Macha Jacket Knitted by Erdmuthe

I want to share the beautiful Macha Jacket including the cable cowl and Macha Cowl that Erdmuthe made during the test knit back in September last year. She went yarn shopping at Trollenwol in Driebergen in The Netherlands and writes on her Ravelry project page: “I still prefer going to a “real” shop, seeing the colors and feeling the yarns. It took me quite a while before I was satisfied about the combination of colors”. Erdmuthe chose Hillesvåg Ullvarefabrikk Sølje in 2126 Grønn as the main colour, 2106 Turkis as the contrast colour 1 and Vilje in Hvit (read: Natural) as the contrast colour 2. The yarn is the same as I used for the sample the pelt wool Sølje and the lambswool Vilje. The size she adjusted to fit her and began working an XL decreasing down to a L, as well as adding extra length to it. Erdmuthe also decided to work the body in one piece. You can read more on her detailed project page on Ravelry and follow her as erdmuthe9977 on Instagram.

“It’s a great design, lots of interesting features that will keep you busy for some time.
The finished Jacket is going to be worn a lot this coming winter”.

Erdmuthe ends her project page notes with: “I forgot about the cable cowl. A very quick knit in the round. Chose to work it in color C as I loved the “Türkis” and wanted to give it some “attention” and opportunity to show a bit off.” Finally she chose to use only 3 buttons from Luena, that she discovered at the Hannover fair. Thank you so much for making this stunning version, Erdmuthe!

Here is my introduction to the Macha Jacket pattern – the Macha Cowl  (the stranded colorwork one) is a separate pattern, both are available in my Ravelry Store: Macha is the Celtic protectress in peace as well as the name of this heavily textured jacket with cable and tweed body and stranded colorwork sleeves. A tuck marks the end of the cable pattern, the beginning of both the tweed pattern and the deep v-neck shaping. The Macha body is worked in pieces but the sleeves are knitted in the round to the armhole in stranded colourwork with purl stitches and garter stitch stripes in three contrasting colors in both Hillesvåg Ullvarefabrikk Vilje Lamull and Sølje Pelsull. A cable cowl completes the jacket which can also be worn together with the Macha Cowl.

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Hanne Kristin Rhode Wearing Wilma Lind Jacket

Photo: Morten Bendiksen

This is a blogpost I thought I had written a year ago about the Wilma Lind Jacket, but for some reason did not. They do say time flies… Former Police Investigator, now author and television presenter Hanne Kristin Rohde and I collaborated on designing a jacket for her crime fiction heroine Wilma Lind, last year. Sample knitter Nadja made the jacket in red for my photoshoot, while Grete knitted it in soft turquoise a bit later, both in Sølje pelt wool by Hillesvåg Ullvarefabrikk. A third sample was made in natural white in Vilje lambswool by Anne-Lise. You have already seen the red version photographed on model Alexandra Eissinger and on me but not these stunning photos of Hanne Kristin Rhode taken by photographer Morten Bendiksen.

Photo: Morten Bendiksen

Hanne Kristin wrote the first part of the introduction: “Police Investigator Wilma Lind is Norwegian, just like author Hanne Kristin Rohde and the yarn used in the sample: Sølje by Hillesvåg Ullvarefabrikk. Last but not least is the fact that the designer Linda Marveng is also Norwegian. The Wilma Lind Jacket is inspired by the protagonist in her crime books: Strong, brave, weak, smart, impulsive, warm, uncertain, and daring. Wilma Lind has the ability to confront and fight – and with a need to be noticed, just like the rest of us. The sample is worked in red to symbolise power and hope. In white to symbolise blank sheets and in soft turquoise to capture the universe.”

Photo: Morten Bendiksen

I wrote the second part: A long a-line jacket with cables covering the back, and moving cables on the front. Instead of a shawl collar the jacket was given a deep v-neck and a loose shawl to use as a collar. The body is worked in pieces while the sleeves are worked in the round after the rib to the underarm. It is knitted in the in the lustrous pelt yarn with a mohair feel, Sølje from Hillesvåg Ullvarefabrikk.

Photo: Morten Bendiksen

The body is worked flat in pieces, unlike the long sleeves which are worked in the round to the armhole. The front cables move from their center position on the body towards the armhole and shoulder by increasing and decreasing into stockinette stitch. One front cable ends in the v-neck shaping but it is possible to work two cables to the shoulder by working extra stitches to gather cable row and decrease 1 stitch between cables, if necessary increase 1 stitch at either v-neck or armhole edge depending on size.

Photo: Morten Bendiksen

The English pattern, available on Ravelry, has been test knitted and the jacket is available in sizes XS to 2XL, while the shawl is in one size. The red sample is knitted in size S, while the turquoise and white are both in size M. The Norwegian pattern is only available on Hanne Kristin Rohde’s website. The collaboration and press coverage has been has been an extraordinary experience. Finally I must admit that I just love how well the jacket suits Hanne Kristin.

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