Photoshoot at Oslofjord Museum: Prescott Pullover

The Prescott Pullover was designed for Interweave Knits Fall 2018, or to be precise Museion was my chosen name. I held a KAL in my Ravelry group last autumn and the pullover received the nickname Mr Prescott, after the former British Deputy Prime Minister John Prescott. More than 50 knitters had the company of Mr Prescott, the sweater that is, and it was the most-knit pattern from 2018 from Interweave. It was returned in time for the photoshoot and I choose to photograph the pullover on Emma Ross wearing cream silk slacks with it. I knew I wanted the stones next to the beach at Vollen as the background to match the colour of the design. The Prescott Pullover is knitted in the stunning Acadia from the The Fibre Co. Sissel Fylling did Em’s hair & make up styling, while the jewellery is by Kaja Gjedebo Design. These brilliant photos were taken by Eivind Røhne by the Oslofjord Museum in late May.

The Prescott Pullover emulates intricate iron- and stonework found on historic university buildings. This professional and sleek pullover features soft cabled bell sleeves, and the side ribbing gives it a body-hugging silhouette. The design is worked from the bottom up in pieces, and it is finished with a cozy turtleneck.

The sample shown is size Medium with a bust circumference of 99 cm/39” with + 13 cm/5” ease on Em. The Fibre Company, Acadia yarn is made of 60% merino wool, 20% baby alpaca, 20% silk and comes in 50 gram skeins with 133 meters/145 yards. The sample is knitted in Mountain Ash with a gauge of 24 sts and 30 rows in Stockinette stitch using 4 mm/US 6 needles measuring 10 cm/4” square.

The pullover is worked in pieces and seamed. A circular needle is used to accommodate the large number of stitches. The back and front stitch counts assume 104 stitches between markers for cable. The sleeve stitch counts assume 54 stitches between markers for cable. During shaping, if there are not enough stitches to work a complete cable crossing, work the stitches of the partial cable as they appear.

Finally, here is a photograph of the back. The stunning cable is designed by Devorgilla. The Norwegian pattern will be printed in Familien at a later date, while the English pattern is available on Ravelry and LoveCrafts.

Share

Photoshoot at Oslofjord Museum: Vela

The next set of photos I will show you is of the sweater Vela with cowl. I knew I wanted model Emma Ross to wear this set with a pair of pencil trousers, with make-up & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design, and that I wanted some sailboats or yachts in the background. I brief brilliant photographer Eivind Røhne, who suggested this backdrop at the marina at Vollen. We had our base at the Oslofjord Museum at Vollen in Asker, outside of Oslo, during our photoshoot at the end of May.

Sideways pullover in an eyelet pattern with a center join to enable it to hang straight like a sail or Vela – Italian for sail. Oversized body with narrow sleeves to minimize the volume. Vela ends in a round neck with ribbing. Dress it up with a cowl, that can be worn once or twice around your neck. Perfect for summer, knitted in a lovely cotton mix yarn called Hempathy from Elsebeth Lavold with a crisp stitch definition.

Pullover is knitted sideways, so work a larger size if you want a longer version. Adjust sleeve length to fit you. Each body part is knitted in two pieces and bound off using 3 needles for a center join. A circular needle is used to accommodate the large stitch number. Vela is knitted with the yarn held double throughout using a 5 mm/US 8 and a gauge of 18 sts and 20 rows in stockinette stitch measuring 10 cm/4″ square.

Em is wearing size XS/S, with a bust measurement of 120 cm/47.25″ with + 34 cm/13.5″ ease. As it is an oversized sweater I suggest the following ease: + 28-38 cm/11-15″. I have graded the sweater in two more sizes: M/L and XL/2XL, with these bust measurements: 132 and 144 cm/52 and 56.75″.

The lovely yarn was given to me by Elsebeth Lavold herself, the first 10 balls that is, when she and her husband drove past our house last summer during their summer holiday. The second bag of balls I received from agent Thomas Kvist, House of Hobbies, who distributes the yarn in Scandinavia. He was kind enough to send me 10 more balls so that I could complete the sweater and make the large cowl. The Norwegian pattern will be printed in the magazine Familien in issue number 17, on sale the 19th of August, while the English pattern is available on Ravelry and on LoveCrafts.

Share

Devona Pattern Released

The test knit of Devona, designed for Hillesvåg Ullvarefabrikk in Sølje pelt wool, has come to an end and I have released the pattern. My test knitters corrected and improved the pattern. You can see their different version with modifications such as adding sleeves, making it wider, knitting it in a fade or with two coloured front and changing the neckline on the Ravelry pattern page. Devona can be used as a vest, top or shell as you prefer. Above you see it brilliantly photographed by Eivind Røhne, worn by Emma Ross with hair & make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, at the Vigeland Museum last November. The pattern, in both English and Norwegian, is available from Ravelry and will soon be added to LoveCrafts too. A yarn kit with Norwegian pattern is for sale from Hillesvåg Ullvarefabrikk.

Named after the Goddess of the Rivers of Devon is this vest with textures running into each other at the center. One half is in a twisted rib while the other is honeycomb, divided by a spine of rib. The vest ends in garter stitch bands topped with a soft I-cord bind off. Devona is knitted in the bouncy Sølje Pelsull from Hillesvåg Ullvarefabrikk.

Sizes: XS (S, M, L, XL, 2XL)
Shown in size Small
Skill level: Experienced

Finished measurements:
Bust: 86 (92, 98, 104, 116, 125) cm/33.75 (36.25, 38.5, 41, 45.75, 49.25)“
Length: 61 (62, 63, 64, 65, 66) cm/24 (24.25, 24.75, 25.25, 25.5, 26)”

Yarn: Hillesvåg Ullvarefabrikk, Sølje Pelsull (100% pelt wool, 350 m/383 yds, 100 g). The sample is knitted in Light Jeansblue 2113;
2 (3, 3, 3, 4, 5) skeins; 700 (805, 910, 1015, 1225, 1435) m/765 (880, 995, 1110, 1340, 1569) yds.
https://www.ull.no/produktkategori/garn/nyhet-solje-pelsu…

Yarn alternatives: Cascade 220 Sport (100% wool, 50 g, 150 m/164 yds).
http://www.cascadeyarns.com/cascade-Cascade220Sport.htm
Tosh Sock (100% wool, 100 g, 361 m/394 yds).
http://madelinetosh.com/tosh-sock/
Berroco Cosma (60% alpaca, 30% wool, 10% silk, 50 g, 150 m/164 yds).
http://www.berroco.com/yarns/berroco-cosma
Or another Sport/5 ply or Fingering 4/ply yarn.

Needles: 3 mm/US 2.5 straight needles.
3 mm/US 2.5 circular needle for neck- and sleeveband (60 cm/24”).
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), holders, cable needle and yarn needle.

Gauge: 24 sts and 32 rows in st st measures 10 cm/4” square.
25 sts and 32 rows in Honeycomb measures 10 cm/4” square.
25 sts and 32 rows in Twisted rib measures 10 cm/4” square.

Notes: The vest is worked in pieces and seamed. The neckband and armhole band is worked in the round at the end. Block to make sure the middle two rib stitches are in center and the length of Honeycomb pattern part is identical to the Twisted rib part.

You can find a longer version of this post for public view on www.patreon.com/lindamarveng

Share

Canola Pattern Released

The test knit of the English pattern to Canola is coming to an end and I have released the pattern on Ravelry. My test knitters have done a brilliant job and you can see their versions on Ravelry. The poncho was made for Hillesvåg Ullvarefabrikk and is knitted in their divine Tinde Peltwool. Yes, there actually is a pelt sheep; a Norwegian sheep breed that is a cross between a Gotland sheep and a Norwegian Short Tail Landrace (spælsau). The wool is naturally light grey and when dyed, it gains a heather colour. It has a lustre and a bit of a halo. In my opinion, it is perfect for cables. Yarn kits are available to order from Hillesvåg Ullvarefabrikk, while both the Norwegian and the English patterns are now for sale in my Ravelry Store. Photographer Eivind Røhne captured this brilliant photo of Emma Ross, with hair & make-up by Sissel Fylling and jewellery by Kaja Gjedebo Design, at the Vigeland Museum back in November. A longer more detailed post, with a photo of my Damara skirt/poncho made for the upcoming Norwegian book, is public on my Patreon page.

Named after Canola the Irish deity who ruled over music magic is this poncho with sideways cables at the bottom and on the high collar. The upper section is picked up and knitted from the lower cable panel and worked in stockinette stitch with shaping for the shoulders. The short sleeves in rib hold the poncho together. You can wear it with a belt or a shawl pin to gather it at the front or loose, just as you prefer.

Size: One Size

Finished measurements:
Bust: 194 cm/76.5”
Length: 74.5 cm/29.25”
Sleeve length: 32 cm/12.5”

Yarn: Hillesvåg Ullvarefabrikk, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). The sample is knitted in Burgundy 2104; 9 skeins;
2158 m/2360 yds.
https://www.ull.no/produktkategori/garn/ullgarn/norsk-pel…

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles: 3.5 mm/US 4 circular needle (80 cm/32” and 40 cm/16”).
3.5 mm/US 4 DPNs for sleeves.
Adjust needle size as needed to match gauge

Crochet hook: 3.5 mm/US E/4 (for provisional cast-on).

Notions: Stitch markers (removable), stitch holders, cable needle and yarn needle.

Gauge: 21 sts and 30 rows in st st, after blocking measures 10 cm/4” square.
49-sts Canola cable measures 16.5 cm/6.5” across.

Notes: The body is knitted in four sections with cables on bottom part and stockinette stitch on the upper part. A long circular needle is used to accommodate the large number of stitches. The sleeves are knitted in the round in rib. The collar is knitted separately using a provisional cast-on so that the ends can be grafted together. If you prefer to have the collar loose, pick up and knit stitches around the neck and work an I-cord bind-off.

Share

Merino Vest Wrap and Tau Scarf in Familien På Pinnene

The Norwegian magazine Familien has published yet another special issue called “På Pinnene”/On the Needles and I am delighted to say that it includes two of my patterns: Merino Vest Wrap and Tau (a scarf). The vest was first published in my Norwegian knitting book (only translated into Finnish), but Eivind Røhne photographed it again last May, modelled by the gorgeous Emma Ross with make-up & hair styling by Sissel Fylling and jewellery by Kaja Gjedebo Design. Above you see the cover of the magazine.

The Merino Vest Wrap is knitted in the hand dyed Madeline Tosh Sock using 3 mm/US 2.5 needles. Great in Blue is the headline followed by: The vest is knitted sideways in an hand dyed yarn with Indian crosses. The last two words belong to the scarf and were deleted during the proof reading.

Tau scarf was made for the Vienna Wool & Design Festival magazine “Wool 2 Go” in May 2017. I knitted the sample in Lang Yarns, Yak using 4.5 mm/US 9 needles.

The Norwegian magazine “Familien På Pinnene” is available in newsagents and selected supermarkets in Norway or by SMS if you have a Norwegian registered mobile phone: Send “Pinne19” with your name and address to 2205. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

Share

Behind the Scenes: Photoshoot at Oslofjord Museum

Monday morning was cold with grey skies when model Emma Ross, Michael and I set off from our house in Ørje, driving to Vollen, Asker for the photoshoot at the Oslofjord Museum. We were early but photographer Eivind Røhne had already arrived and so had the second model I had booked for the day, multi talented Kaja Kvernbakken. Kaja is also a designer herself in addition to a novelist, translator and former book editor at Cappelen Damm. This time I had thirteen garments plus accessories to photograph hence I thought a second model would be essential. Some of these designs are secret so you will not see these photos until late this autumn. Fortunately, Kaja was available to model that day. Below you see me talking to Kaja, as I am planning the jewellery borrowed from Kaja Gjedebo Design. I am wearing my Brewster Cardigan first published in knit.wear Wool Studio Vol. I.

Our base was the lecture hall at the Oslofjord Museum, where we had plenty of space. I began by hanging all the garments to photograph including the clothes to wear beneath, then unpacking the shoes, assisted by both Em and Kaja before makeup & hair artist Sissel Fylling arrived. When that was done, Eivind and I walk around in the area and found five different backdrops. Above is the last one we picked. In the meantime, Sissel arrived and we updated her on our plan as well as on the colours of my designs. We decided that both models should have their hair up due to the many collars and cowls, plus extra makeup around the eyes. Below you see her styling Em’s hair.

We began photographing the series of new designs for Hillesvåg Ullvarefabrikkull, next to a small black wooden building, one of the museum buildings. The colour of the building matched the designs perfectly. I wanted one photo of the models together since I have a jacket and a pullover with same cable, so that was the first shoots that Eivind did. Below you see us finishing off that first series, just before we moved to the second location, the corten wall outside along the museum.

After photographing half of the second series, we decided to break for lunch. It was noon and we all had an early start. Just as at the Vigeland Museum, I had ordered catering from Eckers at Frogner in Oslo. The food and smoothies had arrived even before we did so our contact person Anita had taken those in for us. I have taken even less photos than I usually do, since my hands were full (read: with knitted accessories, belts and shoes). Michael was assisting Eivind with the reflector at times, hence he did not photograph all the designs.

I wanted to show this photo of Eivind in action, photographing Kaja. He was alternating between his two cameras and had both hanging from his camera belt when they were not in use. At this point we were just in front of Anita’s office window. Luckily, she was in a meeting and not sitting at her desk while we were outside. Kaja has a large shoe size but managed to squeeze into my red shoes, below worn together with the O-Chem Tunic published in Interweave Knits Winter 2019. The design was returned to me from the US a few months back, hence needs new photos before I can release it after one year. Sissel is fantastic on hair & makeup styling and does her magic all the time. As a former model she is also very quick to spot and correct any flaws. I imagined her giving Kaja a spell – not that she needed it – but take a look at Sissel’s hand movements!

Designer and author Tove Fevang, who lives near by, popped down to say hello so we had a quick chat before we continued to our last backdrop and photographed the last designs, all in much shorter time than I had anticipated!

Michael made a behind the scenes video which will be available for all my patrons on Patreon only, after he has edited it. While Eivind used his drone to make a video, and below you can see him instructing Em. The drone video will also only be available for all my patrons. So if you are interested in learning more about my life as a designer and want to support me, choose your level based on the rewards here: www.patreon.com/lindamarveng.

We had a fun day and it was a magnificent photoshoot! Thanks to my brilliant team! I look forward to showing you the new designs – I still need to finish off those patterns – as well as selecting from Eivind’s photos!

Share

Corra Pattern Released

The test knit of Corra, made for Hillesvåg Ullvarefabrikk, has come to an end, and the pattern has been corrected as well as improved. I am delighted that the pattern is now available in both Norwegian and English in my Ravelry store, and in English on Loveknitting. A yarn kit with Norwegian pattern is available from Hillesvåg Ullvarefabrikk. My test knitters did a wonderful job correcting and improving the pattern, and their wonderful versions can be seen on Ravelry. I will soon share a few versions here. I loved seeing Emma Ross wear it at the Vigeland Museum last November. Sissel Fylling did her hair and make up. The stunning jewellery is by Kaja Gjedebo Design. Eivind Røhne captured it all.

This elaborately cabled pullover with slightly fitted waist is named after the Prophecy Goddess. Two large cable panels are divided by a small cable that ends in a Henley neck, framed with an I-cord. Unlike the body the sleeves only have two small cables surrounded by stockinette stitch, so all the focus is on the body. Corra is knitted in pieces in the divine Hillesvåg Tinde.

Sizes: XS (S, M, L, XL, 2XL)
Shown in size Small
Skill level: Experienced

Finished measurements:
Bust/hip: 86 (92, 100, 106, 116, 126) cm/33.75 (36.25, 39.25, 41.75, 45.75, 49.5)“
Waist: 78 (86, 94, 100, 110, 120) cm/30.75 (33.75, 37, 39.25, 43.25, 47.25)”
Length: 62 (63, 64, 65, 66, 67) cm/24.5 24.75, 25.25, 25.75, 26, 26.5)“
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.50)”

Yarn: Hillesvåg Ullvarefabrikk, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). The sample is knitted in Blue Turquoise 2129; 5 (5, 6, 6, 7, 8) skeins; 1143 (1248, 1388, 1493, 1668, 1843) m/1250 (1365, 1518, 1633, 1824, 2015) yds.
https://www.ull.no/produktkategori/garn/ullgarn/norsk-pel…

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Rowan, Tweed (100% wool, 50 g, 118 m/129 yds).
http://www.knitrowan.com/yarns/rowan-tweed
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles: 3.5 mm/US 4 straight needle.
3.5 mm/US 4 (40 cm/16”) circular needle for neck band.
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), cable needle and yarn needle.

Gauge: 21 sts and 30 rows in st st, after blocking measures 10 cm/4” square.
40-sts Corra cable measures 15 cm/6” across (at widest point).
64-rows Corra cable measures 21.5 cm/8.5” long.

Notes: The pullover is worked back and forth in separate pieces and seamed. The front has 2 pattern repeats before the v-neck part of the Henley neck begins, then 2,5 when the round neck begins, while the back has 3 pattern repeats.

Share

Eira Pullover and White Mountain Ruana in Vårens Strikk

Vårens Strikk/Spring Knits is a special knitting issue published by the bimonthly magazine Familien in Norway released yesterday. I am delighted to have two designs: Eira Pullover and White Mountain Ruana as well as a brief interview in this magazine. Eira Pullover was made for knit.wear Fall/Winter 2017 and knitted in the lovely The Fibre Co. Cumbria using 4 mm/US 6 needles, while the White Mountain Ruana was made for Interweave Knits Winter 2018, knitted in the divine Shibui Knits, Maai using 4 mm/US 6 needles. Both designs were photographed for the second time around worn by the gorgeous Emma Ross, with hair & make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, this time by Eivind Røhne at the Vigeland Museum in November 2018.

The heading is a play on the word “flette” meaning cable in Norwegian, joined with the word “fin” meaning beautiful. Feminine garments with exciting cables is the introduction to the two patterns. The picture text is a short version of my introduction to Eira Pullover: A visually striking center cable named Kanik which is Eskimo for snowflake, adorns the center front and back on this pullover with saddle shoulders.

Here is the White Mountain Ruana, with part of the pattern text in Norwegian. My pages cover a total of 6 page in this special magazine which has a total of 100 pages with patterns for mainly women but also a few for men, children and babies.

The handcraft editor Åse Myhrvold Egeland, sent me a number of questions about my life in stitches such as what is your favourite pattern. I replied: “It is a difficult question. Just now, it is cables designed by the Polish designer Dorota Kowalczyk, aka devorgilla on Ravelry. I have used one of those on Corra, designed for Hillesvåg Ullvarefabrikk and their Tinde Pelsull, which is currently being test knitted”. Åse also wanted a number of photos not only of Em but also of me, so I sent her a small selection she could choose from. Michael is pleased to have his name as a photographer in the magazine. I am wearing Ataraxia, the sample I made that had to be re-knitted since the colour did not fit in together with the other designs in Pom Pom Quarterly Winter 2018 magazine. On the next page you see me wearing the dress Sigyn designed for Hillesvåg Ullvarefabrikk.

This special issue is for sale in newsagents and in selected super markets in Norway. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

Share

Aibell Pattern Released

The test knit of Aibell has come to an end, and the pattern has been corrected as well as improved. I am delighted to let you know that the pattern is now available in both Norwegian and English in my Ravelry Store and on Loveknitting. Aibell was made for Hillesvåg Ullvarefabrikk and is knitted in their divine Tinde pelt wool yarn using 3 mm/US 2.5 needle and 3.5 mm/US 4 needle. The dress came alive to me when Emma Ross wore it at the Vigeland Museum last November. Sissel Fylling who did her hair and make up also suggested wearing the cowl as a belt for those who dare. The stunning jewellery is by Kaja Gjedebo Design, while the black Benedetta wedge boots are designed by Monica Stålvang. Eivind Røhne captured it all.

The idea began as a balloon dress, with a tight rib at the bottom and a voluminous stockinette stitch part. What if I used the stockinette stitches to make cables instead of decreasing and what if I made the introduction of the cables to look like a royal sash? Hence the front and back had to be opposite and not identical. I made a small swatch to see if the idea would work out. Yes, it did to my excitement. I choose to make the sample in a neutral colour and went for natural grey.

Grete Jenssen, aka ma9 on Ravelry, knitted the sample for me in her usual turbo speed and grafted the ends of the cowl together. After I had finished crocheting the dress together and made the neckband, I tried it on and discovered that I could wear it with the rib pulled up a bit, or folded in to make a thick layered tunic or merely hanging down.

Named after the Celtic Goddess of Munster who had a magical harp in her possession is this balloon shaped dress where the shaping is done by the cables. The a-line created by the cables is mirrored on the body. The front has Right cables beginning at hip one at a time, while the back has Left cables. A cowl make a high cabled collar or a belt. Wear it loose hanging down, slightly pulled up or as a tunic with the rib turned.

The dress is available in sizes XS to 2XL and you can see the gorgeous projects from the test knit on the pattern page on Ravelry.

Happy Easter! Enjoy the holidays!

You can read and hear more about my creative life, by becoming a patron with rewards such as monthly free pattern on Patreon.com

Share

Andaman Top Pattern Released

The rights to my pattern the Andaman Top has come back to me from Interweave and I have released the pattern in English on Ravelry with new photos. The Andaman Top was first published in knit.wear Spring/Summer 2018 and is knitted in the lovely Tahki Stacy Charles Fine Yarns BioMerino in Cobalt using 4 mm/US 6 needles. Above you see the gorgeous Emma Ross, with make up & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design as well as skirt by Judith Bech, wearing the sample made in size Small at the Vigeland Museum. Em is brilliantly captured by Eivind Røhne

The Andaman Top will have you craving the intense hues of a Mediterranean summer. With a cropped straight front, the flowing back creates a stylish contrast with its dramatic length and curved hem. The three elegant lace panels running up the front and back of this stylish top have an Egyptian art deco feel, with curving lines and geometric figures.

Sizes: XS (S, M, L, XL, 2XL)
Shown in size Small
Skill level: Experienced

Finished measurements
Bust: 90 (98, 106.5, 114, 124.5, 134.5) cm/35.5 (38.5, 42, 45, 49, 53)“
Front length: 48 (49, 50, 51, 52, 53) cm/18.75 (19, 19.5, 20, 20.25, 20.75)”
Back length: 80 (81, 82, 83, 84, 85) cm/31.25 (31.75, 32, 32.5, 33, 33.25)“

Yarn: Tahki Stacy Charles, Bio Merino (100% merino wool, 50 g, 110 m/120 yds): Sample is knitted in Cobalt 1541: 7 (7, 8, 8, 9, 10) skeins; 680 (750, 810, 870, 945, 1020) m/744 (820, 886, 951, 1033, 1115) yds.

Needles: 4 mm/US 6 straight and circular needle (40 cm/16”) for neck and armhole bands.

Notions: Markers (removable), holders and yarn needle.

Gauge: 20 sts and 28 rows in st st measures 10 cm/4” square.
17-sts Lace repeat measures 9 cm/3.5” wide.
24 rows Lace repeat measures 8.5 cm/3.25” high.

Notes: This top is worked back and forth from the bottom and up in pieces and seamed. The lower back is shaped by short rows. During shaping, if there are not enough stitches to work an increase with its corresponding decrease, work the stitches of the partial lace pattern as they appear.

Share