Strikkehelgen/Knitting Weekend in Stavanger

DSCN0359Yes, I have had yet another superb weekend in Stavanger, in south west Norway. I have spent most of the time teaching two workshops; Japanese Patterns and Lace Knitting at the Stavanger Bibliotek/library – the very heart of the city. I flew in on Friday afternoon and was met by my knitting friend and host Anja Præsttun Smith – yes, her husband is English too – at the airport. After a quick sushi dinner we ran to take part in the Stasjonsstrikk/Station Knit event at the library, where seven of us taught a knitting technique to seven moving groups of four knitters. I explained and taught tucks, while Anja taught the magic loop method, designer Charlotte Kaae taught Intarsia and Tone Cecilie Nystrøm taught I-cord bind off – wearing my design the Lyre Bolero – just to mention a few. The 10 minutes at each station went quickly and left us with sweaty hands and hot knitting needles. Afterwards there were talks and I was keen to meet as well as to hear Kari-Helene Rane talk about her design background and co-ownership of Purl Alpaca Designs in the UK, where she lives. Above you see her explaining about the alpaca hairs. Next on the program was Read & Knit with author Eskil Aasmul, then the knit café where a new hat was made for the real estate developer Olav Thon well known for his orange knitted hat. Here is a link to the full program: strikkehelgstavanger.

DSCN0360You can see Anja knitting, third from the right, and be impressed by her speed if watch the brief video interview with her and Gunnhild Marie Hagen, who taught the entrelac method of knitting. See their grinning faces – so characteristic of them both – below, and watch the video here: aftenbladet.no.

@ Anders Minge/Stavanger Aftenblad

@ Anders Minge/Stavanger Aftenblad

Saturday night there was a knitting party at the Røde Sjøhus/Red Seahouse. I was so happy to be seated next to the Danish designers: Charlotte Kaae, Lene Holme Samsøe, (wearing a traditional kofte), Bente Geil and the Swedish designer Anita Grahn (wearing a pink shawl). Bente has her own yarn company, Geilsk, and know a lot about our desperate need for more yarn, she revealed and gave us new ideas for how to bring it into our already well stocked yarn stash: Leave it in the car for a day, then it becomes old yarn and can easily be moved into the house. You can see her talking below. We had tapas but chatted, laughed, and knitted more than we ate. A band played while we knitted – some where even smart enough to bring their headlamps so that they could see properly! The winners of the lottery was drawn, and they were all very happy knitters indeed.

DSCN0363My lace knitting workshop, the day after, was held in the Glasshuset/Glasshouse which was more like a glass cage, since there were only 4 signed on and we could just squeeze in. The Strikk & Drikk/Knit & Drink organizer Monica Haga selected us as one the television crew from Tv Vest could film, so below you can see the top of my head in the front.

Tv Vest

@ Tv Vest

Even if you do not understand Norwegian the video from Tv Vest gives you a good impression of the event itself: tvvest.no/eldorado-for-strikkere. If you know my designs well, you might have spotted that Bodhild Peerstøe (in white) is wearing the Jacket in Cross from my book. Instead of using the original Valley Yarns Tencel she choose a thin crochet cotton yarn and sewed on a button at the end of the tie to close it at the back instead of tying it at the front. See the photo I took of her below. I was thrilled to see it and how well it suited Bodhild! Thank you!

DSCN0366With little time not knitting nor teaching, I had a magnificent time in Stavanger just as I did last year! Thank you to all the organizers and to Anja for letting me stay with her and her lovely family again!

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Aine Knitted by Designer Shireen Nadir

TheBlueBrick/www.thebluebrick.ca

TheBlueBrick/www.thebluebrick.ca

My jaw dropped when I saw all the divine photos designer Shireen Nadir posted on her blog, TheBlueBrick of my design Aine photographed not only in Rome with a magnificent backdrop but also on the cruise ship going there. Aine is part of the SweetGeorgia Yarns Fall Collection and so is Siesta – a clever cowl with a triangular shape at the front – designed by Shireen. Above a photo of Shireen taken at the Ponte Sant’Angelo with the Castel Sant’Angelo in the background. I was gobsmacked to read that: “On our honeymoon, Aine was with me every evening on the ship 🙂 I am completely in love with this cowl, the texture is out of this world! Linda Marveng, the designer, is a genius”.

TheBlueBrick/www.thebluebrick.ca

TheBlueBrick/www.thebluebrick.ca

Shireen’s Honeymoon Aine is made in “Sweet Georgia’s Merino Silk Aran (discontinued) in the colour way ‘Goldmine’. I’ve been hoarding it forever and this was just the perfect project for such a luxury yarn”. Let it be mentioned that while Shireen was knitting her husband was sketching, so they were both engrossed in their hobbies in the evenings. Yes, one of the knitters did comment upon it. Do join my Ravelry group unless you have done so already, we do have a lot of laughs, and we all do knit a lot, see www.ravelry.com/groups/linda-marveng.

TheBlueBrick/www.bluebrick.ca

TheBlueBrick/www.bluebrick.ca

Here is another of Shireen’s photos I could not stop admiring. I love how she has captured the texture so well! Thank you so much, Shireen!

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Interweave Knits Winter 2016 with my Inverness Sweater

FC_KNW16I am so proud to have been selected to have a design in the Classics Issue – Interweave Knits Winter 2016. My design is the Inverness Sweater – which introduces the A light in winter chapter – a classic Aran, has a becoming A-line shape. Twisted rib stitching introduces twisted long cables that are divided by ray-of-honey and moss-stitch side panels. I am delighted with the large selection of photos Harper Point Photography has taken of it, and want to show them all. Above is the cover of the magazine, now available digitally and in a few weeks time in print. My design was also chosen by editor (and a designer herself) Meghan Babin as her favorite project to my astonishment and utter delight, see the Knitting Daily newsletter here: cable-month-kick-off-interweave-knits-winter-2016.

Marveng Inverness 4

Interweave Knits/ Harper Point Photography

I found the submission call on the Interweave website for the Classics Issue intriguing. Read their description, and you will understand why: “Though we typically ask for designs that follow several different themes, in this issue we are trying something new. For the Winter issue, we want to see traditional, iconic sweaters. That is the theme. Give us your best Arans, Fair Isle pullovers, ganseys, Nordic ski sweaters, Icelandic yokes, Bohus yokes, and more. Show us rich texture and colorwork in traditional shapes: drop shoulders, underarm gussets, unshaped bodies, steeks, picked-up sleeves, circular knitting. What subtle details can you introduce to make the looks modern without totally redesigning the archetype?”.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

Those were my key words and set me to work. I decided on a popular a-line shape and a modified drop shoulder and a round neck with a double neck band. The twisted cable is one of many favorites and set me off. I choose a rib with the same twisted stitches, a border dividing the different patterns including the moss stitch panels in the side. A number of swatches later I was delighted with my combination of the dividing borders, twisted cables and ray of honey as the center panel. The design was born and a sketch with suggestions for sizes plus yarn, gauge plus needles as well as construction notes was submitted.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

This pullover is worked from the bottom and up with modified drop shoulder. The body and sleeves are worked in the round up to the armhole, then flat to final bind off. There is one cable on each side of the center Ray of Honey panel on the body but only one centered cable without the Ray of Honey panel on each sleeve. The decreases are worked in each side of the body for the a-line shape. The neckband is double in a Twisted Rib and also worked in the round.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

The previous editor, Lisa Shroyer, e-mailed me with the wonderful news that my design was accepted and suggested using Plymouth Yarn Galway Worsted. I had no objections to that at all and was keen to try out this yarn, new to me. Like me, Lisa suggested the shade natural, keeping it classic.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

I choose to knit it using a 4 mm/US 6 to obtain a tight gauge and maximum stitch definition, even though a lot of knitters would choose a larger size with the Aran/Worsted yarn. During knitting, I must admit I wished I had opted for a larger needle but then I did love the result when it was finished. As usual I could have made the sleeves longer but then I have no standard sized arms but extra long ones, just as the model in the photographs.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

Above is yet another photograph of the front, with a slightly different backdrop. I love the neutral backgrounds they have chosen which make the cables on the sweater stand out even more. When you see the large selection of photos they have chosen you understand how difficult it is to choose only a few out of so many excellent photographs you usually have after a photo shoot.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

Here are the last two landscape format photos. The one above creating interesting lines as a contrast to the ones on the sweater.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

A close up shows the neckline and the different stitch patterns clearly. I do also think this sensual look draws you in, and capture the essence of the sweater so well. Now, I am looking forward to seeing a few knitters make their own version of my Inverness Sweater from Interweave Knits Winter 2016.

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Behind the Scenes: Photoshoot at Ekeberg Restaurant

XT1A6088 cropOn Wednesday we had a fantastic day at the Ekeberg Restaurant – on a hill overlooking the city and the fjord – only 5 minutes from where we live. Photographer Eivind Røhne picked up model Alex Eissinger/Sweden Models at the train station Oslo S as she arrived by the Airport Express Train – flying in from Copenhagen – while hair and make up artist Sissel Fylling drove the short distance to the restaurant. As usual Sissel wanted to cut the model’s hair, and since this is the second time around for Alex she let Sissel do exactly what she wanted to do. Just as the rest of us do… My husband was the photo assistant, technical support and also the paparazzi according to Eivind. He has taken these two first photos of us on the veranda at the restaurant above, and me still planning the outfits below. I had borrowed 4 amazing wedding dresses and a fringe skirt from designer Judith Bech but used only two of them in the end.

XT1A6004First, I booked the photographer Eivind Røhne, then hair & make up artist Sissel Fylling, followed by model Alexandra Eissinger (An American living in Malmø in Sweden) and last, the restaurant. Everyone could do the same date to my immense relief. I finished knitting and sewing in buttons the night before the photo shoot with at lot of assistance from sample knitter Grete Jenssen, aka ma9 on Ravelry, who knitted the last jacket in just 8 days. You can see the back of it in the photo below: It is one of four designs to be included in the Norwegian magazine Familien Håndarbeid out in March, before they are test knitted and published in English.

DSCN0340I must admit I cannot remember what Eivind was explaining at this point in time, but I can assure you we had plenty of laughs throughout the day! A total of 9 garments were brilliantly photographed, and for me they came alive on the gorgeous Alex with beautiful hair & make up by Sissel and passed the quality control unlike seeing them on myself. As usual we did test out a number of possible photo settings like Alex standing in the high window sill – too much light; sitting on the floor – too tight a dress; sitting on a chair with a curtain behind her – too much like a portrait. In the end we used the veranda a lot, the window in the large “Festsal” and the back stair case outside.

DSCN0351Above you can see the view from the veranda facing the other side. All these windows are opened up during the summer and give a spectacular view of the fjord and the city center. You might recognize the fringe skirt from my previous photo shoots – this time in a light tan color – I have borrowed the black one, twice already from designer Judith Bech. The jewelry is borrowed from Kaja Gjedebo Design just as last time. I had also borrowed shoes from Monica Stålvang but ended up using two of the pairs I bought for the photo shoot of my book; both by Danish shoe designer Camilla Skovgaard. We had hoped that both dress designer Judith Bech and former Made by Me editor Mary-Ann Astrup would join us, but with pneumonia (it did not help that Judith had her plane ticket ready), nor did plenty of work for Mary-Ann, they did not make it. However, the rest of us had a great lunch at the restaurant and finished well in time before the light faded in the late afternoon. Thanks to brilliant team work! I cannot wait to see a selection of all the photos Eivind took!

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Atika Pattern Released

Atika COVERFinally, I have been able to release Atika. The cowl and the loose sleeves were stunningly worn by Alexandria Eissinger at Pholk, with hair & make up by Sissel Fylling, dress by Judith Bech, jewelry by Kaja Gjedebo and brilliantly captured by photographer  Eivind Røhne for the Norwegian magazine Made by Me. I am thrilled that I have been able to gather the same team again – hence the delay in releasing this pattern – and our photo shoot is today – more will be revealed later.  As usual my test knitters had some great suggestions for improvements of the English pattern, and I followed their advice. Below is the essential pattern information.

ATIKA                                                                                                                                                        A cowl to warm your shoulders or your neck. Or why not wear it as top with matching loose sleeves gracing a stunning dress like this designed by Judith Bech. Both the cowl and the loose sleeves are knitted in the round using a beautiful reversible stitch pattern called Hearts of Oak with both texture and a drapy edge. Make your own perfect yarn by combining a lace weight yarn like the luscious Dreamline Soul from Du Store Alpakka with a fingering yarn like Merino Tweed from Pickles.

Sizes:                                                                                                                                             Cowl: One Size     Loose Sleeves: S/M (L/XL, 2XL)

Finished Measurements:                                                                                                    Cowl: Width: 26.5 cm/10.5″   Length: 109 cm/43″                                                                   Loose Sleeves: Bottom 23.5 (25, 28) cm/9.25 (9.75, 11)”. Top: 32.5 (34.5, 37) cm/12.75, (13.5, 14.5)”. Length: 40 (42, 44) cm/15.75 (16.5, 17.25)”

Yarns: Du Store Alpakka, Dreamline Soul (68% baby alpaca, 32% nylon, 25 g, 177 m/195 yds). Sample is knitted in DL214 Melange green/blue tones. http://www.dustorealpakka.com/garn-sortiment/?category=29                                       Pickles, Merino Tweed (100% wool, 100 g, 380 m/415 yds). Sample is knitted in PMT551 Mountain Far. http://shop.pickles.no/en/products/yarn/pickles-merino-tweed/           Note: Yarns are held together throughout.                                                                            Cowl: 3 skeins of Dreamline Soul, 2 skeins of Merino Tweed; 424 m/464 yds of each yarn.   Loose Sleeves: 2 skeins of Dreamline Soul, 1 skein of Merino Tweed; 318 m/348 yds of each yarn.  Or another DK/8 ply yarn held singularly.

Needles: 4 mm/US 6 circular needle (80 cm/32″) for cowl. 4 mm/US 6 DPNs for loose sleeves. Adjust needle size as needed to match gauge.

Notions: 1 m/1 yard thin round elastic for loose sleeves, 3 stitch markers and yarn needle.

Gauge: 20 sts and 30 rnds in st st using both yarns held together measures 10 cm/4″ square.

Notes: The cowl is knitted sideways and in the round. You can adjust the length by removing or adding pattern repeats of 10 sts. If you want to wear it twice around your neck, add 2 pattern repeats. The loose sleeves are knitted in the round to the end. An elastic band is threaded through the stitches on the wrong side of the top of each sleeve. Use knit-in elastic if you prefer.

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Vienna Part Two

XT1A5884Our program in Vienna was so packed, just as the Wollness Weekend was, with plenty of knitting related events, in addition to a fashion show and sightseeing. We had 3 knit nights at Steinschalerhof and then a fourth in Vienna, again organized by the Austrian Yarn Club. Did I tell you that I have discovered Bingo? Knitting bingo that is; where all the numbers are replaced by well known pattern names, knit speak or a fun yarn fiber quote. Who wants to shout bingo when we can use knitting terms, right? Above is a photo from the Elke Freytag Fashion Show, we were invited to join curtesy of Teresa Schinwald of the Austrian Yarn Club.  The brilliant photo is taken by my husband! We all loved mingling with well known politicians and other celebrities, as well as watching the fashion show and the possibility to study all the garments.

DSCN0322Designer Hanna Maciejewska, aka Hada Knits, had arranged to meet her test knitter Susanne and she asked me if I wanted to join them. I would be mad not too, since I have enjoyed every minute of Hanna’s company as well as our exchange of experiences. Susanne turned up in the latest pullover she had test knitted for Hanna; Wien. It was beautifully knitted with a perfect fit on her. Hanna was wearing her own design: Endearment, while I was wearing my Gyda. To our joy Susanne took us to the Museum Hundertwasser, where the coffee shop look as charming as the outside did. Below you see a photo of the three of us, so happy to be sharing our knitting experiences.

23466682th_medium 2 cropI was overwhelmed to meet several of my test knitters and seeing so many of my designs at the Wollness Weekend – a total of 8 to my astonishment. Due to our tight program I was not able to photograph them all, but here is Anne Marie, aka anne1981 on Ravelry, wearing her stunning Lattice Back Jacket knitted in Schulana Donegal-Tweed.

XT1A5729On our last day in Vienna, Michael and I went to see the Edvard Munch exhibition at Albertina with Hanna and Daniel, and then to the Leopold to see their Klimt and Schiele collection. The atrium took our breath away with its height, light and scale. Just as most of the buildings in Vienna did…

XT1A5929I am still trying to land after this amazing trip to Vienna and the Wollness Weekend. Thank you Austrian Yarn Club for this opportunity!

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Vienna Calling

DSCN0310 copyIsabella Mach, aka Isa, offered to take us back to Vienna directly to our hotel from Steinschalerhof and we obviously accepted in a flash. We arrived in a wet Vienna, unpacked and then located designer Hanna Maciejewska + husband, before we headed out for dinner and a long walk through the city centre of Vienna. We are all staying at the Hotel Wien in the 2.nd District with a walking distance to the city centre, recommended by Austrian Yarn Club organiser Irene Brenner who live nearby. Above is a photo of the landmark, St. Stephen’s Cathedral

DSCN0299 copy

Irene and her husband took us sightseeing on our first day in Vienna. They are in the centre of the photo above. Of course we meet up with Ursula Koll – notice her love of bright colours, see pink shawl above – and then later on Teresa Schinwald, as well as the German visitors Betta and Andrea for coffee and cake at a famous café – as you do.

DSCN0288Before we left Steinschalerhof, we had a session with photographer Dominik Matyas who took a number of group photos. Isa was helping out, doing a hilarious hippo dance in the background. We will have to wait a couple of weeks to see all of his photos, since he was busy taking numerous project photos for most of the knitters present.

Dominik Matyas/ byDominik.com

Dominik Matyas/ byDominik.com

Above is one of the workshop photos he took of my Professional Finishing Workshop, part II. At the rail you can see a few of my designs I had brought to show off and to wear at the venue.

DSCN0276 copyThere was a yarn market at the Wollness Weekend, where knitters could destash and yarn shops display their yarn and knitting gadgets. Despite the fairly small room the selection was overwhelming!

DSCN0280 copyAbove is the stunning modified Gyda – from a jacket into a sweater with a wonderful deep square neck knitted by Ursula Koll, aka Grinsekatz on Ravelry. Yet another of my designs I spotted at the Wollness Weekend, to my utter delight. At the moment Ursula is finishing her Hennika, this time not only in pink but in a fluorescent pink. I cannot wait to see the finished result.

Yesterday, we went to visit Suncica Wilhelmer, an architect and a yarn shop owner who lives in the Rufer House designed by the architect Adolf Loos. Not only did we want to see her house but Hanna and I also wanted to check out her yarn selection and fondle some yarn. The name of her yarn shop is Wollsalon Sunshine Loop, and we were both tempted into buying several skeins of yarn. The yarn shop is located in the former kitchen, and I loved the fact that the owner wanted not only a window facing the street but also one facing the indoor staircase so he could spot the visitors from his office. In the evening Hanna and I were at their knit night. We finally managed to do some more knitting…

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Wollness Weekend

DSCN0255I had no problem spotting Isabella Mach, aka Strickizzy on Ravelry, at the airport in Vienna, not only was she wearing my Lattice-Back Jacket but she was also holding onto a skein of yarn, since I had only seen photos of her online before. Isabella had knitted like obsessed to finish the jacket in time for my arrival, even though it was not because I demanded it, see below. The skein of yarn was the idea of the organisers’ of The Austrian Yarn Club. Isabella took Michael and me in her little car to the location of the Wollness Weekend in the beautiful hills of the Pielach Valley, to the family-run Nature Hotel Steinschalerhof.

DSCN0258 copyI was delighted to meet some of the organisers but also a number of the knitters that had already arrived for the weekend in addition to the designer Hanna Maciejewska, aka Hada Knits also accompanied by her husband, Daniel. As all addicted knitters (minus two husbands) we had to do some knitting before we all went to dinner in this charming hotel. The Steinschaler kitchen is ecological, with a lot of the vegetables and herbs grown in the kitchen garden, and the portions are extremely generous. No wonder, last year’s participants gained quite a lot of weight.

DSCN0257 copyAfter dinner, we continued to knit into the late hours, before we gave in. The breakfast did match the dinner and I will work my way through the huge selection including numerous home made jams and juices. After breakfasting for a couple of hours we continued to knit. My first workshop Finishing part 1 began in the afternoon and will continue today in the morning. I am enjoying all the knitting and the possibility to lower my shoulder back into the right position.

DSCN0261 copy

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Morning Sky

XT1A4272Tomorrow I am off to Vienna for the Wollness Weekend, and I cannot wait! I so look forward to meeting a number of my Ravelry friends in real life as opposed to online. Before I go I plan to submit another design to Interweave, and do some serious knitting for my upcoming photoshoot at the end of the month. I am pleased to say that I do have excellent sample knitting help in Grete Jenssen, aka ma9, so I can achieve all my goals for it. In the meantime I wanted to show you this marvelous photo my husband took from our terrace of the moon early one morning a few months back in July. Enjoy the view, we do!

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Talila Pattern Released

I am so happy to publish the English version of Talila on Ravelry, with an introductory offer which will be valid until I am back from Wollness Weekend on the outskirts of Vienna on Thursday 22nd of October. Talila was recently published in Norwegian in the new digital magazine “På Pinnen” for members of Norsk Strikkeforening/Norwegian Knitting Association. The set was brilliantly photographed by Eivind Røhne in May, worn by gorgeous model Anne Dorthe/Team Models with hair and make up by Sissel Fylling, statement jewelry by Kaja Gjedebo and boots by Monica Stålvang.

Talila E COVERTALILA

Just as the morning dew, they are named after, these cables move from one end to another across wrist warmers and all over a divine large cowl, with a matching clutch. The warm accessories are knitted in the beautiful Norwegian pelt yarn, Norsk Pelsullgarn from Hifa to make the cables soft and the background texture pulsating. The set is knitted in the round but can easily be adjusted by adding a pattern repeat or stitches in garter stitch. The clutch is reinforced and has magnetic bag closures.

Sizes: Cowl: One Size. Wrist warmers: One Size. Clutch: One Size

Finished Measurements:                                                                                                   Cowl: Height: 26 cm/10.25″. Circumference: 108 cm/42.5″                                               Wrist warmers: Circumference: 22 cm/8.75″ (can be stretched to 26 cm/10.25″). Length: 26 cm/10.25″                                                                                                                   Clutch: Width: 22 cm/8.75″. Height: 13 cm/5″

Yarn: Hifa, Norsk Pelsullgarn (100% pelt yarn, 100 g, 260 m/284 yds). Sample is knitted in Burgundy 1104: http://www.ull.no/garn/ullgarn/norsk-pelsull                                    Cowl: 2 skeins; 416 m/455 yds                                                                                                     Wrist warmers: 1 skein; 161 m/176 yds                                                                                       Clutch: 1 skein; 255 m/279 yds                                                                                                      Set: 3.5 skeins is sufficient for set: 832 m/910 yds

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light                           Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds) http://www.jamiesonsofshetland.co.uk/spindrift-and-double-knitting-1-c.asp          Rowan, Tweed (100% wool, 50 g, 118 m/129 yds) http://www.knitrowan.com/yarns/rowan-tweed                                                          Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds) http://www.malabrigoyarn.com/subyarn.php?id=29                                                                 Or another DK/8 ply yarn.

Notions: Cable needle (cn), 4 stitch markers and yarn needle. Firm table mat to be cut into two pieces: 30 by 22 cm/11.75 by 8.75″ and 6 by 22 cm/2.25 by 8.75″, magnetic bag closures (19 mm/0.75″), sewing thread and sewing needle for clutch.

Needles: 3.5 mm/US 4 circular needle (80 cm/32″) for cowl and clutch. 3 mm/US 2.5 circular needle (80 cm/32″) for clutch. 3.5 mm/US 4 DPNs for wrist warmers.

Gauge: 22 sts and 32 rnds in st st measures 10 cm/4″ square. 23 sts and 32 rnds in cables measures 10 cm/4″ square.

Notes: Cowl is knitted sideways, in the round as the wrist warmers, both with centering stitches making a ladder to frame the pattern. Adjust the width by adding pattern repeats of 10 sts or an equal number of garter sts in each end of the round. The clutch is knitted in 2 parts; a main part knitted in the round in pattern and st st for lining and divider. Reinforce it with e.g. a firm place mat which is put inside the main part. The divider is folded and attached in the sides, the bottom and then a pocket is made by sewing seams on the inside.

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