Høststrikk 2019 with Rørbye Cardigan and Nemetona

The Norwegian special magazine Høststrikk/Autumn Knits published by Familien is on sale and I am delighted to have two patterns inside it: Rørbye Cardigan and Nemetona. The magazines is filled with knitting patterns for all ages, but mainly for women as you can see from the cover. My Rørbye Cardigan modelled by Emma Ross, with hair & make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, photographed by Eivind Røhne at the Vigeland Museum, is one of four designs on the back cover as well as on the editorial page.

Here is the back cover, with the Rørbye Cardigan at the top, next to a design by Golden Days by Kari Hestnes. The jacket was made for Interweave knit.wear Fall/Winter 2017 and is knitted in Dale Eco Wool using 4 mm/US 6 needles. Here is my introduction: A classy and sophisticated knitted cardigan in a contemporary style. The waterfall bottom is created by knitting a sideways cable panel. To offset the cables, the body is all in stockinette stitch, with the exception of the cuff. Each sleeve begins in a sideways knitted cable panel. Leave it open, or pin the cardigan together at the front or in the side, if you prefer to wrap it all around you.

Nemetona is featured inside the magazine at the beginning of my pages called “Fantastic Cables”. I do love the introduction: “Designer Linda Marveng is an expert on cable knitting. Here are two gorgeous designs photo grated on Emma Ross at the Vigeland Museum in Oslo.”

Nemetona is Celtic for goddess of all sacred places. Like a magical cable grove is each part of this pullover: Staghorn, Roman; and double cables are framed by Honeycomb pattern. The flowing longer back with its curved hem, creates a stylish contrast to the straight front. Nemetona is knitted in pieces in the divine The Fibre Co. Cumbria.

The Familien Høststrikk magazine is available at selected news agents and super markets. If you are in Norway you can buy a digital version for iPad, see www.klikk.no. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

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Photoshoot at Oslofjord Museum: Prescott Pullover

The Prescott Pullover was designed for Interweave Knits Fall 2018, or to be precise Museion was my chosen name. I held a KAL in my Ravelry group last autumn and the pullover received the nickname Mr Prescott, after the former British Deputy Prime Minister John Prescott. More than 50 knitters had the company of Mr Prescott, the sweater that is, and it was the most-knit pattern from 2018 from Interweave. It was returned in time for the photoshoot and I choose to photograph the pullover on Emma Ross wearing cream silk slacks with it. I knew I wanted the stones next to the beach at Vollen as the background to match the colour of the design. The Prescott Pullover is knitted in the stunning Acadia from the The Fibre Co. Sissel Fylling did Em’s hair & make up styling, while the jewellery is by Kaja Gjedebo Design. These brilliant photos were taken by Eivind Røhne by the Oslofjord Museum in late May.

The Prescott Pullover emulates intricate iron- and stonework found on historic university buildings. This professional and sleek pullover features soft cabled bell sleeves, and the side ribbing gives it a body-hugging silhouette. The design is worked from the bottom up in pieces, and it is finished with a cozy turtleneck.

The sample shown is size Medium with a bust circumference of 99 cm/39” with + 13 cm/5” ease on Em. The Fibre Company, Acadia yarn is made of 60% merino wool, 20% baby alpaca, 20% silk and comes in 50 gram skeins with 133 meters/145 yards. The sample is knitted in Mountain Ash with a gauge of 24 sts and 30 rows in Stockinette stitch using 4 mm/US 6 needles measuring 10 cm/4” square.

The pullover is worked in pieces and seamed. A circular needle is used to accommodate the large number of stitches. The back and front stitch counts assume 104 stitches between markers for cable. The sleeve stitch counts assume 54 stitches between markers for cable. During shaping, if there are not enough stitches to work a complete cable crossing, work the stitches of the partial cable as they appear.

Finally, here is a photograph of the back. The stunning cable is designed by Devorgilla. The Norwegian pattern will be printed in Familien at a later date, while the English pattern is available on Ravelry and LoveCrafts.

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Photoshoot at Oslofjord Museum: Vela

The next set of photos I will show you is of the sweater Vela with cowl. I knew I wanted model Emma Ross to wear this set with a pair of pencil trousers, with make-up & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design, and that I wanted some sailboats or yachts in the background. I brief brilliant photographer Eivind Røhne, who suggested this backdrop at the marina at Vollen. We had our base at the Oslofjord Museum at Vollen in Asker, outside of Oslo, during our photoshoot at the end of May.

Sideways pullover in an eyelet pattern with a center join to enable it to hang straight like a sail or Vela – Italian for sail. Oversized body with narrow sleeves to minimize the volume. Vela ends in a round neck with ribbing. Dress it up with a cowl, that can be worn once or twice around your neck. Perfect for summer, knitted in a lovely cotton mix yarn called Hempathy from Elsebeth Lavold with a crisp stitch definition.

Pullover is knitted sideways, so work a larger size if you want a longer version. Adjust sleeve length to fit you. Each body part is knitted in two pieces and bound off using 3 needles for a center join. A circular needle is used to accommodate the large stitch number. Vela is knitted with the yarn held double throughout using a 5 mm/US 8 and a gauge of 18 sts and 20 rows in stockinette stitch measuring 10 cm/4″ square.

Em is wearing size XS/S, with a bust measurement of 120 cm/47.25″ with + 34 cm/13.5″ ease. As it is an oversized sweater I suggest the following ease: + 28-38 cm/11-15″. I have graded the sweater in two more sizes: M/L and XL/2XL, with these bust measurements: 132 and 144 cm/52 and 56.75″.

The lovely yarn was given to me by Elsebeth Lavold herself, the first 10 balls that is, when she and her husband drove past our house last summer during their summer holiday. The second bag of balls I received from agent Thomas Kvist, House of Hobbies, who distributes the yarn in Scandinavia. He was kind enough to send me 10 more balls so that I could complete the sweater and make the large cowl. The Norwegian pattern will be printed in the magazine Familien in issue number 17, on sale the 19th of August, while the English pattern is available on Ravelry and on LoveCrafts.

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Bell Jacket Pattern Released

I have released both the Norwegian and the English version of the Bell Jacket, an old pattern that was first published in my Norwegian book “To rett, en vrang. Designstrikk” by Cappelen Damm in 2012, on Ravelry. The pattern has been revised and checked by my technical editor Barbara Khouri, who also made a schematic drawing for it. I choose to have new pictures taken for the pattern release during my last photoshoot in May, where I had two models: Emma Ross and Kaja Kvernbakken. The multi talented Kaja is a former editor, designer, novelist and one of the few Norwegian technical editors. In addition she has been modelling for years and years, ever since she was working as a designer for the Norwegian yarn company Du Store Alpakka. Kaja is wearing my Bell Jacket with a pair of pirate trousers, with make-up & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design, brilliantly photographed next to the corten steel wall by Eivind Røhne.

The Canterbury Bells stitch pattern cover this straight jacket with v-neck shaping and short sleeves. A number of extra stitches are cast on and then decreased to create the bells with their voluminous shadows. Hence the stitch pattern is stretchy and knitted loose to create a sculptural effect. A wide frontband in stockinette stitch frames the fronts and is made to hang loose. The Bell Jacket is knitted in the lovely silk like Tencel 8/2 by Valley Yarns in two colors to make a melange shade with one strand of each held together throughout.

Sizes S (M, L, XL)
Shown in size Small.
Skill level: Experienced

Finished measurements
Bust (with frontbands): 96 (104, 112, 120) cm/37.75 (41, 44, 47)“
Length: 53 (53, 56, 56) cm/21 (21, 22, 22)”
Sleeve length: 22 cm/8.5”

Yarn: Valley Yarns Tencel 8/2 (100% Lyocell, 454 g/1 lb, 3072 m/3360 yds). Sample is knitted in Sienna and Pompeii with 1 strand of each color held together throughout.
Sienna: 1 (1, 1, 1) cone; 1576 (1725, 1880, 2029) m/1724 (1886, 2219) yds.
Pompeii: 1 (1, 1, 1) cone; 1576 (1725, 1880, 2029) m/1724 (1886, 2219) yds.
Or in one color: 3152 (3450, 3760, 4058) m/3447 (3773, 4112, 4438) yds.
Note: Jacket is knitted with 2 strands held together throughout pattern.
https://www.yarn.com/products/valley-yarns-8-2-tencel
Or another light 4-ply/fingering yarn held single and half the meterage/yardage.

Needles: 3 mm/US 2.5 straight needles.
2 sets of 2.5 mm/US 1.5 circular needle (80 cm/32”) for the frontband.
Or size needed to obtain gauge.

Notions: Stitch holders and yarn needle.

Gauge: 29 sts and 38 rows in st st using 3 mm/US 2.5 needle and 2 strands of yarn held together measures 10 cm/4” square.
31 sts and 40 rows in st st using 2.5 mm/US 1.5 needle and 2 strands of yarn held together measure 10 cm/4” square.
23 sts and 32 rows in Canterbury Bells using 3 mm/US 2.5 needle and 2 strands of yarn held together measures 10 cm/4” square.

Notes: The jacket is knitted in pieces and seamed for the ultimate fit. The front band is knitted in three parts before they are all joined, to even out the v-neck shaping.

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Photoshoot at Oslofjord Museum: Bell Jacket

I am ready to begin to show you the photos we took from our base at the Oslofjord Museum at Vollen in Asker, outside of Oslo at the end of May. First out the Bell Jacket, this is an old pattern that was first published in my Norwegian book “To rett, en vrang. Designstrikk” by Cappelen Damm in 2012. I want to present a new model, chosen for the occasion since I had so many designs to photograph this time I choose to book both Emma Ross and Kaja Kvernbakken. The multi talented Kaja is a former editor, designer, novelist and one of the few Norwegian technical editors. In addition she has been modelling for years and years, ever since she was working as a designer for the Norwegian yarn company Du Store Alpakka. You will find her face on several Norwegian knitting books and magazines. So here she is wearing my Bell Jacket with a pair of pirate trousers, with make-up & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design, plus ankel boots by Monica Stålvang, brilliantly photographed next to the corten steel wall by Eivind Røhne.

The Bell Jacket was photographed again since I am releasing the pattern as an individual pattern and because I wanted to sell the Norwegian pattern for reuse to the magazine Familien. I have received several requests for the pattern in English, but knew I had to revise the pattern and have my technical editor to check it as well draw a schematic drawing for it, hence it has taken a lot longer than anticipated.

The jacket is knitted in Valley Yarns, Tencel 8/2 made of 100% Lyocell that comes on 454 gram/1 pound cones with 3072 meters/3360 yards. The sample is knitted in Sienna and Pompeii with 1 strand of each color held together throughout using a 3 mm/US 2.5 needle and a 2.5 mm/US 1.5 needle for the front band. The gauge is 29 stitches and 38 rows in stockinette stitch using a 3 mm/US 2.5 needle with 2 strands held together measuring 10 cm/4″ square.

Kaja is wearing the smallest size with a 96 cm/37.75″ bust circumference. I have added a size extra large and done a few adjustments to the pattern as well as rewriting the pattern into my current pattern writing style. I loved seeing this jacket on Kaja! I am so proud to have such a fabulous team to work with! Thank you!

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Devona Pattern Released

The test knit of Devona, designed for Hillesvåg Ullvarefabrikk in Sølje pelt wool, has come to an end and I have released the pattern. My test knitters corrected and improved the pattern. You can see their different version with modifications such as adding sleeves, making it wider, knitting it in a fade or with two coloured front and changing the neckline on the Ravelry pattern page. Devona can be used as a vest, top or shell as you prefer. Above you see it brilliantly photographed by Eivind Røhne, worn by Emma Ross with hair & make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, at the Vigeland Museum last November. The pattern, in both English and Norwegian, is available from Ravelry and will soon be added to LoveCrafts too. A yarn kit with Norwegian pattern is for sale from Hillesvåg Ullvarefabrikk.

Named after the Goddess of the Rivers of Devon is this vest with textures running into each other at the center. One half is in a twisted rib while the other is honeycomb, divided by a spine of rib. The vest ends in garter stitch bands topped with a soft I-cord bind off. Devona is knitted in the bouncy Sølje Pelsull from Hillesvåg Ullvarefabrikk.

Sizes: XS (S, M, L, XL, 2XL)
Shown in size Small
Skill level: Experienced

Finished measurements:
Bust: 86 (92, 98, 104, 116, 125) cm/33.75 (36.25, 38.5, 41, 45.75, 49.25)“
Length: 61 (62, 63, 64, 65, 66) cm/24 (24.25, 24.75, 25.25, 25.5, 26)”

Yarn: Hillesvåg Ullvarefabrikk, Sølje Pelsull (100% pelt wool, 350 m/383 yds, 100 g). The sample is knitted in Light Jeansblue 2113;
2 (3, 3, 3, 4, 5) skeins; 700 (805, 910, 1015, 1225, 1435) m/765 (880, 995, 1110, 1340, 1569) yds.
https://www.ull.no/produktkategori/garn/nyhet-solje-pelsu…

Yarn alternatives: Cascade 220 Sport (100% wool, 50 g, 150 m/164 yds).
http://www.cascadeyarns.com/cascade-Cascade220Sport.htm
Tosh Sock (100% wool, 100 g, 361 m/394 yds).
http://madelinetosh.com/tosh-sock/
Berroco Cosma (60% alpaca, 30% wool, 10% silk, 50 g, 150 m/164 yds).
http://www.berroco.com/yarns/berroco-cosma
Or another Sport/5 ply or Fingering 4/ply yarn.

Needles: 3 mm/US 2.5 straight needles.
3 mm/US 2.5 circular needle for neck- and sleeveband (60 cm/24”).
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), holders, cable needle and yarn needle.

Gauge: 24 sts and 32 rows in st st measures 10 cm/4” square.
25 sts and 32 rows in Honeycomb measures 10 cm/4” square.
25 sts and 32 rows in Twisted rib measures 10 cm/4” square.

Notes: The vest is worked in pieces and seamed. The neckband and armhole band is worked in the round at the end. Block to make sure the middle two rib stitches are in center and the length of Honeycomb pattern part is identical to the Twisted rib part.

You can find a longer version of this post for public view on www.patreon.com/lindamarveng

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Canola Pattern Released

The test knit of the English pattern to Canola is coming to an end and I have released the pattern on Ravelry. My test knitters have done a brilliant job and you can see their versions on Ravelry. The poncho was made for Hillesvåg Ullvarefabrikk and is knitted in their divine Tinde Peltwool. Yes, there actually is a pelt sheep; a Norwegian sheep breed that is a cross between a Gotland sheep and a Norwegian Short Tail Landrace (spælsau). The wool is naturally light grey and when dyed, it gains a heather colour. It has a lustre and a bit of a halo. In my opinion, it is perfect for cables. Yarn kits are available to order from Hillesvåg Ullvarefabrikk, while both the Norwegian and the English patterns are now for sale in my Ravelry Store. Photographer Eivind Røhne captured this brilliant photo of Emma Ross, with hair & make-up by Sissel Fylling and jewellery by Kaja Gjedebo Design, at the Vigeland Museum back in November. A longer more detailed post, with a photo of my Damara skirt/poncho made for the upcoming Norwegian book, is public on my Patreon page.

Named after Canola the Irish deity who ruled over music magic is this poncho with sideways cables at the bottom and on the high collar. The upper section is picked up and knitted from the lower cable panel and worked in stockinette stitch with shaping for the shoulders. The short sleeves in rib hold the poncho together. You can wear it with a belt or a shawl pin to gather it at the front or loose, just as you prefer.

Size: One Size

Finished measurements:
Bust: 194 cm/76.5”
Length: 74.5 cm/29.25”
Sleeve length: 32 cm/12.5”

Yarn: Hillesvåg Ullvarefabrikk, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). The sample is knitted in Burgundy 2104; 9 skeins;
2158 m/2360 yds.
https://www.ull.no/produktkategori/garn/ullgarn/norsk-pel…

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles: 3.5 mm/US 4 circular needle (80 cm/32” and 40 cm/16”).
3.5 mm/US 4 DPNs for sleeves.
Adjust needle size as needed to match gauge

Crochet hook: 3.5 mm/US E/4 (for provisional cast-on).

Notions: Stitch markers (removable), stitch holders, cable needle and yarn needle.

Gauge: 21 sts and 30 rows in st st, after blocking measures 10 cm/4” square.
49-sts Canola cable measures 16.5 cm/6.5” across.

Notes: The body is knitted in four sections with cables on bottom part and stockinette stitch on the upper part. A long circular needle is used to accommodate the large number of stitches. The sleeves are knitted in the round in rib. The collar is knitted separately using a provisional cast-on so that the ends can be grafted together. If you prefer to have the collar loose, pick up and knit stitches around the neck and work an I-cord bind-off.

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Merino Vest Wrap and Tau Scarf in Familien På Pinnene

The Norwegian magazine Familien has published yet another special issue called “På Pinnene”/On the Needles and I am delighted to say that it includes two of my patterns: Merino Vest Wrap and Tau (a scarf). The vest was first published in my Norwegian knitting book (only translated into Finnish), but Eivind Røhne photographed it again last May, modelled by the gorgeous Emma Ross with make-up & hair styling by Sissel Fylling and jewellery by Kaja Gjedebo Design. Above you see the cover of the magazine.

The Merino Vest Wrap is knitted in the hand dyed Madeline Tosh Sock using 3 mm/US 2.5 needles. Great in Blue is the headline followed by: The vest is knitted sideways in an hand dyed yarn with Indian crosses. The last two words belong to the scarf and were deleted during the proof reading.

Tau scarf was made for the Vienna Wool & Design Festival magazine “Wool 2 Go” in May 2017. I knitted the sample in Lang Yarns, Yak using 4.5 mm/US 9 needles.

The Norwegian magazine “Familien På Pinnene” is available in newsagents and selected supermarkets in Norway or by SMS if you have a Norwegian registered mobile phone: Send “Pinne19” with your name and address to 2205. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

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Behind the Scenes: Photoshoot at Oslofjord Museum

Monday morning was cold with grey skies when model Emma Ross, Michael and I set off from our house in Ørje, driving to Vollen, Asker for the photoshoot at the Oslofjord Museum. We were early but photographer Eivind Røhne had already arrived and so had the second model I had booked for the day, multi talented Kaja Kvernbakken. Kaja is also a designer herself in addition to a novelist, translator and former book editor at Cappelen Damm. This time I had thirteen garments plus accessories to photograph hence I thought a second model would be essential. Some of these designs are secret so you will not see these photos until late this autumn. Fortunately, Kaja was available to model that day. Below you see me talking to Kaja, as I am planning the jewellery borrowed from Kaja Gjedebo Design. I am wearing my Brewster Cardigan first published in knit.wear Wool Studio Vol. I.

Our base was the lecture hall at the Oslofjord Museum, where we had plenty of space. I began by hanging all the garments to photograph including the clothes to wear beneath, then unpacking the shoes, assisted by both Em and Kaja before makeup & hair artist Sissel Fylling arrived. When that was done, Eivind and I walk around in the area and found five different backdrops. Above is the last one we picked. In the meantime, Sissel arrived and we updated her on our plan as well as on the colours of my designs. We decided that both models should have their hair up due to the many collars and cowls, plus extra makeup around the eyes. Below you see her styling Em’s hair.

We began photographing the series of new designs for Hillesvåg Ullvarefabrikkull, next to a small black wooden building, one of the museum buildings. The colour of the building matched the designs perfectly. I wanted one photo of the models together since I have a jacket and a pullover with same cable, so that was the first shoots that Eivind did. Below you see us finishing off that first series, just before we moved to the second location, the corten wall outside along the museum.

After photographing half of the second series, we decided to break for lunch. It was noon and we all had an early start. Just as at the Vigeland Museum, I had ordered catering from Eckers at Frogner in Oslo. The food and smoothies had arrived even before we did so our contact person Anita had taken those in for us. I have taken even less photos than I usually do, since my hands were full (read: with knitted accessories, belts and shoes). Michael was assisting Eivind with the reflector at times, hence he did not photograph all the designs.

I wanted to show this photo of Eivind in action, photographing Kaja. He was alternating between his two cameras and had both hanging from his camera belt when they were not in use. At this point we were just in front of Anita’s office window. Luckily, she was in a meeting and not sitting at her desk while we were outside. Kaja has a large shoe size but managed to squeeze into my red shoes, below worn together with the O-Chem Tunic published in Interweave Knits Winter 2019. The design was returned to me from the US a few months back, hence needs new photos before I can release it after one year. Sissel is fantastic on hair & makeup styling and does her magic all the time. As a former model she is also very quick to spot and correct any flaws. I imagined her giving Kaja a spell – not that she needed it – but take a look at Sissel’s hand movements!

Designer and author Tove Fevang, who lives near by, popped down to say hello so we had a quick chat before we continued to our last backdrop and photographed the last designs, all in much shorter time than I had anticipated!

Michael made a behind the scenes video which will be available for all my patrons on Patreon only, after he has edited it. While Eivind used his drone to make a video, and below you can see him instructing Em. The drone video will also only be available for all my patrons. So if you are interested in learning more about my life as a designer and want to support me, choose your level based on the rewards here: www.patreon.com/lindamarveng.

We had a fun day and it was a magnificent photoshoot! Thanks to my brilliant team! I look forward to showing you the new designs – I still need to finish off those patterns – as well as selecting from Eivind’s photos!

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Corra Pattern Released

The test knit of Corra, made for Hillesvåg Ullvarefabrikk, has come to an end, and the pattern has been corrected as well as improved. I am delighted that the pattern is now available in both Norwegian and English in my Ravelry store, and in English on Loveknitting. A yarn kit with Norwegian pattern is available from Hillesvåg Ullvarefabrikk. My test knitters did a wonderful job correcting and improving the pattern, and their wonderful versions can be seen on Ravelry. I will soon share a few versions here. I loved seeing Emma Ross wear it at the Vigeland Museum last November. Sissel Fylling did her hair and make up. The stunning jewellery is by Kaja Gjedebo Design. Eivind Røhne captured it all.

This elaborately cabled pullover with slightly fitted waist is named after the Prophecy Goddess. Two large cable panels are divided by a small cable that ends in a Henley neck, framed with an I-cord. Unlike the body the sleeves only have two small cables surrounded by stockinette stitch, so all the focus is on the body. Corra is knitted in pieces in the divine Hillesvåg Tinde.

Sizes: XS (S, M, L, XL, 2XL)
Shown in size Small
Skill level: Experienced

Finished measurements:
Bust/hip: 86 (92, 100, 106, 116, 126) cm/33.75 (36.25, 39.25, 41.75, 45.75, 49.5)“
Waist: 78 (86, 94, 100, 110, 120) cm/30.75 (33.75, 37, 39.25, 43.25, 47.25)”
Length: 62 (63, 64, 65, 66, 67) cm/24.5 24.75, 25.25, 25.75, 26, 26.5)“
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.50)”

Yarn: Hillesvåg Ullvarefabrikk, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). The sample is knitted in Blue Turquoise 2129; 5 (5, 6, 6, 7, 8) skeins; 1143 (1248, 1388, 1493, 1668, 1843) m/1250 (1365, 1518, 1633, 1824, 2015) yds.
https://www.ull.no/produktkategori/garn/ullgarn/norsk-pel…

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Rowan, Tweed (100% wool, 50 g, 118 m/129 yds).
http://www.knitrowan.com/yarns/rowan-tweed
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles: 3.5 mm/US 4 straight needle.
3.5 mm/US 4 (40 cm/16”) circular needle for neck band.
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), cable needle and yarn needle.

Gauge: 21 sts and 30 rows in st st, after blocking measures 10 cm/4” square.
40-sts Corra cable measures 15 cm/6” across (at widest point).
64-rows Corra cable measures 21.5 cm/8.5” long.

Notes: The pullover is worked back and forth in separate pieces and seamed. The front has 2 pattern repeats before the v-neck part of the Henley neck begins, then 2,5 when the round neck begins, while the back has 3 pattern repeats.

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