, 1964, 2106, 2248, 2423) yds.
https://www.thelittlegreysheep.co.uk/collections/stein-fi…

Needles: 3 mm/US 2.5 circular needle (80 cm/32” and 40 cm/16”).
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders, cable needle and yarn needle.

Gauge: 26 sts and 34 rows/rnds in st st measures 10 cm/4” square.
Melva cable (12-sts) measures 4 cm/1.5” wide.

Notes: The body is worked in the round to the armhole and then worked back and forth in rows. While the sleeves are worked flat. If your row gauge differs, begin second Melva cable 54 rows (16 cm/6.25”) before final row on back, front and sleeves. If you want to lengthen the bottom half of the body and add a section to the Melva cable, work these additional rows: 4 to 13, then rows 44 to 49.

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Suli Pattern Released

The test knit of Suli is coming to an end and I have released the English pattern on Ravelry. The Norwegian pattern has been updated and both are available to buy on Ravelry and on Loveknitting. My amazing test knitters have corrected and improved the pattern. Some of them also decided to modify the collar and make it shorter or with buttons at the end instead of a seam. Suli is part of the collection I have made in collaboration with Hillesvåg Ullvarefabrikk. Yarn kits are available at www.ull.noSuli was brilliantly photographed by Eivind Røhne, worn by Alexandria Eissinger with hair & makeup by Jens J. Wiker as well as jewellery by Kaja Gjedebo Design. Do take a look at the finished versions at Ravelry.

Suli is Eskimo for more, ideal for this cardigan with a loop collar that you can drape as you please, adorned with a lace pattern on center back, sleeve and collar. The loop collar can be worn loose, folded once behind the neck or twice in front or three times around the neck in a ballerina style. A fake garter stitch seam adds a bit of structure to this cardigan knitted in the beautiful Sølje.

Suli pattern is available in English and in Norwegian (på norsk).

Sizes: XS (S, M, L, XL, 2XL)

Finished Measurements:
Bust (incl loop): 86 (92, 98, 106, 116, 126) cm/33.75 (36.25, 38.5, 41.75, 45.75, 49.5)“
Loop closing: 17 cm/6.75” wide and 326 cm/128.25” long
Length: 55 (56, 57, 58, 59, 60) cm/21.75 (22.25, 22.5, 23, 23.5, 23.75)”
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.5)“

Yarn: Hillesvåg Ullvarefabrikk, Hifa Sølje (100% pelt yarn, 350 m/382 yds, 100 g). Sample is knitted in Light Turquise 2130:
5 (6, 6, 7, 8, 8) skeins; 1687 (1855, 2023, 2232, 2483, 2735) m/1844 (2028, 2212, 2440, 2715, 2991) yds. https://www.ull.no/produktkategori/garn/nyhet-solje-pelsullgarn/

Needles: 3 mm/US 2.5 circular needles (80 cm/32”).
3 mm/US 2.5 DPNs for sleeves.
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders, 3.25 mm/US D/3 crochet hook (for seaming), waste yarn and yarn needle.

Gauge: 24 sts and 32 rows in st st measures 10 cm/4” square.
25 sts and 32 rows in Dewdrop pattern measures 10 cm/4” square.

Notes: The body is knitted in one piece to the armholes, then divided into 3 parts. The loop collar is knitted separately in two pieces, bound off on 3 needles and sewed on from the back neck, while the cast on edges are joined by mattress stitches. The sleeves are knitted in the round and set-in. The armhole is slightly larger on the fronts than the back in sizes L (XL and 2XL). If you choose to adjust the body length, remember to adjust the length of each part of the loop with the same removed/added length.

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Photoshoot at Bøler Church: Autumn Symphony

Last in the series from our photoshoot at Bøler Kirke/Church is the Autumn Symphony, an old design in three parts: jacket, belt and wrap. Named after the three beautiful colours I chose in Ask from Hillesvåg Ullvarefabrikk. The jacket is knitted in Melange farm red, the wrap in Melange Orange and the tweed belt in those two colours plus a melange dark terracotta. The set looked divine on model Emma Ross. Her hair & makeup was styled by Sissel Fylling and the jewellery is by Kaja Gjedebo Design. Photographer Eivind Røhne made sure Em was standing at the same spot so that the two letters “Bø” as in “Boo!” was visible at all times. We had such an enjoyable day, like we always do.

I choose to style the set with navy silk trouser, and thought the rusty cor-ten wall panel with Bøler Kirke carved into it worked perfectly as a matching background. In the photo above you see the set worn as initially intended, while the top photo shows how the belt can be worn as a second wrap. It can also be worn as a capelet around the shoulder, or be extended into a skirt if preferred.

Above you see the wrap worn as belt to make the jacket longer. In the pattern it comes in one size, but it can easily be adjusted by adding or removing pattern repeats. Both the belt and the jacket come in sizes S to 3XL. The jacket comes with a finished bust measurement of 92 to 137 cm/36.25 to 54″.

Leaves cover this A-lined jacket knitted in one piece with a false seam in a middle of the stocking stitch panel. The sleeves are knitted in the round with leaves up to the shaping where the lace pattern is changed to reverse stocking stitch. A belt in autumn coloured tweed lengthens the jacket and introduces the orange wrap. Or why not wear the wrap as a belt and opposite. Choose your three favorite colours, then make your outfit.

Here you see the v-neck of the jacket and how I choose to stop the lace pattern when the decreasing interrupted the lace pattern. To avoid the same issue in the sides, I decided to work the a-line side panel in stocking stitch. See the second to last photo.

The body is knitted in one piece to armholes, with a fake seam st in rev st st, then separated into three parts. The sleeves are knitted in the round. The leaf pattern is discontinued where the bind-off intereferes with it on the sleeves and the fronts. The wrap is worked in the round and can easily be adjusted by adding or removing pattern repeats. If your k3tog on the wrap is loose work k2tog and move resulting stitch back to left needle and pass next stitch over. The belt is worked flat.

The set is knitted using 3.5 mm/US 4 and 3 mm/US 2.5 for the button band. Ask from Hillesvåg Ullvarefabrikk is made of 100% Norwegian wool with 315 meters/345 yards on each 100 gram skein. The gauge is 20 stitches and 28 rows in stocking stitch using 3.5 mm/US 4 needles.

The pattern is available in both English and Norwegian on Ravelry – where you can see a number of sets knitted in different colours – and on Loveknitting.

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Photoshoot at Bøler Church: Melva

Melva, here worn by the gorgeous Emma Ross, is currently being test knitted so the pattern will be launched at the Edinburgh Yarn Festival (EYF) in March. Em’s hair & makeup is by Sissel Fylling and her fantastic jewellery by Kaja Gjedebo Design. Photographer Eivind Røhne brilliantly captured the scene and made sure the letters “Bø” from “Bøler Kirke” (read: as in “Boo!”) was visible. Named after Melva, Celtic for ruler is this straight sweater with fancy cables at the bottom and the top. Ribbing in the side makes the sweater figure hugging. While the stockinette stitch center panel shows off the stunning hand dyed The Little Grey Sheep, British Stein Fine Wool 4ply. The sleeve mirrors the body, but it is worked flat unlike the body.

Em is wearing size XS with a bust circumference of 88 cm/34.75″ with 2.5 cm/1″ positive ease. I have graded the pattern from size XS to 2XL with a finished bust circumference of 88 to 124 cm/34.75 to 48.75″. I chose to style the pullover with a pair of Prada trousers in a mauve colour, that perfectly matched the nail varnish shade Sissel chose. The shoes, not in any of these photos, are Carla in Wine by Monica Stålvang, just in case you were wondering.

The Little Grey Sheep, British Stein Fine Wool 4ply is made of wool from Emma Boyles’s sheep at Well Manor – a small family farm on the Surrey Hampshire borders in the UK. It is 100% wool with 330 meters/360 yards on each 100 gram skein. I used a 3 mm/US 2.5 needle and got a gauge of 26 stitches and 34 rows in stocking stitch measuring 10 cm/4″ square. I wanted a red shade and Emma suggested the shade named Outback and kindly offered to sponsor the yarn.

The delicate and intricate cable is again from Norah Gaughan’s excellent Knitted Cable Sourcebook. The Melva pattern will be released on Ravelry and a sample of the pullover will be on show at The Little Grey Sheep stand at EYF in March.

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Photoshoot at Bøler Church: Airic

I loved seeing Airic on Emma Ross, and how stylish she made it look. Make up & Hair Stylist Sissel Fylling made sure her stunning hair looked immaculate and set off the grey background at Bøler Kirke/Church. Eivind Røhne brilliantly captured the moment while Michael was making sure the lights were switched off. The statement silver jewellery is by Kaja Gjedebo Design. Airic – In a contemporary style with provocative visual lines – created by the sideways knitted cable panel to make a waterfall bottom – is this long cardigan. The body is all in stockinette stitch to offset the cables. Even the sleeve has a cable panel knitted sideways as a cuff. Airic is Celtic for agreeable, just as this long cardigan will cover you up. It is knitted in the divine Di Gilpin’s  Lalland Lambswool and is a Scottish lambswool with a magical twist.

Em has changed into sculptural shoes by Camilla Skovgaard and a black tube top for this second sequence of photos taken by the spacious entrance to the church hall. Airic is knitted in the soft Di Gilpin’s  Lalland Lambswool made of 100% Scottish lambswool and comes in 50 grams balls with 175 meters/191 yards. Airic was knitted by Kristin Nygård, aka Quiltefeen on Ravelry and Instagram, using a 3.75 mm/US 5 needle and with a 24 stitches & 30 rows in stocking stitch to 10 cm/4″ square gauge.

The cable panel on the lower body is worked sideways, then the upper body is picked up and knitted along the long side of lower body and worked from the bottom and up. The upper body is worked back and forth in one piece with false seams from the pick up on the lower body to the underarm, then the upper fronts and back are worked separately.

Emma is wearing size S, but it will become available in sizes XS to 2XL with a bust circumference of 86 to 128 cm/33.75 to 50.5″ with the collar overlapped.  In these photos the collar is just folded down. As you might see it has the same silhouette as the Rørbye Cardigan recently published in knit.wear Fall/Winter 2017 knitted in Dale Garn Eco Wool. These magnificent rib braids are also found in Norah Gaughan’s Knitted Cable Sourcebook. I chose to add garter stitches to the sides to this one and knitted the last stitch on the Lower Body instead of making an I-cord edge.

Both the Norwegian and the English pattern will be released in April, after the test knitting is finished. It begins 26th February in my Ravelry group. In addition to meeting Di Gilpin in Vienna last year, I also met Emma Boyles of The Little Grey Sheep. So next out among these professional photos is Melva, knitted in British Stein Fine Wool 4ply hand-dyed by Emma herself.

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Photoshoot at Bøler Church: Ardra

Here is Ardra professionally photographed by Eivind Røhne, worn by the gorgeous Emma Ross at Bøler Kirke/Church, late in October. Yes, I did know that the cognac shade of Sølje by Hillesvåg Ullvarefabrikk would suit Em perfectly. Sissel Fylling did start by cutting Em’s hair and had her assistant Nora helping her. Jewellery designer Kaja Gjedebo Design, who lives close to the church, were also with us for the first part of the day. I styled the pullover with black pencil pants, a turtle neck and Monica Stålvang’s stunning boots. Here is my introduction to Ardra: Round knot cables run along the body of this a-line pullover with a slightly longer back. Only one cable adorns each sleeve. The body is worked in the round and ends in a round neck with an I-cord bind-off. A false seam on the sides make the fit better. Ardra is Celtic and means noble.

The yarn kit was launched at Oslo Design Fair in January by Hillesvåg Ullvarefabrikk and will shortly be available in selected yarn stores. The pullover was beautiful knitted, using 3 mm/US 2.5 and a 24 stitches and 32 rows gauge, by Kristin Nygård, aka Quiltefeen on Ravelry and Instagram, since I was busy working on another new design. Sølje Pelsull is made of 100% pelt wool with 350 meters/383 yards on each 100 gram skein and comes in 30 beautiful shades.

The body is knitted in the round with short rows for a longer curved hem at the back up to the armhole. Then it is worked back and forth in Back and Front. The sleeves are knitted in the round up to the armhole. Emma is wearing size Small with 4.5 cm/1.75″ positive ease. I have graded the pattern from size XS to 2XL with a bust circumference of 84 to 126 cm/33 to 49.5″.

Finally the back view with the extra long curve at the bottom. The cables are from Norah Gaughan’s brilliant Knitted Cable Sourcebook, and appear smaller due to the thinner yarn than on the poncho Donia. The English pattern for Ardra will be test knitted in my Ravelry group beginning on 23rd of April before it is released in mid June.

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Photoshoot at Bøler Church: Barra

Barra was photographed at Bøler Kirke/Church in the opposite corner to Cahal, to complement the light brown Sølje yarn by Hillesvåg Ullvarefabrikk the cardigan is made of. Just as brilliant photographer Eivind Røhne suggested. I was delighted to see gorgeous model Emma Ross, with makeup & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design, wearing the jacket with such flair. Barra is styled with pencil pants and a black turtleneck as well as with Monica Stålvang’s stunning boots. Here is my introduction to the cardigan: Elaborate spear cables run like a spine on the back of this long jacket before they are moved towards the shoulder at the top. At the front one cable follow the line along the v-neck. The sleeve has a spear cable running around it at the bottom, before the upper part is knitted in the round in stockinette stitch. The a-line cardigan is named Barra – Celtic for spear.

The cardigan was beautifully knitted by Anne Langfjæran, aka kosekontoret on Instagram, using 3 mm/US 2.5 needles to a gauge of 24 stitches and 34 rows/rounds in stocking stitch to 10 cm/4″ square. Hillesvåg Ullvarefabrikk, Sølje is made of 100% pelt yarn with 350 meters/383 yards on each 100 gram skein in a lovely melange brown. Emma is wearing size Small with 4.5 cm/1.75″ positive ease. I have graded the pattern from size XS to 2XL with a bust circumference of 84 to 126 cm/33 to 49.5″.

The body is worked flat in pieces, unlike the long sleeves which are worked in the round after the sideways cable panel to the armhole. Stitches are picked up along right side of cable panel for the top sleeve. The cable is the same I used on the pullover Melva and found in Norah Gaughan’s inspirational Knitted Cable Sourcebook. I attached 10 buttons with a 15 mm/0.52″ diameter on the button band which is picked up and knitted at the end.

Here is the a view of the back, and you can see how the cables are moved towards the shoulder at the top, while they are moved from the v-neck shaping at the front. The Norwegian Barra yarn kits were launched by Hillesvåg Ullvarefabrikk at Oslo Design Fair, while the Norwegian pattern will be released shortly and available at Ravelry. The English pattern will be test knitted in my Ravelry group beginning on the 14th May and it will be released around 6 weeks later.

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Photoshoot at Bøler Church: Cahal

Next out is Cahal in my series of pictures from our photoshoot at Bøler Kirke/Church brilliantly taken by Eivind Røhne. The vest, knitted in Olive Green Tinde Pelsull from Hillesvåg Ullvarefabrikk, looked stunning on model Emma Ross with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design. The perfect boots are by Monica Stålvang. Cahal, and the other three designs in the Hillesvåg Collection, were all styled with black pencil pants and a black turtle neck pullover. Cahal is an Origami vest with reversible cables that folds into shape. Vents are made by leaving the seam open at the bottom. The horizontal seam draws a line across the shoulders ending in a curve at the armhole. You can wear the vest with both sides out by making a neat or flat seam. The name Cahal is Celtic for strong in battle.

Emma is wearing size S, with a finished bust measurement of 106.5 cm/42″ but the Cahal is also available in sizes M/L and XL/2XL with these measurements: 117 (127) cm/46 (50)”. The vest is knitted in two parts. The front is a square, while the back has 30.5 cm/12″ extra body length that folds to the front at each shoulder to form the upper front and the neck opening.

Cahal is knitted using 3.5 mm/US 4 circular needle and a gauge of 21 stitches and 30 rows in stocking stitch measuring 10 cm/4″ square. I was fortunate to have Grete Jenssen, aka ma9 on Ravelry, knitting this vest for me. The lovely yarn, Tinde Pelsull, is made of 100% pelt wool, with 260 meters/284 yards per 100 gram skein.

The back of Cahal with the courtyard next to the chapel at Bøler Church in the background. We could not have planned the colour scheme with all the natural materials any better. I love this straight back view. The intricate cables are from Norah Gaughan’s brilliant Knitted Cable Sourcebook.

Not only the cables are reversible on this vest, I think the whole garment is reversible. I considered working a flat neat seam, but opted for a visible seam creating an even more marked shoulder line instead. Seams with the sewing allowance visible is in fashion at the moment and I like the rougher look it gave to the vest. As usual I used a crochet hook and worked a slip stitch seam. This cropped photo was chosen as the cover for the retailers brochure by Hillesvåg Ullvarefabrikk.

Sissel wanted to try out a new hair style on these reverse set of photos and added several extra hair bands on Emma’s wonderful hair. We were all in favour and waited patiently as she did it. Above you can see the result! I also love this stylish photo and I am so grateful for having such a wonderful team!

Last, is the view of the back with the wrong side out. The English pattern will be test knitted in my Ravelry group before its release. The test knit will begin 9th of April. The Norwegian pattern will be released shortly. The yarn kits were launched last week at the Oslo Design Fair and will be available online at Hillesvåg Ullvarefabrikk’s website: www.ull.no and in selected yarn stores shortly.

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Oslo Design Fair – January 2018

What happened to January? I had so many plans but did not get very far at all. Anyway, I did make it to the first day of the Oslo Design Fair at Lillestrøm on Wednesday 24th of January. I was looking forward to seeing my new designs in collaboration with Hillesvåg Ullvarefabrikk on display at their stand together with large posters of Emma Ross photographed by Eivind Røhne at Bøler Kirke/Church in Oslo last October. Michael came with me and took these photographs. Above you can see the Cahal knitted in Olive green Tinde Pelsull, Ardra knitted in Cognac Sølje Pelsull and Barra knitted in Brown Sølje Pelsull. On the floor are the yarn kits, and in the two boxes closest to Ardra are the Tinde Pelsull while the new lambswool yarn Sol is in the next two boxes.

Hillesvåg Ullvarefabrikk had printed a brochure for retailers and I saw it for the first time, fresh from the printers in the photo above. Here I am talking to Øyvind Myhr since both Berit and Anette were busy taking orders. On the wall to the right is Donia. The sample is on display at the front of the stand. I am wearing my design Kathe Cardigan knitted in SweetGeorgia Superwash Sport, made for Interweave Knits Fall 2016. Yarn kit with Norwegian patterns and printed patterns will soon go on sale in selected yarn stores in Norway and online at Hillesvåg Ullvarefabrikk. Digital patterns will be available after test knitting in my Ravelry group in both Norwegian and English during the spring.

I met up with several designers during the day to my delight. Here is Creative Director at House of Yarn, Margaretha Finseth (yes, the editor of the Norwegian Knitting Designs book) telling Tove Fevang and me about the new yarns from Du Store Alpakka. As you can see from these photos there was plenty of space at this trade fair on the first day.

The fair also showcases jewellery, clothing, interiors and decorations in addition to yarn. Kaja Gjedebo had a stand again this time and I had to visit. Kaja is presenting the news to designer Bente Presterud Røvik who joined Tove and me. Thankfully, Kaja had made a new brochure so that we could easily make our wish-lists. In between visiting the stands, I had several coffee breaks and enjoyed catching up with designer Iselin Hafseld and handcraft editor at Familien Åse Myhrvold Egeland. I had a great day and received more design commissions so I will stay busy.

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Photoshoot at Bøler Church: Brewster Cardigan

The time has come to show you the marvellous photos we took at the photoshoot at Bøler Kirke/Church in Oslo last October. The first series of photos out are of the Brewster Cardigan. We started photographing outside in the courtyard next to the chapel due to the  funeral in the main church hall, so we would be out of sight as agreed with the parish priest Dag Auli who unlocked all doors and gave us close to unlimited access to the church.  The next backdrop we choose was the entrance to the church hall with its high ceilings, half concrete walls and large windows, by HBA Architects. Above is the gorgeous Emma Ross, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design, wearing Brewster Cardigan captured by Eivind Røhne. It is one of my favourite shots from the photoshoot.

I chose to style the cardigan with black pencil trousers and those magnificent sculptural high heels by Danish designer Camilla Skovgaard. The Brewster Cardigan was initially made for Wool Studio 2016 an off-spring of the knit.wear magazine and published in December 2016. The pattern rights reverted to me in December 2017, hence I needed to take new photos for the release of the pattern in my Ravelry Store.

Reversible sand cables, adorn the generous loop cowl as well as the center of the back and the sleeves of this straight cardigan. The draped loop cowl creates the unusual captivating silhouette. A fake garter stitch seam adds a bit of structure to this cardigan. The loop cowl can be worn loose, folded once behind the neck or twice in front or three times around the neck in a ballerina style.

The cardigan is knitted in Valley Yarns Northfield (70% Merino, 20% Baby Alpaca, 10% Silk, 50 gram, 113 meters/124 yards). Sample is knitted in Haze 14. Cardigan shown measures 96.5 cm/40″; modeled with 15.5 cm/6″ of positive ease. It is available in sizes XS to 2XL with a bust circumference of 89 to 136 cm/35 to 53.5″.

Brewster Cardigan is knitted by me using 4 mm/US 6 needles with a gauge of 22 stitches and 30 rows in stocking stitch measuring 10 cm/4″ square.

Above you see the cowl worn three times around the neck, pulling the cardigan together into a ballerina wrap style. The body is worked back and forth in one piece to the armholes and then the fronts and back are worked separately. The sleeves are worked in the round, with the sleeve cap worked flat. The loop cowl is worked in two parts, with 3 pattern repeats, and is joined with a 3-needle bind off at one end and a mattress stitch seam at the other after it has been attached around the opening with extra length hanging loose.

Emma’s wonderful hair adds a splash of colour to these grey tone photos. The English pattern is available on Ravelry and on Loveknitting while the Norwegian pattern will be published in the special issue Familien Strikk magazine out in March. Thank you to my team including Sissel’s assistant Nora and my husband – always working in the background – for making these wonderful photos!

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