Eira Pullover and White Mountain Ruana in Vårens Strikk

Posted on April 24, 2019 by Linda Marveng

Vårens Strikk/Spring Knits is a special knitting issue published by the bimonthly magazine Familien in Norway released yesterday. I am delighted to have two designs: Eira Pullover and White Mountain Ruana as well as a brief interview in this magazine. Eira Pullover was made for knit.wear Fall/Winter 2017 and knitted in the lovely The Fibre Co. Cumbria using 4 mm/US 6 needles, while the White Mountain Ruana was made for Interweave Knits Winter 2018, knitted in the divine Shibui Knits, Maai using 4 mm/US 6 needles. Both designs were photographed for the second time around worn by the gorgeous Emma Ross, with hair & make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, this time by Eivind Røhne at the Vigeland Museum in November 2018.

The heading is a play on the word “flette” meaning cable in Norwegian, joined with the word “fin” meaning beautiful. Feminine garments with exciting cables is the introduction to the two patterns. The picture text is a short version of my introduction to Eira Pullover: A visually striking center cable named Kanik which is Eskimo for snowflake, adorns the center front and back on this pullover with saddle shoulders.

Here is the White Mountain Ruana, with part of the pattern text in Norwegian. My pages cover a total of 6 page in this special magazine which has a total of 100 pages with patterns for mainly women but also a few for men, children and babies.

The handcraft editor Åse Myhrvold Egeland, sent me a number of questions about my life in stitches such as what is your favourite pattern. I replied: “It is a difficult question. Just now, it is cables designed by the Polish designer Dorota Kowalczyk, aka devorgilla on Ravelry. I have used one of those on Corra, designed for Hillesvåg Ullvarefabrikk and their Tinde Pelsull, which is currently being test knitted”. Åse also wanted a number of photos not only of Em but also of me, so I sent her a small selection she could choose from. Michael is pleased to have his name as a photographer in the magazine. I am wearing Ataraxia, the sample I made that had to be re-knitted since the colour did not fit in together with the other designs in Pom Pom Quarterly Winter 2018 magazine. On the next page you see me wearing the dress Sigyn designed for Hillesvåg Ullvarefabrikk.

This special issue is for sale in newsagents and in selected super markets in Norway. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

Behind the Scenes: Photoshoot at Vigeland Museum

Posted on November 21, 2018 by Linda Marveng

On Monday, I had a photoshoot at the Vigeland Museum, next to the Vigeland Park in Oslo. The brick building, with a majestic ceiling height, was built in the 1920’s in a Norwegian Neo Classical style. “The museum is the result of a unique contract between Gustav Vigeland and the city of Oslo signed in 1921: The Municipality agreed to build a studio, residence and future museum for the artist and his work, and in return Vigeland donated nearly all his works, previous and future, to the city”. It was with anticipation we (read my brilliant team: Photographer Eivind Røhne; Hair & Make Up Artist Sissel Fylling; Model Emma Ross; Michael; and me) were let in by one of the curators, as the museum is closed to the public on Mondays. During the day we had the chance to observe the curators at work and they us. As much as we admired their work, they enjoyed watching the beautiful garments being photographed and wondered which fashion magazine we were from. I explained that I designed handknit and that the photos were for the patterns and for the magazine Familien. Above you see gorgeous model Em, photographed by Michael in front of one of the plaster models for a sculpture to the park. Em is wearing Eira Pullover made for knit.wear Fall/Winter 2017, soon to be released in English in my Ravelry store.

“Vigeland moved into the new building in 1924, living in the apartment on the top floor of the east wing. Here he resided and worked until his death in 1943. From the tower in this majestic red brick building he had a beautiful view towards the fields of Frogner, where his great project, the park, soon was to be reality.” We were guided into the Children’s room, were we would camp out all day. I am sure we enjoyed it as much as the children who usually visit that room! While Hair & Make up Artist Sissel was working her magic on Em, Eivind and I did a round in the museum. We picked two halls as for our shoot: Hall 9, which you see above and the Monolith Hall, which you see below. On the agenda was photographing a total of 10 garments: 4 new designs for Hillesvåg Ullvarefabrikk; 1 new design for the Norwegian magazine Familien: Nemetona; 4 returning designs from Interweave: Eira Pullover, Rørbye Cardigan, White Mountain Ruana and Andaman Top; 1 old design from my book: Tweedjakke with accessories: Duggdråpe Halser.

“The museum opened in 1947, houses almost Vigeland’s entire production; sculptures in plaster, granite, bronze, marble, works in wrought iron, thousands of drawings, woodcuts and woodcarvings. In the museum you will find the original plasters to his famous busts and monuments, in addition to the plaster models to the sculptures in the Vigeland Park.” Above you can see Eivind in action, with me standing next to him and Michael just behind him. In the end we photographed nearly all of the garments, with the two exceptions you see above, in the Monolith Hall.

The lizard in wrought iron is a model for the gates in the Vigeland Park and the most complicated of these wrought iron works Vigeland made. Their graphical presence added extra drama and was perfect for the Tweedjakke worn over Judith Bech’s wonderful skirt with a train. I was wearing the Patent Poncho, while Sissel – as you can see was cold – and wore her coat inside. To our surprise she did not cut Em’s hair this time. I had also borrowed jewellery by Kaja Gjedebo Design, as I usually do. There is no café at the museum so I had ordered catering from the nearby Eckers Cafe, with one delivery of drinks in the morning and one for lunch, so that we would not loose too much time looking for a nearby restaurant and wait for our lunch. That worked well and while we spent quite a bit of time to set up and prepare for the first garment, the remaining ones went quickly.

Michael assisted Eivind but also had the time to photograph some of the collection in the museum. Eivind had brought both extra lighting and a huge flash to make sure the lighting would be good enough. Above is the Monolith model for the park in front of the Monolith itself. “In the Monolith Hall stand several of the original plaster models to the 36 granite sculptures on the Monolith plateau, as well as the Monolith itself. This sculpture was carved in one piece (hence the name Monolith), but it was first modelled in clay, and then casted in plaster in three parts, as displayed in the museum today.”

The Vigeland Museum is a popular venue for fashion shows, but also for concerts outside in the courtyard during the summer. The photoshoot was exhausting but also extremely rewarding and wonderful at the same time! After the shoot was a wrap – thanks to a brilliant team – and we had taken farewell with the curators and the security officer, we headed for the park, as Em has not had the time previously to see it. Above you see here in front of the Monolith in granite. Do visit both the park and the museum, when in Oslo, they are worth it. I will recapture our visit by choosing pictures from Eivind.

Behind the Scenes: 2nd Photoshoot at Villa Malla

Posted on June 2, 2018 by Linda Marveng

Villa Malla located by the Oslofjord is a real gem, with its beach and jetty. So I decided to have yet another photoshoot here. It feels like a holiday destination, despite the fact that you can not stay over, only have a meal, drinks or ice creams. We had heavy rain in the evening before, but it stopped by the time we picked up modell Emma Ross arriving after midnight from Manchester, UK in Oslo at the central train station. It was overcast with grey clouds when we left for Villa Malla early Tuesday morning. I had planned for the recent heath and summer temperatures we have had here in Ørje at around 26 to 30 Celsius/78 to 86 Fahrenheit – so we began photographing the long dress I have designed for Hillesvåg Ullvarefabrikk. Hair & Makeup Stylist Sissel Fylling wore a skirt for once and was cold until the skies cleared and the heath came back. Em did get a haircut, but none of us where surprised by this anymore, as I cannot recall Sissel not offering to do so. Above you see us in action on the beach, photographer Eivind Røhne is on his way to collect his sand bags so I do not have to hold onto his large reflectors while Em is ready, wearing an old design from my knitting book: Merino omslagsvest/Merino Wrap Vest. Michael captured this wonderful in action photo of us.

Eivind and I walked around at Villa Malla to find the best backgrounds after I had organised the rail with the ten garments to photograph, while Sissel was working on Em’s hair and face. We choose two angles at the beach and the top of the staircase at the upper terrace. As you can see in the photo above, there were several families on the beach and in the water by the time we got down there. Em made several videos while she was visiting, and you can see them all at Instagram, so make sure you follow em450.

Four new designs are for Hillesvåg Ullvarefabrikk, and above you see Em wearing Var knitted in the lovely Tinde together with jewellery from Kaja Gjedebo Design. I am making sure the shoulder seams are where they should be. I loved seeing all my designs on the gorgeous Em. We photographed these in the same position as last time and with the same background that looked more like Santorini in Greece than the Oslofjord near Drøbak in Norway. Both Eivind and Michael made sure there were several sail boats as well as one police boat in the background as we started to photograph the garments.

I finished the last garment the day before the photoshoot, but had a few hectic days waiting for packages sent with Next Day delivery in Norway. It only works if they are sent between addresses in the southern part of Norway, I have discovered. Luckily, the other three new designs were ready: Vaga, Ogma – see above – and Sirona. In addition we photographed the Tau scarf made for the Vienna Wool & Design Festival Magazine: Wool 2 Go vol 01 and Free Falling Pullover which has been returned from the US after being published in Interweave Knits Fall 2017. After photographing 5,5 garment – I decided that we needed some more photos of the Merino Omslagsvest – we had a delicious buffet lunch in the shadow on the terrace at Villa Malla. The divine hand dyed colours of The Blue Brick, Escarpment DK in Ogma was perfect on Em, as you can see in the photo above. It was the last of the garments to be photographed and the end of the photoshoot, I thought. But Eivind had other plans and made a couple of short videos, where Sissel had to act as a wind machine in one of them. Yes, we had fun as we always do on these photoshoots. Now, I am looking forward to seeing Eivind’s brilliant photos and then sharing those. So stay tuned for more.

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Behind the Scenes: Photoshoot at Bøler Church

Posted on November 1, 2017 by Linda Marveng

Our photoshoot day, last Wednesday, had a grey start but it cleared and the sun came out in the afternoon. Michael and I picked up the gorgeous model Emma Ross – Em for short – at her hotel in Oslo, before we drove to Bøler suburb and the church. Em flew in from Manchester in the United Kingdom the day before and we were excited to meet her. Bøler Kirke is a community church by HBA Arkitekter completed in 2011. See more photos here: www.bygg.no. Photographer Eivind Røhne came as we were unpacking the car and meet the parish priest Dag Auli. We were given not only one room for lunch and our luggage but also a separate one for makeup with even larger windows towards the forest. We were given access to every part of the church, except for the Church Hall during the funeral at midday and given a tour of the church. Eivind and I did go all 121 steps to the top of the Bell Tower and had a lovely view of the nearby lake Østensjøvannet, but the platform at the top was tiny and the long drop to the ground made us both dizzy. The makeup & hair artist Sissel Fylling with her assistant Nora arrived and were introduced to Em. Yes, she needed a haircut (read: as we have come to expect) and we did not need to convince Em to accept. While Sissel and Nora set to work on Em’s hair and then makeup, I prepared the rail with the clothes and went on another tour with Eivind & Michael to locate locations. There were 3 backdrops we immediately wanted: The entrance area to the Church hall with its light concrete walls, the rusty cor-ten wall panel and the chapel courtyard. Michael has taken all these wonderful photos. Above is the entrance area and you see Sissel and me at work, while Em is checking out the biblical text written about the entrance to the Church Hall. She is wearing 1 of the 7 new designs, a long cardigan made in the lovely Di Gilpin’s Lalland Lambswool yarn with a unique twist.

Jewellery designer Kaja Gjedebo who lives at Bøler, came on her bicycle with a large selection for me to choose from. Yes, I did pick some of her new statement pieces and some old favourites. Kaja knows this community church well and could tell us about some of the events that take place here. It is one of the few churches with a licence to serve alcohol in connection with the concerts and other events organised at the church. Above you see Em covered in a felted wooly blanket (see Røros Tweed) to keep warm, as Eivind is checking the light and his flash. Yes, we have several of those blankets. Under she is wearing 1 of 3 designs that needed new photos: Autumn Symphony knitted in Hillesvåg Ullvarefabrikk, Ask-Hifa 2. On our agenda was to photograph a total of 10 garments during the day.Here you see Eivind in action photographing 1 of the 4 new designs for Hillesvåg Ullvarefabrikk in the courtyard next to the chapel. Yes, it was a cold day so Em did want that blanket. We started by photographing here as the funeral was going ahead in the Church Hall. After photographing the 4 garments made for Hillesvåg, we needed to get warm and decided to have lunch. I had checked catering but since we were only 7, we bought lunch from a coffee shop in the city center and brought a selections of drinks & fruit with us. As always we had plenty of fun and discussed postures for Em to test out. Both Sissel and I popped into a number of Eivind’s shoots to correct or adjust her hair, makeup or outfit. I love this shoot of Eivind explaining. Em is wearing the Bowery Tunic, one of the designs returned from Interweave, I had to photograph again before I can release it with new photos after the rights have reverted to me. The design was made for knit.wear Spring/Summer 2017. The high ceiling, the light concrete and the full height windows gave this entrance area a sacral light. The impressive lighting is even found in the corridor at the side of the Church Hall as well as inside the Hall itself.

I also wanted to show you half of the church seen from the car park towards the chapel and the courtyard behind it. The tower is the Light Tower and not the Bell Tower which is at the opposite end. We are standing in front of the opposite rusty cor-ten wall panel with the name carved into it. This is also were we ended our photoshoot. The priest came in and asked how it was going on all our locations. We had a brilliant day! Thank you! Now, I am trying to choose photos from Eivind’s selection and trying to finish those patterns…

Behind the Scenes: Photoshoot at Ingierstrand Bad

Posted on May 31, 2017 by Linda Marveng

On Monday I had a photoshoot at Ingierstrand Bad, just outside of Oslo, with an amazing crew. The weather was perfect; warm and sunny. The restaurant, open for private parties during the weekdays and for the public at the weekends, is a popular spot for weddings due to its location next to one of the most popular beaches with a diving tower in Oslo. In fact jewellery designer Kaja Gjedebo, who came to join us, had her wedding party here 11 years ago and this was the first time she was back. You can find a video she made at Instagram. While Jens J. Wiker worked on gorgeous model Alexandria Eissinger‘s hair & make up, photographer Eivind Røhne, second photographer/roadie/technical manager Michael Marveng-Puckett looked at possible back drops. As always it was a day filled with laughter and breath taking results. Eivind always gives everything, above you see how him delivering on his promise to make Alex taller. Jens, next to him is checking his mobile.

Here you see Kaja and Eivind sharing Instagram tips. It was marvellous to have the whole place to ourselves. On the to do list was taking photographs of a total of 10 designs where 5 are new designs; 4 for yarn kits for Hillesvåg Ullvarefabrikk and 1 secret design; 3 designs returned from Interweave Knits and knit.wear in the US and 2 designs only photographed by the Norwegian magazine Familien previously. Judith Bech had as usual sent me a selection of dresses and skirts to choose from. One day I hope she will be able to fly from Northern Norway to join us. I find her dresses magical, hence I am spellbound and ask for more than I need so that I can see how they look together with the knitted garments. Just as with my ideas, some work better in my head than in real life. I ended up using only 2 of those.

Eivind and I are talking strategy, while Alex with Jens’ assistance is ready for action. We speak partly in Norwegian and partly in English all day, even though Alex speaks Danish and Michael Norwegian, they both prefer English. But Alex knows me very well and know that I want front, back and side photographed. Eivind is living in the hope that I will not demand full length photos of all designs, but I rarely give in. Alex is ready for photography of the back of Kathe Cardigan, made for Interweave Knits Fall 2016.

Alex heard a double set of camera clicks as Michael joined Eivind and photographed as well. Thankfully, neither Eivind nor Alex had any issues with that and knew that the Eivind was indeed the photographer of the day. Even Alex joined in and took a selfie, here she is, captured by Michael. Above she is wearing Aki, a new pullover designed for Hillesvåg and below wearing an old design Patent Poncho. Despite the heat, Alex managed to look incredibly cool and only suffered for a brief time when I added 3 cowls on top of each other. Yes, that would only be useful on a very cold day and not on a hot day, with women in bikinis nearby. Kaja wished that she had brought her swimwear.

Unlike me, Alex is always in control of her face when she is being photographed and do enjoy pulling some faces. I have reached the age where I tend to do so unwillingly so much of the time. That is why the back of my head as well as the side feature so much in the photos Michael take of me.

Take a look at the photo above and you understand the tone we have during the day as well as the fun! It took a few second before I saw her face! Alex is wearing Wa, a shawl vest as well as Kaja’s Abelia earring with pearls and Abelia necklace. I saw a number of Eivind’s photos during the day and know it will as usual be extremely difficult to choose photos from the hundreds of magical moments he has captured. Yet, I cannot wait to see them all!

Winter View

Posted on February 4, 2017 by Linda Marveng

We have only had a dusting of snow so far in January, but hope more will come. Here is a view from our terrace taken a few months back. The recent snow we had only stayed on the ground for a day before it disappeared again. The days with this view of the Bunnefjord is coming to an end since Michael and I will be moving to our own house in Ørje at the beginning of April. Ørje is about 1 hour and 10 minutes south east of Oslo and very close to the Swedish border. So we are moving out of Oslo, from a close proximity to the city center, to the countryside. We will still have a view but this time of a lake; Rødenessjøen. We are excited and counting down the days.

New Design: Embrae

Posted on January 7, 2017 by Linda Marveng

I am proud to show you my new design called Embrae. I initially submitted the design to SweetGeorgia Yarns awhile back but it was rejected – while the second submission was chosen instead – so it was left aside while I contemplated its future. I have for a long time wanted to test the American yarn Anzula, especially their yarn called Squishy, because of its fibre mix and its beautiful hand-dyed colours. My choice for the sample was Iris, that only took a few seconds to decide. Embrae, a fitted cardigan with a lace collar, is like a flowery embrace. A lacy leaf pattern adorns the sleeves and the back of the cardigan. The garland at the center of the lace pattern continues on each side of it and covers the collar. The collar can be worn flat or overlapping and pinned together or folded. The Norwegian pattern will be published in the magazine Familien, the date to be confirmed, while the English pattern will be released on Ravelry, after test knitting beginning in mid-August.

Anzula Squishy is a luxurious fibre mix of 80% superwash merino, 10% cashmere, 10% nylon with a generous 352 meters/385 yards on each 114 gram skein. I ordered the yarn from Jimmy Beans Wool online store, and had it shipped from the US. I choose a 3 mm/US 2.5 needle and found a gauge of 24 stitches and 32 rows in stocking stitch measuring 10 cm/4″ square. The cardigan is worked flat in pieces and then seamed to give the best fit and structure to the garment.

The leaf lace pattern is easy to knit and to learn by heart. Part of the lace pattern is a garland pattern which I choose to use on the collar. There are two pattern repeats on the back and only one on the sleeve. The collar is knitted at the same time as each front. The pattern is graded from size XS to 2XL with a bust circumference of 84 to 126 cm/33 to 49.5″, and waist circumference of 74 to 116 cm/29.25 to 45.75″. The sample is knitted in size S and worn on me with no ease at the bust.

I chose garter stitch for the bands, even though it does flare a bit at the back, due to the stretchy lace pattern. The stocking stitch parts show off the semi-solid colour of the yarn. The photos are taken by my husband in late November, less than a week before our photoshoot, at Ormøya by the Bunnefjord, close to where we live in Oslo. The last photo is the arty one. I cannot wait to show you the stunning professional photos of this cardigan, styled with Judith Bech’s cream silk dress, taken by Eivind Røhne. But there is one more new design to show off before I begin to show off the professional photos taken at the end of November at the Architecture Museum in Oslo.

Book Launch: Poncho by Denise Samson

Posted on April 9, 2016 by Linda Marveng

Last Wednesday my husband and I went to the launch of Denise Samson’s second book: Poncho at Cappelen Damm. This launch was held in the book shop which is long and narrow hence well suited for a catwalk. We found our seats next to designers; Ellen Andresen (photographer); Kristin Wiola Ødegård (with glasses on her head) and May Britt Bjella Zamori (in a beige poncho – not hand knitted) as well as knitters; Grete Nymoen (in burgundy) and Cathrine Lovord (in grey). Denise made this book with 50 patterns, not all ponchos but accessories to go with them, as well as shawls in an unprecedented 2 months period. No, Denise did not design all 50 in two months but she did design more than 30 of those. In case you did not know, Denise is a turbo knitter but this time she needed help knitting for once. She did find it, together with a selection of ponchos from other designers to make this tempting book. Above is the tempting invitation to the launch. Yes, “vinn” does means “win”.

Here is our table, as we are listening and knitting to Denise telling the story behind the book before the catwalk started. This photo is taken by Ellen. Denise told us she wanted to make not only those traditional triangular ponchos and not only those used for outerwear. Below is Denise presenting her favorite poncho with a Keltic Knot Cable here worn by Linda Aagnes, the sales manager at Cappelen Damm, photographed by Michael Marveng-Puckett. The cable can be worn at the centre front as below or with the cable across one shoulder.

My favorite is the delicate lace poncho with wrist warmers brilliantly photographed in the book by Guri Pfeifer and modeled by her daughter Anna Pfeifer. You might recognize Anna from my book too. This poncho and mittens set has been published in the Norwegian magazine Made by Me previously.

We were all given a raffle ticket when we arrived to we could take part in the draw for a number of incredibly prizes: 3 different yarn kits, 1 shrug designed & knitted by Denise, 1 pair of wrist warmers also designed & knitted by Denise. There were some very happy knitters who walked away with those prizes. Below you see one of them with Denise handing over a kit from A Knit Story, again captured by my husband Michael Marveng-Puckett.

lt was a great opportunity for us designers to meet up and have a chat. Yes, Kristin Wiola is working on her fourth book, May Britt is busy tech editing and translating as well as making crochet designs, Ellen has just sent off another design submission and so have I. Nina Granlund Sæther is back from her trip to Peru with so many stories to tell.

Finally I wanted to show you this photo off the organizers including, photographer Guri Pfeifer and Anna, photographed by Michael Marveng-Puckett. I first met Denise at Cappelen Damm, since she made the charts for my book. I convinced her to contact the handcraft editor Åse Myhrvold Egeland at Familien who bought everything she had designed up to then. Denise has since delivered designs to Familien at an impressive speed! You can find Denise’s book at www.cappelendamm.no, and you can join her group on Facebook to see all the knit cafes she will be visiting next!

Wollness Weekend Photographed by Dominik Matyas

Posted on November 18, 2015 by Linda Marveng

All the brilliant photos Dominik Matyas, bydominik.com, took at the Wollness Weekend, at Hotel Steinschalerhof, 1.5 hour outside of Vienna, are ready. He has captured the fun we had so well. Above are the organizers; the Austrian Yarn Club founders and some of us workshops holders together with the two husbands present: From the right: Uschi – Ursula Koll, aka Grinsekatz on Ravelry; Irene Brenner aka Irenevienna; Teresa Schinwald, aka RedUrchin second from left and behind her Kathi Fritz, aka dewthing. Lovely and talented designer Hanna Maciejewska, aka hada131, in the center who held workshops in English just a me standing next to her with my husband Michael at the back and in the corner Hanna’s husband Daniel. In the opposite corner, far left, is Betta Pierantoni who held a workshop on Estonian colorwork in German.

Here we are photographing Isabella doing the hippo dance, on the order of Dominik to make us all laugh, you can see my photo of it here: vienna-calling. Guess who acted like a paparazzi?

Above is the portrait Dominik took during my Finishing workshop, and below a collage of some of the photos he took. Dominik was so surprised by everybody’s delightful reaction to my announcement that buttons and buttonholes were next on the agenda. He added it into his workshop in photography, to my delight.

Below is a collage of Hanna’s workshop: Top-Down Set-in Sleeve. You can read more about her impressions of the weekend on her blog here: hadaknits.com/wollness-weekend.

Last but certainly not least is Dominik’s collage from the Wool market, open on Saturday evening and Sunday morning. There were lot of temptations but the selection was a bit overwhelming for some of us. You can find even more photos and info on the Austrian Yarn Club website here: yarnclub.at.

It was a thrill being there during the Wollness Weekend, and meeting so many brilliant knitters, test knitters in person, designer Hanna & Daniel and photographer Dominik. Thank you all!

Linda Marveng

Knit wear designer and author

Tag Archives: Michael Marveng-Puckett