Tag Archives: Nina Hjertaas Bull

Photoshoot at Hvalstrand Bad: Varun

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My new design Varun looked fantastic on model Aksa Mortensen, with make-up & hair by Nina Hjertaas Bull and jewellery by Kaja Gjedebo Design. Photographer Eivind Røhne took these brilliant shots of her wearing Varun both with and without the cowl, at Hvalstrand Bad back in May. I asked her to hold her hands together so that you notice the different sleeves.

I choose to style Varun with cream coloured silk trousers and had brought a silk scarf for Nina to drape around Aksa’s neck and hair.

Varun is an A-line pullover with a cable panel that travels across the front and the back like a sash, that signifies a position not necessarily a royal one but a secret one. Varun is Norse for secret keeper. The cable sash meets on top of the left shoulder and at the right hip, like a sash. To highlight this the right sleeve has a cable cuff, while the left sleeve has two small cables running along it next to stockinette stitches. Garter stitches play along the seams on all the parts. Varun ends in an I-cord bind off neck but can be dressed up with a cable cowl, both are knitted in the divine hand dyed Norne Yarn DK – Merino/Silk/Yak.

Aksa is wearing size S with 7 cm/2.75″ positive ease. I have graded the pullover in sizes XS to 5XL, with a bust circumference of 82 to 162 cm/32.5 to 63.75″. The cowl is in one size.

The pullover is worked back and forth in separate pieces and seamed. The cable move is worked at the same time as the A-line shaping and the armhole shaping. The cable cowl is knitted back and forth and grafted together. Both are knitted using a 4 mm/US 6 needle and a 20 stitches and 30 rows in stockinette stitch gauge.

The test knit of the Varun will begin on the 18th of October in my Ravelry group. Both the English and the Norwegian pattern will be released after at the end of November.

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Photoshoot at Hvalstrand Bad: Saxi

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The next set of photos from our photoshoot that I will share are of the fitted pullover Saxi with a cowl. Brilliant Photographer Eivind Røhne took these photos of the gorgeous model Aksa Mortensen, with make-up & hair by Nina Hjertaas Bull and jewellery by Kaja Gjedebo Design, wearing the tweed pullover together with a brown skirt at our photoshoot at at Hvalstrand Bad, back in May. I also brought a matching silk scarf that I wanted Aksa to wear together with Saxi. The high heeled gold shoes were initially bought for styling my Norwegian knitting book back in 2011. The Art Deco cupboard together with a Bar chair – Michael’s clever idea – turned out to be the perfect backdrop for it. Above you see the cowl folded in half and on the inside of the pullover neckband. Nina first folded the silk scarf around Aksa’s head.

Saxi is knitted in Donegal Yarns, Donegal Tweed (also called Soft Donegal) 3.8/1nm from The Handweavers  Studio in London, by yours truly. The pullover is knitted in pieces and seamed, while the cowl is worked in the round, using a 3.25 mm/US 3 needle and a 24 stitches and 34 rows gauge.

Saxi is a fitted cabled pullover that ends in an I-cord crown around the crew neckline. The play of texture begins with the round cable shape mirrored in the honeycomb pattern and continues with purl bands in all the stitch patterns. The squareness of the check pattern offers a contrast to the cable and ends the texture in the side of the pullover. Named Saxi after the Saxon in Norse is this sweater knitted in the Donegal Tweed yarn. A cowl crowns the pullover and can be worn folded as a high collar or as a headband.

The neckband is worked in the round. Stitches are picked up and knitted from the first round of the neckband for the I-cord bind off decoration.

Aksa is wearing the sample, in size Small, with a bust circumference of 92 cm/36.25″ with 6 cm/2.25″ positive ease.

The pattern will be available in sizes XS to 5XL, with a bust circumference of 85 to 159 cm/33.5 to 62.5″.

In the photo above you see the cowl standing tall and worn outside the pullover, while below it is worn around the head as a headband or crown if you prefer. The last was another of Michael’s clever ideas! I love how regal it looked and how stunning Aksa appeared in the pullover! I do have the best photoshoot crew!

The test knit will begin on the 23rd of August, as the first of my new designs to be test knitted this Autumn. The English and the Norwegian pattern will be released after the test knit is completed.

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Photoshoot at Hvalstrand Bad: Keila

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I am thrilled to show you the photos that Eivind Røhne took of the gorgeous model Aksa Mortensen wearing the Keila dress, made for Hillesvåg Ullvarefabrikk, with make-up & hair styling by Nina Hjertaas Bull and jewellery by Kaja Gjedebo Design, at Hvalstrand Bad, back in May. We photographed Keila first thing on the diving tower in the shadow with a bright backlight. Eivind and I agreed that we only had one great angle and that was from the front. Of course having the diving tower in the background would also work, but then we would have to wait for two hours for the sun to come around. By that time the beach was heaving with people – as it was the very first warm summer day, so we gave up on that idea. Above you see the dress worn with boot laces inserted into the hem and tied to give a balloon effect.

I choose to style Keila, knitted in the bouncy Sølje – a pelt wool yarn – with thick black tights and a black Wolford tube top beneath, both with and without a narrow belt and with funky Trippen shoes as well as ankle boots by Monica Stålvang. Above you see the dress hanging loose and Aksa holding on to a ball of the Sølje yarn.

Above is the third way of wearing the dress, again with boot laces (or use elastic, if you prefer) inserted into the hem and pulled all the way up so that the skirt is double and turned into a tunica or mini-dress if you like.

Keila is Norse for straight, just as the skirt part of this honeycomb dress is. Elongated honeycomb covers the skirt, while ray of honey makes the high waistband, both are worked in the round. The pattern flow continues with a body in honeycomb including armhole stitches in stockinette stitch. Keila is worked flat from the armhole and ends in a Henley neck. Only the center of the sleeve has a honeycomb panel. Wear the dress as a balloon dress or a tunic by inserting a cord into the double hem. Keila is knitted in the bouncy Sølje, a pelt wool yarn, from Hillesvåg Ullvarefabrikk.

The sample shown is in size Small with a 92 cm/36.25″ bust circumference and worn with 9 cm/3.5″ positive ease on Aksa, who stands 167 cm/5’6″ tall. Keila will be available in sizes XS to 5XL, with a bust circumference of 86 cm to 158 cm/33.75 to 62.25″.

Keila is worked with a 24 stitches and 32 rounds in stockinette stitch gauge using a 3.5 mm/US 4 needle measuring 10 cm/4″ square. The hem is worked with 2 sets of circular needles held parallel when casting on, so that the hem can be closed by knitting it together. The skirt is worked straight, then decreased into the ray of honey pattern for the band before you increase for the honeycomb pattern and the bust. The Henley neck divides the front into two parts after the armhole.

Yarn kits with English or Norwegian pattern will be available early in September from Hillesvåg Ullvarefabrikk, while the Keila single pattern will be released after test knitting set to begin 15th of November in my Ravelry group. A big thank you to my amazing photoshoot crew!

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Behind the Scenes: Photoshoot at Hvalstrand Bad 2021

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What a difference a day makes; we went from what felt like a green winter to a hot summer over night. Hence I did not dress for a party at the Polar Base Camp, instead I should really have brought my bikini to cool down in the summer heat or worn a cocktail dress to fit in with the wedding that took place on the beach while we where at Hvalstrand Bad in Asker (about 20 minutes west of Oslo) on last Friday (28th of May). But since I was there for our photoshoot I needed to wear something a bit more practical and opted for a pair of summer trouser with my Maith shrug on top in addition to two more jackets (making sure I would not freeze – fat chance!).

At the top you see Hair and Make up Stylist Nina Hjertaas Bull is covering for the sun on Aksa’s hair and you can spot her standing high up in the diving tower. You can barely spot model Aksa Mortensen standing at the bottom of the stairs. Photographer Eivind Røhne is adjusting the reflector, while Michael had to hold it in place as soon as we started. Above you see us trying out different spots at the diving tower. Michael has taken a number of these photos, but not all of them, as I was able to capture a few too.

This is the second time we are photographing at Hvalstrand Bad, as we were there back in 2014 with the then editor Mary Ann Astrup of the magazine Made by Me in charge. This time I wanted us to photograph the diving tower – as it was pouring down the last time. It was not a lot easier this time with a blue sky without any clouds for a bit of shadow. Hence we only photographed one garment outside and went inside instead. Above you can see Aksa wearing another of the four new designs for Hillesvåg Ullvarefabrikk.

Just as last time we wanted to use the Art Deco wall painting inside. Photographer Eivind Røhne remembered it well. Above you see us preparing to photograph the last three garments after a lovely lunch. Aksa is wearing one of my new designs, an a-line pullover called Varun. I had also booked modell Olivia Lindtein, but unfortunately she had to go into a waiting quarantine (a friend of hers had been exposed to an infected person, hence she had to wait for the result – it was negative).

We had a total of nine garments to photograph this time; 7 new ones and 2 old ones. Above is the old Mistale worn by Aksa and I am holding onto the cowl plus a silk scarf for hear to wear on her head.

Above you see both Nina and me in action. Aksa is wearing another of my old designs, this time the Syrin Shrug from my book. As always we had a lot of fun and also had to help the ice cream delivery man to find the delivery entrance downstairs. Eivind did tell him that we would be happy to eat some of it, if he wanted just to deliver it to us. He chose to deliver it downstairs instead. We also spotted a wedding outside on the beach in addition to several school classes coming to relax.

It was a treat in these Corona days to have lunch together at the restaurant – we had it all to ourselves – as we had rented the space for the day.  Just before lunch we had two visitors: designer Tove Fevang and photographer Geir Arnesen, who recommended Aksa to me. Michael and I were lucky to stay with them after the photoshoot so we did not have to drive the long way back to Ørje. It was a great way to end the perfect photoshoot day!

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