Oydis Knitted by Suzanne Chartrand

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I was so delighted to see Suzanne Chartrand, aka rejean on Ravelry, test knit version of the Oydis Sweater. This striking photo showing how the claret coloured pullover matches her hair, blew me away. Suzanne knitted size XL in Patons Classic Wool DK Superwash, and used a smaller needle size, 3.5 mm/US 2.5, after the a-line decreases to make the top part smaller and a better fit for her. It was the first of many test knit Suzanne has done for me. She is a retired teacher, which makes her ideal as a test knitter in addition to 50 years of knitting experience, living in Val-des-Monts, Quebec, Canada.

Here is another photo of the front of the pullover with the curved hem more clearly. You can find Suzanne’s notes on her project page where she writes: “When I saw the picture of the pattern it was love at first sight. Test knit for Linda. Great pattern. Easy to follow.
Linda includes many links to videos on techniques used in the pattern”. Thank you so much, Suzanne!

Finally, here is a photo of the back. You will find the Oydis Sweater pattern in Norwegian, German and in English for sale on Ravelry (as an individual pattern but also in an Norwegian & English e-book: Norse Goddess Collection), Loveknitting and Woolspire. It is available in sizes XS to 2XL and I have many more gorgeous versions of it to show you, later.

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Idunn Pattern Released

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The next pattern I have released in my Ravelry store in English is Idunn, made for Hillesvåg Ullvarefabrikk’s yarn kits. The pattern has been test knitted and I am thrilled to see all the finished projects on Ravelry. Idunn was brilliantly photographed by Eivind Røhne, worn by the stunning model Alexandria Eissinger/Nordic Model Agency, with hair & make up by Jens J. Wiker and jewellery by Kaja Gjedebo Design, at Villa Malla in June last year. The pattern is also available in English at Loveknitting and in Norwegian together with the original yarn in your own colour choice from Hillesvåg Ullvarefabrikk.

Named after the Norse goddess of spring and immortality is this straight sweater with a Henley neck with center cables. Ribs frame the cables in each side and make the sweater figure hugging. One center cable adds texture to the sleeve. The sweater is worked in the round to the underarm in the lustrous pelt yarn with a mohair feel, Tinde Pelsull from Hifa.

Sizes: XS (S, M, L, XL, 2XL)

Finished measurements:
Bust: 88 (94.5, 101, 109, 119, 129) cm/34.75 (37.25, 39.75, 43, 46.75, 50.75)”
Length: 60 (61, 62, 63, 64, 65) cm/23.5 (24, 24.5, 24.75, 25.25, 25.5)”
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.5)”

Yarn: Hillesvåg, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). Sample is knitted in Petrol 1105:
4 (4.5, 5, 5.5, 6.5, 7.5) skeins; 952 (1092, 1232, 1419, 1653, 1887) m/1041 (1194, 1347, 1552, 1808, 2064) yds.
http://www.ull.no/garn/ullgarn/norsk-pelsull

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Rowan, Tweed (100% wool, 50 g, 118 m/129 yds).
http://www.knitrowan.com/yarns/rowan-tweed
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles: 3.5 mm/US 4 circular needle (80 cm/32” and 40 cm/16”).
3.5 mm/US 4 DPNs.
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders, cable needle and yarn needle.

Gauge: 21 sts and 30 rows in st st measures 10 cm/4” square.
1 cable (18-sts) measures 5.5 cm/2.25” across.

Notes: The sweater, both the sleeves and the body are worked in the round to the armhole and then worked back and forth in rows.

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Report Two: Vienna Wool & Design Festival

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It has taken awhile to mentally land after attending Vienna Wool & Design Festival. I look forward to seeing the official photos taken with all of us teaching present on the stage. In the meantime I can show you one with four of us, taken Sunday afternoon before my last workshop: Italian designer Valentina Cosciani, standing next to me, in front of her American designer – living in the Netherlands – Nancy Marchant and Polish designer Hanna Maciejewska. Photographing are Daniel, Hanna’s husband and my husband with extra cameras. Valentina has her own YouTube Channel and she has made an excellent video from the festival where she walks through the workshop rooms and all the 23 stalls in the market hall. Yes, it is in Italian but it does make you feel like you are there: youtube.com.

I also wanted to share my haul from the festival: Gorgeous mini-skeins and a full skein of British Gotland 4ply in addition to their two magazines called Sticka, all given to me by The Little Grey Sheep so I can play with their yarns. Take a look at the previous blog post to see how I am holding onto the skeins as if my life depended on it. 5 lovely balls of Lalland Lambswool by Di Gilpin, I could not decide which colour I wanted to test and when Sheila – Di’s assistant talked about how to work with two or three strands at a time, my mind exploded. I did not really want to let go of any of the colours and Di let me keep them all to test. My friend, test knitter and organiser Uschi, was so kind and ordered the two German magazines “Neu Strick Mode” for me – they are German versions of the two latest American knit.wear magazines. Uschi also gave me the rest of her Doulton Flock Border Leicester Yarn DK she used to knit my design Helka for me to try out. Suncica gave me a copy of the festival magazine: wool 2 go – a large glossy magazine with 12 patterns in English and German from 9 participating designers, including yours truly. The pink flyer at the back is the floor plan of the market hall.

Susanne, aka shannara13 on Ravelry, assisted at Suncica’s first stand, Wollsalon and showed off her test knitted version of my design Idunn sweater, knitted in String Theory Hand Dyed Yarn Merino DK in a pale grey called Pewter. Thank you, Susanne! I was so happy to meet knitters, test knitters and designers, some I had only meet online before, in person!

On Saturday evening there was a Galla Dinner, so I brought a long silk skirt and a silk top. I claimed a large part of Michael’s suitcase in addition to the one I had already filled with workshop materials and my designs to show off before we left. Michael was hoping that the suitcases would be lighter coming back, but he was wrong. Yes, I did give away a lot of workshop papers but with the extra yarn and magazines, we traveled home with even heavier suitcases. But I digress. Seven of us met in the reception and walked to the Italian Restaurant, Trattoria Martinelli at the Palais Harrach: British designer Anna Maltz led the way – assisted by Michael – for German designer Isabell Kraemer, Nancy Marchant, Hanna & Daniel Maciejewska and me. When I realised I was the only one of the designers who had not brought my knitting, everyone stopped abruptly – knowing the scale of this disaster – and offered to go back. I decided that I could manage without it, but loved the shared feeling & laughter as we walked on. Of course we arrived late, but it was a very pleasant stroll through the streets of Vienna.

At the palace we talked and Suncica introduced the team behind the magazine; graphic designer, stylist and photographer. You can spot the top of my head, behind Isabell Kraemer, talking to Di Gilpin. We had champagne and canapés before we went inside and had another 4 amazing courses. I sat next to Di’s husband and across from Hanna at the end of second table. The six of us at the end of the table had not finished talking at 23.00 when most of the party had left and decided to have a last drink in the bar at the hotel. It was a marvellous evening and late one before I went to bed!

On Monday, our last day in Vienna, we said goodbye to Nancy, had a late breakfast with Hanna & Daniel pluss Isabella and her partner. That was yet another highlight from Vienna and all for this time.  Thank you to everyone I met in Vienna!

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Report One: Vienna Wool & Design Festival

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My first highlight of the Vienna Wool & Design Festival was that I met up with Nancy Marchant at the airport in Vienna on Friday afternoon. She landed half an hour before Michael and I so, Suncica suggested booking a taxi for the three of us, knowing that we would have a lot of luggage with us. It gave me a wonderful chance to get to know the Queen of Brioche Knitting. The festival had already began by the time we arrived; the first set of workshops started in the afternoon. Several of the stands were set-up, ready for the influx of knitters on Saturday, in the Market Hall  (read: the Ballroom) at the Arc Hotel Wimberger. While I was busy looking down at all the yarns on all the 23 stands, Michael looked up and captured the banners with my design Tau, published in the: Vienna Wool & Design Festival Magazine: wool 2 to go 01. Mail order is open from today.

Suncica, one of the two organisers, had three different stands: The first for her current yarnshop: Wollsalon with the wonderful yarns like: Artyarns, Hedgehog Fibres, Lorna’s Laces, Malabrigo and Shibui. The second for her new brands called Pop-Up Store with: The Uncommon Thread, Biscotti Yarns and Doulton Flock. The third for her new yak yarn: Myak. I must admit seeing all those brands made me craving yarn. I am sure that sound familiar to many of you! I was way too busy talking to knitters I had meet in Vienna in 2015, test knitters from my Ravelry group and friends to take photographs, so most of these are taken by my husband!

Uschi, the other organiser, told me that they early figured out that they needed a photo wall, and where better to place it than on the stage. We took advantage of it and asked Susanne, aka shannara13 on Ravelry, to join us. On the Friday we were all wearing the same bluebell shade of blue and all my designs: Uschi, aka Grinsekatz on Ravelry, is wearing Ronette, Susanne is wearing Irina Pullover, both have made adjustments to the pattern to make them their own and  I am wearing Kori.

I was looking forward to seeing Scottish designer Di Gilpin again. I met her first time at the Rowan Yarns’ stand at the Knitting and Stitching Show in London several years ago, while I was still working for Rowan and she was launching her first book with Rowan yarns. Now, she has her own yarn brand: Lalland Lambswool, sell finished garments and designs both for hand knitters and for haute couture. In the photo above you see Sheila, who trains all their sample knitters and assists Di. Her eye for design and especially intricate cable work stand out, just take a look at her website here: digilpin.com. And yes, I have several balls of her yarn to play with now. To be continued.

All the beautiful colours and yarns on the British The Little Grey Sheep stand blew me away. Here I am lost in colours. All you can see of me is the back of my design Helka. I first spoke their shepherdess Susie (you can see her in action in the picture hanging above the mini skeins in the photo below), before I spoke to dyer & manager Emma.

Invited to this festival was also the Polish designer Hanna Maciejewska, aka Hada Knits, who I met up with during the festival. We enjoy each others company a lot! Suncica, aka Sunce5555 on Ravelry, stopped us in our tracks asking for more autographs for the magazines. We obliged, enjoying the lime light for a short period of time.

Hanna’s husband Daniel was walking around with his camera just as Michael was. Another designer who also brought her man was Isabell Kraemer, but due to our workshop schedules I was not able to talk to her until Monday morning when the six of us had a late breakfast. I am very proud of the fact that I did not buy any yarn, but I was given several skeins and balls to play with so I do not feel deprived in any way.

None of my workshops were fully booked and the small groups made them extra enjoyable since it gave us more time to get acquainted! Among the participants I spoke Norwegian to three of them to my surprise; two of them were living in Austria while the third had worked as an au-pair in Norway. The rest of the time, I spoke English and several of the Austrian participants where surprised how quickly they could recall their English vocabulary that not been used for awhile. More photos and stories are coming up next so stay tuned.

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Tau for Vienna Wool & Design Festival

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I am back in Vienna, this time for a new festival called Vienna Wool Design Festival  organised by yarn store owner, Suncica Wilhelmer and Ursula Koll. When I was invited I was also asked if I could submit a pattern to their festival magazine WOOL 2 GO and I accepted the challenge. The impressive glossy magazine, printed in German and English, contains 12 patterns by 9 participating designers: Nancy Marchant, Isabell Kraemer, Hanna Maciejewska, Valentina Cosciani, Emma Boyles, Karina Moebius, Suncica Wilhelmer and Ursula Koll. On the cover is Vienna Mitts by Nancy and I had the pleasure of meeting her at the airport, she landed half an hour before Michael and I arrived, so we shared at taxi to the Arcotel Hotel Wimberger. I have also meet the organisers, Hanna, knitters I met last time I held workshops in Vienna and had a lovely dinner with Irene Brenner.

One of the Lang Yarns I wanted to test was Yak, made of 50% yak and 50% wool, available in 50 gram balls with 130 meters/142 yards. All the colours have a black melange colour and I choose the Teal colour. I was thrilled that they choose to photograph the scarf on a handsome young man. Just to emphasise that the scarf is unisex.

The scarf is knitted using 4.5 mm/US 7 needle with a gauge of 18 stitches and 26 rows in stocking stitch to 10 cm/4″ square. It is available in one size with a width of 17 cm/6.75″ and length: 150 cm/59″. Here is my introduction to the pattern:

I was instantly captivated by this teal coloured luscious Yak yarn by Lang Yarns, especially chosen and designed for the Vienna Wool & Design Fesitval. A rope like cable worked over rib stitches gives it a sculptural feel. Naturally, I named it Tau meaning rope in Norwegian, and human being in an Eskimo language.

One of the photos of the scarf is featured on the back page together with Suncica’s acknowledgements as well as exciting news that she is opening a concept yarn store in the centre of Vienna in the summer of 2017.

I am looking forward to meeting more knitters  while teaching 4 workshops here in Vienna and to the Galla Dinner later tonight!

Thank you to the team behind the magazine:

EDITOR
Sunčica Wilhelmer

STYLING
Filip Fiska

ART DIRECTORY
Nino B. Pavlek

HAARE, MAKE-UP
Sophie Kaspar

FOTO
Julia Stix

LAYOUT
Tina Stundner

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Halli Pattern Released

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I am pleased to release the English pattern of Halli after the test knit in my Ravelry group. The pattern has been corrected and improved. It is available to buy on Ravelry and on Loveknitting. I have enjoyed seeing the different versions of Halli appear and look forward to seeing more completed. The sample was brilliantly photographed by Eivind Røhne on the stunning Alexandria Eissinger/Nordic Model Agency, with hair & make up by Jens J. Wiker and jewellery by Kaja Gjedebo Design, on a sweltering day in June last year at Villa Malla by the Oslo fjord. The Norwegian pattern is only available as part of a yarn kit from selected yarn stores and directly from Hillesvåg Ullvarefabrikk. Here is the introduction to the pattern:

A sideways cardigan with a reverse textural pattern, and deep waterfall fronts. Each front and sleeve has two tucks at the end; one in reverse stockinette stitch and one in stockinette stitch. Choose if you prefer to leave the fronts hanging loose, pinned loosely together or draped across each other. Halli, comes from Old Norse and means rock. Perfect for the stitch pattern and symbolicly for becoming the rock in your wardrobe.

Sizes: XS (S, M, L, XL, 2XL)

Finished measurements:
Bust (excl armholes and collars): 100 (107, 114, 124, 134, 144) cm/39.25 (42.25, 45, 48.75, 52.75, 56.75)”
Bottom width excl collars: 120 (129, 138, 152, 166, 180) cm/51 (54.75, 58.25, 63.75, 69.25, 74.75)”
Full width incl collars: 140 (149, 158, 172, 186, 200) cm/55 (58.75, 62.25, 67.75, 73.25, 78.75)”
Length (back): 76 (78, 80, 82, 84, 86) cm/30 (30.75, 31.5, 32.25, 33, 33.75)”
Sleeve length: 50 (51, 51, 52, 52, 52) cm/19.75 (20, 20, 20.5, 20.5, 20.5)”

Ease/size note: The cardigan is intended to be worn with extra ease at the front to create the waterfall effect. If you want less fabric to drape at the front, work a shorter front before the armhole on right front and after armhole on left front. If you prefer a shorter length on the body choose a smaller size when casting on, but work to the lengths given and the armhole for your correct size. Alexandria is wearing size S and is a clothes size European 34/UK 6/US 2.

Yarn: Hillesvåg Ullvarefabrikk, Hifa Sølje (100% pelt yarn, 350 m/382 yds, 100 g). Sample is knitted in Lys Dongeriblå:
7 (8, 8, 9, 10, 11) skeins; 2240 (2520, 2783, 3115, 3465, 3815) m/2449 (2755, 3043, 3406, 3789, 4172) yds. https://www.ull.no/produktkategori/garn/ullgarn/nyhet-solje-pelsullgarn/

Yarn alternatives: Cascade 220 Sport (100% wool, 50 g, 150 m/164 yds).
http://www.cascadeyarns.com/cascade-Cascade220Sport.htm
Tosh Sock (100% wool, 100 g, 361 m/394 yds).
http://madelinetosh.com/tosh-sock/
Hand Maiden, Camelspin (70% silk, 30% camel, 100 g, 300 m/328 yds).
http://handmaiden.ca/product/camelspin/
Berroco Cosma (60% alpaca, 30% wool, 10% silk, 50 g, 150 m/164 yds).
http://www.berroco.com/yarns/berroco-cosma
Or another Sport/5 ply or Fingering 4/ply yarn.

Needles: 2 sets 3 mm/US 2.5 circular needles (120 cm/47”).
3 mm/US 2.5 DPNs.
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders, crochet hook, waste yarn and yarn needle.

Gauge: 24 sts and 32 rows in st st measures 10 cm/4” square.
24 sts and 34 rows in Halli measures 10 cm/4” square.

Notes: The body is knitted sideways in one piece, from right front to first armhole, where it is split and worked in two parts until armhole is complete, and back is worked to second armhole, and finally left front. Right front begins with a provisional cast-on, which is later removed and replaced by an I-cord bind-off, while left front ends in an I-cord bind-off. The sleeve is knitted in the round to the armhole, then flat to final bind off. The fronts and the sleeves have two tucks; one in reverse stocking stitch and one in stocking stitch after each other at the beginning. The tucks are worked with 2 sets of circular needles held together, and with the magic loop method on the sleeves.

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We Are Well Settled

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Yes, we are well settled in our new house. Michael has just finished the last building the last bookshelf and has moved onto the next project; extending the front terrace. I am working in my new studio – still at our dining table but it is not our dining table any more and it will eventually become my working & meeting table. Most of the boxes are unpacked, even though there are plenty of tidying and sorting of drawers to be done. We have even met a few of the neighbours and discovered that this is indeed a small place. A few shop owners in our local town knew we were moving in and exactly which house we have moved into. The previous owners are well known in Ørje, and so will we be, by the sounds of it.

Now even our mailbox is in the right place across the road now – the first few days we did not have one and missed having one. Even the mail redirection service works well, I am pleased to say. There are deer out in the forest close to our kitchen window in the early mornings. Above you can spot one of them. All we can hear are the birds and a bit of traffic, so my shoulders seemed to have moved down several centimeters since we moved.

My studio, originally the garage then a “peisestue” (read second living room usually with a fireplace – here a gas heater), will be refurbished beginning this summer when we are planning to replace the small basement windows with floor-to-ceiling windows. The gas heater will be removed, since there is floor heating installed beneath the slate floor tiles. A number of my folders, samples, yarn and workshop materials are still in boxes and I need to sort out the ones that will be kept stored in boxes in the next door storage room. My new orange leather chairs are from IKEA, while I have inherited the bookshelves we used to have in our old living room, in addition to the cow skin. As you can guess, I wanted to add some colour to my studio and it was an easy choice for me. My sister-in-law and niece have already tested them and approved of my choice.

On the short wall you can see two of the five photos exhibited at the Strikke 2016 at Hadeland Glassverk last autumn. There is a third one in the corner and two on the opposite short wall. I do love having so much space and living for years in London does make me appreciate it even more. If you find my desk extremely tidy, it is not because I do not have any work on, but because I cleared it especially for this photo. As usual I am working to keep my deadlines. A new place to photograph has been found and it has already been tested; it is a nearby beach. All we need now, is for warmer weather to arrive since it has been colder than usual for April. However, I am busy preparing for the upcoming Vienna Wool & Design Festival as well as writing patterns, so it does not matter that much.

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Strick Mode – Bowery Tunic in German

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The American magazine knit.wear Spring/Summer 2017 has been translated and is published in German as strick mode issue 0217. I am excited to hear this news since it means that my design Bowery Tunic is now available in German as well.

Above you can see the Bowery Tunic presented in German at the strick mode website. Here is the American version: “The body of this pullover is worked back and forth in pieces and seamed. The sleeves are worked in the round, with the sleeve cap worked flat. You’ll love working the gorgeous cable motifs on the front panel, and the asymmetrical hem gives unexpected flair to this pullover.”

The tunic is knitted in madelinetosh, Tosh DK, a hand-dyed merino wool with crisp stitch definition, in a divine medium grey called Tern. The yarn comes in 100 gram skeins with 205 meters/225 yards and knits with a gauge of 20 stitches and 30 rows in stocking stitch to 10 cm/4″ square.

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Biondo Scarf Pattern Released

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My new design, Biondo Scarf, has been released in English on Ravelry and Loveknitting. The Norwegian pattern will be printed in Familien at a later date. The pattern has been test knitted and you can see the four completed ones on Ravelry. The reversible scarf, that can be used as a shawl was worn by Silje Andresen/Team Models, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design, over Judith Bech’s divine silk skirt. The scene was brilliantly captured by Eivind Røhne at the National Museum – Architecture in late November last year.

Biondo – Italian for blond – scarf is reversible with a twisted stitch as a divider between each of the three cables. The stitch also work as a folding line, hence emphasises the more relaxed alternate side. The scarf is knitted in a divine silk and alpaca mixture for that lovely feel and sheen.

Size: One size

Finished measurements:
Width: 29.5 cm/11.5”
Length: 140 cm/55”

Yarn: Du Store Alpakka, Baby Silk (80% baby alpaca, 20% mulberry silk, 50 g, 133 m/145 yds). Sample is knitted in Pale Yellow 352:
6 skeins; 758 m/828 yds.
http://dustorealpakka.no/garn/baby-silk/

Alternative Yarns: Madeline Tosh, Pashmina (75% merino wool, 15% silk, 15% goat, 100 g, 329 m/360 yds).
http://madelinetosh.com/pashmina/
Blue Sky Fibers, Alpaca Silk (50% silk, 50% camelid alpaca, 50 g, 134 m/146 yds).
http://blueskyfibers.com/product/alpaca-silk/
Drops, Baby Alpaca Silk (70% alpaca, 30% silk, 50 g, 167 m/182 yds).
http://www.garnstudio.com/yarn.php?cid=1&id=98

Needles: 3.5 mm/US 4 circular needle (80 cm/32”) or straight needle.
Adjust needle size as needed to match gauge.

Notions: Stitch markers, holders, cable needle (cn) and yarn needle.

Gauge: 24 sts and 32 rows in st st measures 10 cm/4” square.
33 stitches in Rib Cable measures 9.5 cm/3.75” across.

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Bowery Tunic Again

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The time has come to show you the photos – well, a selection of the best ones, really – that my husband took of me wearing the Bowery Tunic just before I sent it off to Interweave in July. The pattern was released in the latest issue of  knit.wear Spring/Summer 2017, which is available both in a digital and a print edition. We photographed the tunic close to the beach at Ormøya, in walking distance to our old house at Bekkelaget in Oslo. It was not a sweltering July day, so I had no problems wearing boots and the tunic knitted in hand-dyed merino wool – madelinetosh, Tosh DK to be specific. The yarn comes in 100 gram skeins with 205 meters/225 yards and knits with a gauge of 20 stitches and 30 rows in stocking stitch to 10 cm/4″ square using a 4 mm/US 6 needle. The shade chosen by editor Meghan Babin is a stunning medium grey called Tern.

I wanted to make sure that the different length on the back and the front plus vent was easy to see: A cable panel with electronic vibes, not unlike Jean Michel Jarre renown music – hence the Jarre working title – is the focus point for this a-line pullover with a longer back ending in a vent in the sides. The collar, just like the bottom edge, is in garter stitch and crowns the garment ending in an i-cord bind off.

I am wearing the sample, made in the third size with a bust circumference of 105.5 cm/41.5″, with 15.5 cm/6″ of positive ease. The tunic is graded into 6 sizes with a bust circumference from 85 to 136 cm/33.5 to 53.5″. The back is one cable pattern repeat longer than the front, 11 cm/4.25″. Here is a presentation of the Leather & Lace  Story in the knit.wear Spring/Summer 2017 issue.

We also wanted to have a go at photographing it sitting down so here is one of those photos. I did look for a high stone that could work, but could not find any in the correct position nor size.

Last but not least, here is a detail of the back and the sleeve. The sleeve has a center garter stitch panel since the cable was too dominant to add to the sleeve. I also wanted more texture than what plain stocking stitch can provide, but this can easily be omitted if you prefer to work it plain. Now that we have moved to Ørje, we are on the look out for a new place to photograph, but is bound to be close to Rødenessjøen.

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