Tag Archives: Sissel Fylling

Irpa Pattern Released

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The test knit of the long oversized Irpa cardigan finished in January and the pattern in English, in addition to the Norwegian one, is now available from Ravelry and Loveknitting. My test knitters did a fantastic job making their own versions and you can see their results on the pattern page on Ravelry. Above is the gorgeous Emma Ross, with hair & makeup by Sissel Fylling, jewellery by Kaja Gjedebo Design, wearing Irpa knitted in Hillesvåg Ullvarefabrikk, Tinde, brilliantly captured by Eivind Røhne at the end of May last year at Villa Malla.

Irpa is Norse for dark brown and suited this long oversized cardigan with a v-neck and a slight shaping for waist. Pine cable cover the center back, while only one pattern repeat adorns the fronts and sleeve. A wide rib makes this casual jacket a perfect extra layer to the Sigyn dress.

Sizes: S (M, L, XL, 2XL)

Finished measurements:
Bust: 110 (118, 130, 142, 154) cm/43.25 (46.5, 51.25, 56, 60.75)“
Bottom width: 116 (124, 136, 148, 160) cm/45.75 (48.75, 53.5, 58.25, 63)”
Length: 78 (79, 80, 81, 82) cm/30.75 (31, 31.5, 32, 32.25)“
Sleeve length: 46 (46, 47, 47) cm/18 (18, 18.5, 18.5)”

Yarn: Hillesvåg Ullvarefabrikk, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). The sample is knitted in Light Brown 2102; 7 (7, 8, 8, 9) skeins; 1638 (1820, 2002, 2184, 2366) m/1791 (1990, 2189, 2478) yds.
https://www.ull.no/produktkategori/garn/ullgarn/norsk-pel…

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Rowan, Tweed (100% wool, 50 g, 118 m/129 yds).
http://www.knitrowan.com/yarns/rowan-tweed
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles: 3 mm/US 2.5 circular needle for rib and buttonband (2 sets of 80 cm/32 or 100 cm/38”)
3.5 mm/US 4 straight needle.
Adjust needle size as needed to match gauge

Notions: 11 buttons 20 mm/0.78”. Stitch markers (removable), cable needle and yarn needle.

Gauge: 21 sts and 30 rows in st st using 3.5 mmm/US 4 needle measures 10 cm/4” square, after blocking.
28-sts Pine Cable measures 10 cm/4” across.

Notes: The cardigan is knitted in pieces and seamed. The second part of the v-neck decreases on the fronts moves to the opposite side of the cable in order for the cable to continue to the shoulder.

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Photoshoot at Vigeland Museum: Tweed Jacket and Dewdrop Cowl

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I am delighted to show you the fantastic new photos of my old design Tweed Jacket and Dewdrop Cowl, both from my Norwegian knitting book that was published in 2012: “To rett, en vrang. Designstrikk” (only translated into Finnish). I do love the old photos of ballerina Cristiane Sá, but she is wearing a tutu so I thought some new ones would be good and I had room for one more garment in our photoshoot at the Vigeland Museum in November. Gorgeous model Emma Ross looks stunning in the jacket with the Dewdrop Cowl, worn together with Judith Bech’s stunning skirt. Em’s make up and hair is by Sissel Fylling and jewellery is by Kaja Gjedebo Design. Em is captured by Eivind Røhne in front of the impressive cast iron dragon, a sample for the Vigeland Park Gates.

Eivind and I agreed that the dragon added the drama we wanted to the photos. The Tweed Jacket is inspired by Christopher Kane’s elegant tweed version. Mine has sleeves in stranded colour work in stockinette stitch as a contrast to the tweed pattern, made with slipped stitches on the body and a fitted waist. The tweed jacket has been given a vintage look by using the fine lace weight Hillesvåg Ullvarefabrikk Alv combed yarn held double.

The Dewdrop Cowl is made of left over yarn from the jacket and I also choose to make a larger Cowl, which can be worn on top of each other and with wrist warmers, in the fingering Hillesvåg Ullvarefabrikk, Huldra in a beautiful dark rose red colour. I wanted to add some colour to the outfit and thought this was a magnificent solution. I love the way Sissel knotted Em’s hair in some of these photos!

Hillesvåg Ullvarefabrikk Alv is a laceweight yarn made in 100% combed wool on a 200 gram cone with 1400 meters/1532 yards, which I held double for a machine knitted effect.  The gauge is 30 stitches and 31 rounds/rows in the sleeve pattern in stranded colourwork in stockinette stitch and 27 stitches and 60 rows in Tweed pattern, both with 2 strands held together using 3 mm/US 2.5 needles. The tweed pattern takes 3 colours: 2 greys and 1 black, while the stranded colour work is done in the darkest grey and black.

The body of the jacket is worked in parts and sewed together, while the sleeves are knitted in in the round up to the armholes. The double hems are worked in 2.5 mm/US 1.5 needle, while the other parts are made in 3 mm/US 2.5 needles.

Em is wearing size small with a bust and hip circumference of 90 cm/35.5″, but I have revised the English pattern, made the sleeves wider at the top and added an XL size with these measurements: 106 cm/43″. I also sent the revised pattern to my technical editor Barbara Khouri. It will be added to Ravelry and Loveknitting shortly, together with the Dewdrop Cowl pattern.

The Norwegian pattern will be printed in the magazine Familien at a later date. I am ever so thrilled with these new photos, so thank you to my amazing team!

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Photoshoot at Vigeland Museum: White Mountain Ruana

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Next out is the White Mountain Ruana, worn by the gorgeous model Emma Ross, with Hair & Make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, brilliantly captured by Eivind Røhne at the Vigeland Museum. The Ruana was an accepted design submission to Interweave Knits Winter 2018, knitted in the divine Shibui Knits Maai; a chainette yarn made of 70% superbaby alpaca, 30% fine merino, with 160 meters/175 yards on each 50 gram skein. I chose to style it with black pencil trousers, a black top and black sculptural shoes by Amanda Skovgaard so the lovely brick colour would stand out.

Voluptuous, luxurious, and enveloping, the White Mountain Ruana is a chic layer perfect for winter wanderings. The overlapping fronts can be worn loose or closed with snap fasteners and an I-cord tie. An easy-to-knit allover ripple rib pattern gives this ruana an elegant texture; garter stitch on the collar offers contrast to the body. I love the contrast in texture and colour to the plaster sculptures in the Monolith Hall. You can see Em in front of the finished granite Monolith sculpture in the Vigeland Park in this blogpost: Behind the Scenes: Photoshoot at Vigeland Museum.

The Ruana is worked back and forth in pieces and seamed. A provisional cast on is replaced by an I-cord bind off, at the end. Stitches are cast-on for the width of the sleeve parts. The sleeve parts are identical for all sizes but the larger sizes end in a shorter rib that are picked up and knitted at the end. Two I-cords are made for a tie; one part is attached to the collar and the other to the inside seam. Three snap fasteners are sewed on along seam under arm on Right Front with the corresponding parts on the inside of the collar.

I chose this second side photo since it shows the ruana closed and the first one since you can see the snap fasteners. The White Mountain Ruana is knitted with a 25 stitch and 32 rows in Ripple Rib gauge measuring 10 cm/4” square using a 4 mm/US 6 needle. It was the first time I tried a Shibui Knits yarn and definitely not the last, since they have an impressive selection of luxurious yarns.

Em is wearing size Extra Small/Small, but the pattern is also available in sizes M/L and XL/2XL with a bust measurement (including sleeveparts) of 217 (234, 250) cm/85.5 (92.25, 98.5)” and a lower circumference: 151 (167.5, 184) cm/59.5 (66, 72.5)”. The English pattern is available on Ravelry and on Loveknitting. The Norwegian pattern will be printed in the magazine Familien at a later date. These photos convey the casual stylish look I was aiming for! So thank you to my fabulous team!

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Photoshoot at Vigeland Museum: Rørbye Cardigan

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The Rørbye Cardigan looks stunning on model Emma Ross, thanks to Hair & Makeup Stylist Sissel Fylling and Photographer Eivind Røhne who captured these brilliant photos at the Vigeland Museum last November. The jewellery that match the stitch patterns in the jacket was on loan from Kaja Gjedebo Design. The cardigan was made for knit.wear Fall/Winter 2017 and knitted in the lovely Dale Eco Wool using 4 mm/US 6 needles. Hence this is the second set of photographs taken of it. The colour fitted into the grey plinths to the plaster sculptures in the Monolith Hall. You can see Em in front of the finished granite Monolith sculpture in the Vigeland Park in this blogpost: Behind the Scenes: Photoshoot at Vigeland Museum. “The Monolith (Monolitten), implying the totem to be fabricated from one (mono) solid piece of stone (lith)”, see Wikimedia link.

A classy and sophisticated knitted cardigan in a contemporary style. The waterfall bottom is created by knitting a sideways cable panel. To offset the cables, the body is all in stockinette stitch, with the exception of the cuff. Each sleeve begins in a sideways knitted cable panel. Leave it open, or pin the cardigan together at the front or in the side, if you prefer to wrap it all around you.

Em is wearing size Small, but the pattern is available in sizes XS to 2XL with a bust circumference of 87.5 to 129.5 cm/34.5 to 51″ closed. I choose to style the cardigan with some black pencil pants and sky high sculptural shoes by Camilla Skovgaard. I wanted to show you how you can pin the cardigan together in the side and also how the interfacing on the collar looks like. To pin it I used one of Kaja Gjedebo’s divine brooches.

I wanted to show you how you can pin the cardigan together in the side and also how the interfacing on the collar looks like. To pin it I used one of Kaja Gjedebo’s divine brooches.

The contract I had signed for photographing at the museum, listed a number of conditions, such as have a security clearance of 0.5 meter/5.4 yards to any of the sculptures or their plinths. We did our best to comply with all the conditions. The last but certainly not least condition stated that any eventual damages to the sculptures, the plinths or of any constructional type must be compensated by responsible Marveng-Puckett. Eivind joked that all he had to do was to forget to secure his huge flash light (read: it did however have three legs) so it would fall over and cause havoc, since he would not need to pay for that. We all laughed and I told him that he would need to pay too.

The English pattern is now available on Ravelry and on Loveknitting in addition to inside the knit.wear Fall/Winter 2017 digital magazine, while the Norwegian pattern will be printed in Familien at a later date. Thank you to my fantastic team for these fantastic photos!

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Photoshoot at Vigeland Museum: Eira Pullover

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I have been looking forward to showing you more of the photos Eivind Røhne took at the Vigeland Museum in November last year. Out next is Eira Pullover, made for knit.wear Fall/Winter 2017, knitted in the divine The Fibre Co. Cumbria. Just like Nemetona, due to its light colour, I wanted to photograph this in Hall 9 with the huge plaster sculptures for the bridge in the Vigeland Park made by Gustav Vigeland in the background. Here is the gorgeous model Emma Ross, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design wearing the Eira Pullover. You can see the full sculpture in Michael’s photo in the Behind the Scenes: Photoshoot at Vigeland Museum blogpost.

Here is my introduction to the Eira Pullover: A visually striking center cable named Kanik – Eskimo for snowflake – adorns the center front and back of this straight pullover. Kanik is framed by a staghorn cable on each side, while Moss stitch fills the background in the sides to allow the cables to shine. A saddle shoulder allows the staghorn sleeve cable to continue all the way to the neck.

Em is wearing size XS, but the sweater is available in sizes XS to 2XL with a bust circumference of 81 to 123 cm/32 to 48.5″. I chose to style it with tan wide silk trouser after consulting with Sissel, whether to choose cream coloured ones or Judith Bech’s cream coloured skirt.

Eira Pullover is knitted in pieces in the divine The Fibre Co. Cumbria using 4 mm/US 6 needles with a gauge of 20 stitches and 28 rows in stockinette stitch measures 10 cm/4″ square. The Cumbria yarn is made of 60% merino wool, 30% brown masham wool, 10% mohair, on each 100 gram skein and has 218 meters/238 yards. I knitted the sample is in Scafell Pike and it takes 6 skeins of 100 grams to make size XS or about 1107 meters/1210 yards in a worsted or heavy DK weight yarn. I love how Em is studying the sculpture as well as how well you can see the cable on the sleeve in the photo above. Eivind and I also found this particular sculpture with the scales of the dragon such a fitting contrast to the cables.

Last of the Eira Pullover photos is this one of the back. The English pattern is now available on Ravelry and on Loveknitting, as well as in the knit.wear magazine. This was the last one we photographed in Hall 9 at the Vigeland Museum, the remaining eight we photographed in the popular Monolith Hall. But I am sure we would have photographed some of those in the Fountain Hall, had it not been for the current exhibition of a contemporary artist showing an art piece we were not allowed to include in our photos, according to our contract. However, there were plenty of fantastic angles to use in the Monolith Hall. In my next blogpost from the Vigeland Museum Photoshoot I will tell you about another clause in our contract that Eivind liked to joke about. Thank you to my fantastic team! Next out is the Rørbye Cardigan.

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Lofn Pattern Released

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The test knit of Lofn was completed in December and the English pattern, in addition to the Norwegian one, is now available from both Loveknitting and Ravelry. The sweater is knitted in the divine Hillesvåg Ullvarefabrikk, Sølje using 3 mm/US 3 needles and part of my Fall 2018 Collection for Hillesvåg. Gorgeous model Emma Ross, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design, is wearing size Small and brilliantly captured by Eivind Røhne at Villa Malla in late May, last year.

Lofn is Norse for praise. This pullover is praising texture with its sideways voluptous cables and welt pattern that works like a rib. The upper part is picked up and knitted in Fisherman’s Rib and increased into top part of sleeve, while the bottom part of sleeve is knitted separately.

Sizes: S (M, L, XL, 2XL)

Finished measurements:
Bottom width: 92 (102, 112, 122, 132) cm/36.25 (40.25, 44, 48, 52)“
Wingspan (without lower sleeve): 71 (76, 81, 86, 91) cm/28 (30, 32, 33.75, 35.75)”
Lower sleeve length: 24.5 (22, 19.5, 17, 14.5) cm/9.75 (8.75, 7.75, 6.75, 5.75)“
Length: 53 (53, 54, 54, 55) cm/20.75 (20.75, 21.25, 21.25, 21.75)”
Note: Sample is knitted in size S but with a bottom width of 80 cm/31.5” and height of 25 cm/9.75” due to a tight gauge.

Yarn: Hillesvåg Ullvarefabrikk, Sølje Pelsull (100% pelt wool, 350 m/383 yds, 100 g). The sample is knitted in Red 2132; 4 (5, 5, 6, 7) skeins; 1330 (1540, 1750, 1960, 2170) m/1454 (1684, 1913, 2143, 2373) yds. https://www.ull.no/produktkategori/garn/solje-pelsullgarn/

Yarn alternatives: Cascade 220 Sport (100% wool, 50 g, 150 m/164 yds).
http://www.cascadeyarns.com/cascade-Cascade220Sport.htm
Tosh Sock (100% wool, 100 g, 361 m/394 yds).
http://madelinetosh.com/tosh-sock/
Berroco Cosma (60% alpaca, 30% wool, 10% silk, 50 g, 150 m/164 yds).
http://www.berroco.com/yarns/berroco-cosma
Or another Sport/5 ply or Fingering 4/ply yarn.

Needles: 3 mm/US 2.5 straight circular needle (80 cm/32”).
3 mm/US 2.5 DPNs for sleeves.
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), 3.25 mm/US D/3 crochet hook (for preliminary cast-on), cable needle and yarn needle.

Gauge: 24 sts and 32 rows in st st measures 10 cm/4” square.
24 sts and 40 rows in Fisherman’s rib measures 10 cm/4” square.
30-sts Cable measures 8 cm/3.25” wide.

Notes: The body is knitted in four parts with cables and welt pattern on the bottom part and Fisherman’s rib on the upper part. Increases are made in each side of the upper part for top of sleeve part. Bottom sleeves are worked flat separately. If you want to lengthen the sweater, work extra rows on the upper back and front before the shape of top sleeves and allow more yarn.

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Photoshoot at Vigeland Museum: Nemetona

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I  have been looking forward to sharing the amazing photos Eivind Røhne took of gorgeous model Emma Ross, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design at the Vigeland Museum, next to the Vigeland Park in Oslo in November last year. The brick building in Norwegian Neo Classical style from the 1920’s does not look especially impressive from the outside, but I can promise you that the inside will blow you away. Not only because of all the sculptures but also because of the majestic ceiling height. “The museum is the result of a unique contract between Gustav Vigeland and the city of Oslo signed in 1921: The Municipality agreed to build a studio, residence and future museum for the artist and his work, and in return Vigeland donated nearly all his works, previous and future, to the city”. This year the Vigeland Museum celebrates that it is 150 years since the artist was born. What better occasion to start presenting these photos. First out is my new design Nemetona, since the test knit begins on Monday on Ravelry.

Nemetona is Celtic for goddess of all sacred places. Like a magical cable grove is each part of this pullover: Staghorn, Roman; and double cables are framed by Honeycomb pattern. The flowing longer back with its curved hem, creates a stylish contrast to the straight front. Nemetona is knitted in pieces in the divine The Fibre Co. Cumbria using 4 mm/US 6 needles and 3.5 mm/US 4 needles with a gauge of 20 stitches and 28 rows in stockinette stitch measures 10 cm/4″ square.

Em is wearing size small, while the pullover is graded from size XS to 2XL with a bust circumference of 84 to 126 cm/33 to 49.5″. I chose to style it with some tan coloured silk trousers, after asking for Sissel’s advice. In additon I had also brought the same trousers in cream and one of dress designer Judith Bech’s cream coloured long skirts with a train, because I had not made up my mind before we left for Oslo and the museum.

The sweater is knitted back and forth in pieces and then seamed. The neckband is worked in the round, double and folded down. The longer back has decreases in the double cable at the bottom. The vent edges are made with slipped stitches.

When the test knit of the English pattern is completed it will be released in my Ravelry store, while the Norwegian pattern will be published in the magazine Familien at a later date.

Nemetona was the second design (the other one was Eira Pullover) we photographed in Hall 9, with plaster models for the sculptures decorating the bridge in the Vigeland Park. You can see more of the sculptures in Michael’s photos in the Behind the Scenes: Photoshoot at Vigeland Museum blogpost. Both Eivind and I loved the massive, tall sculptures in this hall and the terracotta walls which we knew would suit Em’s hair colour.  Above you see the results, thanks to my fantastic team!

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Autumn Symphony Accessories in På Pinnen 4/2018

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Happy New Year, I hope it will be a healthy, prosperous and creative year for all of you! 2018 ended with a bang, at least that is what it felt like to me, since one; I again – for the second time – had a design on the cover of the Norwegian Knitting Association’s digital magazine “På Pinnen”/On the Needle and two; I hit number one of Interweave’s Top 5 most knitted patterns of 2018 with my Prescott Pullover. On the cover of “På Pinnen” is the accessories to my Autumn Symphony design. The brilliant photo is taken by Eivind Røhne showing Emma Ross with hair & makeup by Sissel Fylling, photographed at Bøler Church last autumn. The initial plan was to have a design by Norwegian designer Sigrun Gilje Hindal on the cover and include the pattern. I know this, because I am the editorial team (read: all of it), assisting editor Tove Fevang. This time I also had the job of interviewing Sigrun, who is Design Manager at the webshop Garnius – that specialise in yarn kits – and acknowledged for her brilliant use of bright colours, see Malou. All the rights to her patterns are with Garnius, hence Tove asked if I had an accessory pattern we could use and my design ended on the cover. I loved the idea and Tove picked this one from a small selection I sent her. Both the accessories (cowl and tweed belt) and the jacket is knitted in the lovely Ask from Hillesvåg Ullvarefabrikk using 3.5 mm/US 4 and 3 mm/US 2 for the bands on the Tweed Cowl. My Autumn Symphony pattern is available in English and Norwegian on Ravelry and Loveknitting.

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Var Pattern Released

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The test knitting of Var is completed and you can see the amazing results on the Ravelry pattern page. Thank you to my test knitters for correcting and improving the pattern. Var was designed for Hillesvåg Ullvarefabrikk, knitted in the lovely Tinde Pelsullgarn/pelt wool yarn. Above you see it brilliantly photographed by Eivind Røhne, gorgeously worn by Emma Ross with makeup & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design at Villa Malla in late May. Yarn kits with Norwegian pattern are available from Hillesvåg Ullvarefabrikk and selected yarn stores, while the Norwegian & English pattern is available to download from Ravelry and Loveknitting.

Pine cables play on the center of this oversized vest, named Var, Norse for beloved. The side panels – giving the vest a dropped shoulder appearance – are knitted sideways in broken rib and is divided from the cable pattern with a tuck as well as a reverse stocking stitch band. Var ends in an I-cord bind off around the shallow neck. The vest is knitted in the luscious pelt wool yarn Tinde from Hillesvåg Ullvarefabrikk.

Sizes: XS/S (M/L, XL/2XL)
Shown in size XS/S
Skill level: Experienced

Finished measurements:
Bust (with side panels): 156 (172, 188) cm/62 (68, 75)“
Length: 55 (57, 59) cm/21.75 (22.5, 23.25)”

Yarn: Hillesvåg Ullvarefabrikk, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). The sample is knitted in Yellow 2119; 5 (5, 6) skeins; 1170 (1300, 1430) m/1280 (1422, 1564) yds.
https://www.ull.no/produktkategori/garn/ullgarn/norsk-pel…

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles:
2 sets of 3 mm/US 2.5 circular needle (80 and 100 cm/32 and 40”) for rib and tuck.
3.5 mm/US 4 circular needle (80 cm/32”).
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), cable needle, crochet hook for provisional cast on and yarn needle.

Gauge: 21 sts and 30 rows in st st, after blocking measures 10 cm/4” square.
28-sts Pine Cable measures 10 cm/4” across.

Notes: The vest is knitted in two parts, then the stitches are picked up along the side. Size M/L has a wider side panel but the same center panel as size XS/S. Size XL/2XL has a wider center panel with one extra cable repeat.

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Sigyn Pattern Released

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The test knit of Sigyn is coming to an end and I am in awe of all the gorgeous versions that have been made. Several of the 22 test knitters have modified it, some have just changed the length while one decided to move the front v-neck shape further up. You can see photos of a number of the finished dresses on the pattern page, and more will be added as soon as they have been finished. Thank you to all my test knitters for helping me correcting and improving the pattern. In addition I had help from my Technical Editor Barbara Khouri to make the schematic and to check my calculations. Above you see the gorgeous model Emma Ross, with hair & make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, captured by Eivind Røhne at Villa Malla at the end of May. Both the Norwegian and the English pattern is now available at Ravelry and will shortly be coming to Loveknitting.

Sigyn is Norse for victorious girl-friend and ideal for this a-line dress with a central swing cable, surrounded by ribbing to make it figure hugging. The cable is divided and moves towards the shoulder to make a v-neck at the front. Decreases are made in the purl sections to emphasize the silhouette of Sigyn. The dress is knitted in the bouncy Sølje pelt wool from Hillesvåg Ullvarefabrikk.

Sizes: XS (S, M, L, XL, 2XL)
Shown in size Small
Skill level: Experienced

Finished Measurements
Bust: 88 (94, 100, 110, 120, 130) cm/34.5 (37, 39.5, 43.5, 47, 51)“
Bottom width: 116 (122, 128, 138, 148, 158) cm/45.5 (48, 50.5, 54.5, 58.5, 62)”
Length: 118 (119, 120, 121, 122, 123) cm/46.5 (46.75, 47.25, 47.75, 48, 48.5)“
Sleeve length: 49 (50, 50, 50, 51, 51) cm/19.25 (19.75, 19.75, 19.75, 20, 20)”

Yarn: Hillesvåg Ullvarefabrikk, Sølje Pelsull (100% pelt wool, 350 m/383 yds, 100 g). The sample is knitted in Grass Green 2134; 5 (6, 7, 8, 10, 11) skeins; 1732 (2012, 2292, 2761, 3230, 3699) m/1894 (2200, 2507, 3019, 3532, 4045) yds.
Note: The model is wearing size S and is 173 cm/5.8” tall.
https://www.ull.no/produktkategori/garn/nyhet-solje-pelsu…

Yarn alternatives: Cascade 220 Sport (100% wool, 50g, 150 m/164 yds).
http://www.cascadeyarns.com/cascade-Cascade220Sport.htm
Tosh Sock (100% wool, 100 g, 361 m/394 yds).
http://madelinetosh.com/tosh-sock/
Berroco Quechua (60% merino wool, 20% alpaca, 20% yak, 50g, 150 m/164 yds).
https://www.berroco.com/yarns/berroco-quechua
Or another Sport/5 ply or Fingering 4/ply yarn.

Needles: 3 mm/US 3 straight needle.
3 mm/US 3 circular needle (40 cm/16”) for neckband.
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), cable needle and yarn needle.

Gauge: 24 sts and 32 rows in st st measures 10 cm/4” square.
26 sts and 32 rows in rib measures 10 cm/4” square.
10-sts Right/Left cable swing measures 4 cm/1.5” wide.

Notes: The dress is worked back and forth in pieces and seamed. The decreasing for a-line is done in the purl sections of the rib. The cables are moved towards the shoulder on the front, beginning 10 cm/4” before the armhole and ending just before the neck shaping. You can easily adjust the length of the dress if you prefer, for instance by shortening (or lengthening) it with up to 7 cm/2.75” before the a-line shaping begins. For a tunic, reduce the length with a further 17 cm/6.75” by working 1 cm/0.5” less between each of the decreases.

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