It was a dark and grey morning when we set off from Ørje to Mortensrud Church in Oslo on Friday 13th of November for our photoshoot. I had planned and booked Vardåsen Church in Asker, but due to stricter Corona restrictions they cancelled all arrangements including our photoshoot. Mortensrud Church, on the other hand, still have a few small events taking place and allowed us to have a photoshoot there. Model Olivia Lindtein was at the church, when we arrived. She had planned extra time this time as she was late last year, but so were we due to traffic chaos as a result of the extremely heavy snow. Photographer Eivind Røhne arrived next before Make-up and Hair Stylist Sissel Fylling turned up. Straight to work and it did not take long until Sissel asked Olivia if she could cut off about 7 cm/2.75″ of her hair at the back and shorten it around her face. Thankfully, Olivia agreed.
Eivind prepared his equipment, while I hang the new designs on the clothes rail, while Michael was making a Patreon Behind the Scenes Video. When I was done, Eivind and I had a walk around the church to decide which backdrops to use. We chose a couple of the same ones we used last November. Eivind suggested a small change to an old location and I went for three different backdrops. Three and not four since there was little good daylight due to the weather. Michael and Eivind moved the chairs so that we would have enough space to move around at the first backdrop.
I had eight new designs to be photographed, that I had finished a few days earlier, with a lot of help from sample knitters Grete Jenssen and Airin Hansen. In addition I chose two of my old designs, made for my Norwegian knitting book, “Fletteskjørt“/Cabled Skirt and “Japansk Vest“/Japanese Vest that I wanted new photos of. Four of those new designs are made for Hillesvåg Ullvarefabrikk and I decided to have those photographed first. Above you can see both Eivind and Michael (read: photographer number two) in action, photographing Olivia wearing Kyi; a skirt made for Hillesvåg Ullvarefabrikk. If you wonder, yes, I have taken the top three photos with my mobile phone.
I was wearing my Gyda, knitted in Ask, a pure wool from Hillesvåg Ullvarefabrikk. When we left home, I was also wearing the lace cowl and the tweed belt that is part of the Gyda Cowl pattern, but since the heating was on in the church I had taken those accessories off. Above you see both Sissel and me adjusting Rym the ballet top that goes with Kyi the skirt on Olivia. Both are knitted in the new yarn called Vidde a mix of 50% Pelt wool and 50% Lambswool with 200 meters/220 yards on each 100 gram skeins using a 4.5 mm/US 7 needle.
I know I look very sceptical in this photo, but I did not feel it. My mascara is already under my eyes due to all the laughing. Sissel is quicker than me to adjust the clothing as well as the hair & make-up. So often her head ended up in one of Eivind’s photos, that we all had to laugh, you get the idea from the previous photo.
I love this photo of Olivia eating cake, she admitted that she always have extra space for cake. Just as last time I had ordered a delicious lunch with juices and smoothies from Eckers Café at Frogner in Oslo city center.
My mum lives at Mortensrud, only 5 minutes away from the church and she wanted to pop in to see us all in action. Sissel took this photo of us, standing in the staircase ready for the fifth design to be photographed just after our lunch. On the hanger is the Seneka skirt and a matching silk scarf I had brought.
Here is exactly what my mum and I could see of Olivia wearing the Cabled Skirt, taken at the very spot. We photographed the Seneka skirt next. I had not figured out how to use the silk scarf, but Sissel instantly knew that it should be in her hair. We both agreed that it softened the outfit and made it absolutely perfect.
Michael had a similar view to me, behind me in the staircase, so above you can see Olivia wearing Senna – cardigan – and Seneka – skirt here worn as a poncho – putting on those high healed shoes. Both are knitted in the divine hand dyed Neighborhood Fiber Co. Organic Studio Worsted yarn.
The last photo I will share is the view Sissel and I had of Olivia wearing Kaibara being photographed by Eivind upstairs on the narrow gantry. We were told off by Eivind for not standing straight enough. That meant that we were both in the photo. So we straightened up even further after we had stopped laughing. I had a wonderful day, which I am reliving as I select photos from the pdf that Eivind has sent me. Thank you to my magnificent team!
More photos of all the new designs are available for those of you with a Patreon membership, while some of them will be shown here later on. Michael is doing the last finishes on a Patreon only; Behind the Scenes Video.
For the first time I attended the Strikkefestival/knitting festival at Fefor Høifjellshotell/High Mountain Hotel at Vinstra in the Gudbrandsdalen. Designer Kari Hestnes asked me last year if I wanted to attend and hold workshops as well as a talk there, from the 3rd to the 5th of May.
I was delighted to accept and Michael wanted to join me. My sister-in-law Marianne Spæren Marveng and her friend Tove Wahl took the challenge to become my models for the Saturday evening Catwalk. Neither of us stayed in the historic amazing suites dating back to 1902 pictured on their website but in the newer wing of the hotel. After a very warm April, we drove from Ørje to Vinstra and had snow on the way up, during the five hour long drive. The nearby Fefor Lake was still frozen, see the photos above.
We arrived just in time for lunch on Friday, then we had time to look around before the opening of the festival at 5.30 pm. Lunch was a small buffet with soup of the day and a large selection of cakes. There are several lounges and salons to sit and knit in. A total of nine stands were placed in some of these: Designers: Helle Siggerud; May Britt Bjella Zamori; Pinnedans (read: Needle dance – sisters; Heidi and Mette) and Kari Hestnes. Yarn dyers: Nina Petrina and Hege Dagestad. Yarn spinners: Amadeus Angora and Natur Gull. Yarn shop: Håndarbeidsstua. Kari showed us around the knit cafe areas, the dining hall and the large conference hall where I also would hold my workshops: Flettestrikk Masterclass/Cable Knitting Masterclass and Engelske Mønstre/English Patterns.
Before dinner at 7 pm, I used the opportunity to meet Nina Petrina in person and look at her hand dyed yarn – all dyed on Hillesvåg Ullvarefabrikk pelt wool and lambswool bases. She presented gorgeous colours and the book “Strikk med Gradienter”/Knitting with Gradients available in English on Ravelry.
Photographed by Nina but also with design by other designers. I also caught up with May Britt, Pinnedans and Helle. It was also fun to meet new knitters and friends from Ravelry there. Some Norwegian knitters seem to be on all or many of the knitting festivals I attend; Hello Marianne Skatten and Lill-Ann Borgen!
Breakfast began at 7.30 AM and we were ready for it by that time on Saturday. I had my first workshop at 9.30 AM to 1 PM, so Michael helped me set up the room. 13 participants had signed on for my first workshop: Cable Knitting Masterclass. Above you see us all in action, captured by Kari Hestnes. After my workshop, my sister-in-law Marianne and her friend Tove arrived in good time for their catwalk meeting with Kari. Marianne is size Extra Small and her friend Tove is size Small so they were both perfect for my sample garments as well as some of the other designers samples. I had an hour to spare and decided to try the swimming pool before my talk.
Kari chose the Digital Knitting talk, and everyone was welcome to join in, if they wanted. After my talk most of the knitters rested before dinner at 7 PM and the catwalk at 9 PM. I rested in the bar with my knitting and talked to Kari. This was her 6th and last as knitting festival general. New generals are May Britt Bjella Zamori and Hege Dagestad, they were presented at the closing do on Sunday afternoon. Above you see me presenting Tove wearing my Gyda jacket with Gyda Cowl knitted in Hillesvåg Ullvarefabrikk Ask, photographed by Marianne Skatten. I am wearing my Yellow Gold Pullover knitted in Jamiesons Spindrift.
There were strong spotlights on the catwalk so all the photos became a bit washed out. All the models were told to relax and have fun. There was no need to take this too seriously. It worked, they all seamed to enjoy themselves, even though it was the first time for some of them. Above you see my sister-in-law Marianne wearing the Harding Cardigan knitted in Brooklyn Tweed Shelter. In the background you also see the Pinnedans sisters.
Here is my Oydis Sweater with the Oydis Cowl worn by one of Kari’s models whom she also uses for her designs. Michael has taken many more photos of the catwalk and I will share more of those, but I will end this blog post with a photo of Pinnedans that shows some of the fun we had.
I was so attracted to Russian Inna Guli, aka inchi’s project page on Ravelry not only by her photography but also by her knitting skills and attention to details. Inna also designs and on her blog you will find a large selection of her photos. I was delighted when she wanted to join the test knit of Gyda. She choose a lilac blue color in Vita Alpaca-Wool, since her gauge was slightly off, she recalculated the pattern to fit and knitted it using 3 mm/US 2.5 and 3.5 mm/US 4. Inna chose to make button loops instead of button holes and use some buttons she had in stock. The color and fit is perfect on her. Thank you so much, Inna!
Above you see the back, with her blog address: inchi-guli.blogspot – where you can see more gorgeous photos. The sample was knitted in the lovely Hifa Ask in Melange Turquoise. The Norwegian pattern was first published in Familien Trend in March 2015, but is after the completed test knit now available in both English and Norwegian on Ravelry and Loveknitting.
Our program in Vienna was so packed, just as the Wollness Weekend was, with plenty of knitting related events, in addition to a fashion show and sightseeing. We had 3 knit nights at Steinschalerhof and then a fourth in Vienna, again organized by the Austrian Yarn Club. Did I tell you that I have discovered Bingo? Knitting bingo that is; where all the numbers are replaced by well known pattern names, knit speak or a fun yarn fiber quote. Who wants to shout bingo when we can use knitting terms, right? Above is a photo from the Elke Freytag Fashion Show, we were invited to join curtesy of Teresa Schinwald of the Austrian Yarn Club. The brilliant photo is taken by my husband! We all loved mingling with well known politicians and other celebrities, as well as watching the fashion show and the possibility to study all the garments.
Designer Hanna Maciejewska, aka Hada Knits, had arranged to meet her test knitter Susanne and she asked me if I wanted to join them. I would be mad not too, since I have enjoyed every minute of Hanna’s company as well as our exchange of experiences. Susanne turned up in the latest pullover she had test knitted for Hanna; Wien. It was beautifully knitted with a perfect fit on her. Hanna was wearing her own design: Endearment, while I was wearing my Gyda. To our joy Susanne took us to the Museum Hundertwasser, where the coffee shop look as charming as the outside did. Below you see a photo of the three of us, so happy to be sharing our knitting experiences.
I was overwhelmed to meet several of my test knitters and seeing so many of my designs at the Wollness Weekend – a total of 8 to my astonishment. Due to our tight program I was not able to photograph them all, but here is Anne Marie, aka anne1981 on Ravelry, wearing her stunning Lattice Back Jacket knitted in Schulana Donegal-Tweed.
On our last day in Vienna, Michael and I went to see the Edvard Munch exhibition at Albertina with Hanna and Daniel, and then to the Leopold to see their Klimt and Schiele collection. The atrium took our breath away with its height, light and scale. Just as most of the buildings in Vienna did…
I am still trying to land after this amazing trip to Vienna and the Wollness Weekend. Thank you Austrian Yarn Club for this opportunity!
Isabella Mach, aka Isa, offered to take us back to Vienna directly to our hotel from Steinschalerhof and we obviously accepted in a flash. We arrived in a wet Vienna, unpacked and then located designer Hanna Maciejewska + husband, before we headed out for dinner and a long walk through the city centre of Vienna. We are all staying at the Hotel Wien in the 2.nd District with a walking distance to the city centre, recommended by Austrian Yarn Club organiser Irene Brenner who live nearby. Above is a photo of the landmark, St. Stephen’s Cathedral
Irene and her husband took us sightseeing on our first day in Vienna. They are in the centre of the photo above. Of course we meet up with Ursula Koll – notice her love of bright colours, see pink shawl above – and then later on Teresa Schinwald, as well as the German visitors Betta and Andrea for coffee and cake at a famous café – as you do.
Before we left Steinschalerhof, we had a session with photographer Dominik Matyas who took a number of group photos. Isa was helping out, doing a hilarious hippo dance in the background. We will have to wait a couple of weeks to see all of his photos, since he was busy taking numerous project photos for most of the knitters present.
Above is one of the workshop photos he took of my Professional Finishing Workshop, part II. At the rail you can see a few of my designs I had brought to show off and to wear at the venue.
Above is the stunning modified Gyda – from a jacket into a sweater with a wonderful deep square neck knitted by Ursula Koll, aka Grinsekatz on Ravelry. Yet another of my designs I spotted at the Wollness Weekend, to my utter delight. At the moment Ursula is finishing her Hennika, this time not only in pink but in a fluorescent pink. I cannot wait to see the finished result.
Yesterday, we went to visit Suncica Wilhelmer, an architect and a yarn shop owner who lives in the Rufer House designed by the architect Adolf Loos. Not only did we want to see her house but Hanna and I also wanted to check out her yarn selection and fondle some yarn. The name of her yarn shop is Wollsalon Sunshine Loop, and we were both tempted into buying several skeins of yarn. The yarn shop is located in the former kitchen, and I loved the fact that the owner wanted not only a window facing the street but also one facing the indoor staircase so he could spot the visitors from his office. In the evening Hanna and I were at their knit night. We finally managed to do some more knitting…
I am so delighted to show you my design Gyda knitted by Dorothy DesRoches who live near Toronto, Ontario in Canada. Dorothy did not knit this for herself but for her granddaughter Hilary Scoffield, who lives in France and models it in these marvelous photos. The jacket is knitted in Sublime Baby Cashmere Merino Silk DK (75% merino, 20% silk, 5% cashmere, 50 g, 116 m/126 yds) in Dark Turquoise – a total of 12 skeins used – in a size Medium with a finished bust size of 98 cm/38.5″. Dorothy would have preferred to knit it in a tougher yarn like the Madeline Tosh Yarns which she has used for other projects.
Dorothy has knitted several of my patterns, and I am very proud that she has knitted not one but three versions of the Tyrol Jacket – for herself, her daughter Elizabeth and for a close friend. Thank you so much, Dorothy!
Gyda was first published in Norwegian, with the sample knitted in Hifa Ask, in the magazine Familien Trend in February 2015, then in English on Ravelry where it is available digitally. Yesterday, I had a new pattern published in Sweet Georgia vol 1 Fall 2015 collection, see issuu.com and Aine. Blog post is coming.
I am so pleased to announce that I have released both Gyda – the jacket – and Gyda Cowl – the cowl and belt – patterns in English after an exciting test knit in my Ravelry group. Take a look at all the different versions and the modifications including into a sweater on the links above. Gyda, knitted in the beautiful Hifa Ask, for my collaboration with shoe designer Monica Stålvang and dress designer Judith Bech, created for Made by Me – now Familien Trend – modeled by gorgeous Alexandria Eissinger/Pholk, hair and make up by Sissel Fylling, and brilliantly captured by Eivind Røhne at Hvalstrand Bad. Familien Trend with the Norwegian pattern was published in March. Here is my introduction to the pattern: Cables that create diamond shapes adorn this fitted jacket on all its parts. A deep v-neck and a button band with three bespoke buttons by Siri Berrefjord make it suitable to wear on top of any treasured outfit. The fronts and back are knitted flat, while the sleeves are knitted in the round, all in the bouncy pure wool melange Hifa Ask.
Sizes: XS (S, M, L, XL, 2XL)
Finished Measurements: Bust: 84 (91, 98, 106, 116, 126) cm/33 (35.75, 38.5, 41.75, 45.75, 49.5)” Waist: 69 (76, 83, 91, 93, 113) cm/ 27.25 (30, 32.75, 35.75, 36.5, 44.5)” Hip: 84 (91, 98, 106, 116, 126) cm/33 (35.75, 38.5, 41.75, 45.75, 49.5)” Length: 54 (55, 56, 57, 58, 59) cm/21.25 (21.75, 22, 22,5, 22.75, 23,25)” Sleeve length: 50 (50, 50, 51, 51, 52) cm/19.75 (19.75, 19.75, 20, 20, 20.50)”
Yarn: Hifa, Ask – Hifa 2 (100% wool, 100 g, 315 m/345 yds). Sample is knitted in Melange turquise 6584: 3 (3.5, 4, 4.5, 5, 5.5) skeins: 900 (1023, 1147, 1273, 1462, 1650) m/984 (1119, 1254, 1392, 1599, 1804) yds. http://www.ull.no/garn/ullgarn/ask-melert
Alternative Yarn: Cascade 220 Sport (100% wool, 50 g, 150 m/164 yds). http://www.cascadeyarns.com/cascade-220Sport.asp Madeline Tosh, Pashmina (75% superwash merino, 15% silk, 10% cashmere, 100 g, 329 m/360 yds). http://madelinetosh.com/store/index.php/yarns/pashmina.html Rowan, Wool Cotton (50% merino, 50% cotton, 50 g, 112 m/123 yds) http://www.knitrowan.com/yarns/wool-cotton Shalimar Yarns, Breathless DK (75% merino, 15% cashmere, 10% silk, 100 g, 247 m/270 yds) https://www.theloopyewe.com/shop/g/knit-crochet/yarn/shalimar-yarns/breathless-dk/ Or another sport weight/5 ply yarn.
Needles: 3.5 mm/US 4 circular needle (80 cm/32″). 3 mm/US 2.5 circular needle (80 cm/32″) for hem and button band. Adjust needle size as needed to match gauge.
Notions: 3 buttons (13 mm/0.5″). Special ordered buttons on sample are made by Siri Berrefjord, email@example.com see http://epla.no/shops/sirisskattkammer/, 10 stitch markers, 4 stitch holders and yarn needle.
Gauge: 20 sts and 28 rows in st st using 3.5 mm/US 4 measures 10 cm/4″ square. Cable Panel across 84 sts measures 31 cm/12.25″. Cable Panel across 36 sts; 1 pattern measures 11 cm/4.25″.
Notes: Each front is 1 cm wider than 1/2 the back circumference, to achieve symmetry, usual in typical vintage garments. This jacket is fitted, please compare your waist measurements to the size you need and adjust if necessary, to make sure it will fit.
Butterflies adorn this generous Gyda Cowl, in the shape of a lace pattern divided by a rib. A rich melange brown color has been created by combining the pure wool of Huldra Kamgarn by Hifa with the tonal alpaca mixture of Dreamline Soul by Du Store Alpakka. A tweed belt made for the Gyda jacket introduces the brown shade together with farmblue Hifa Ask. The belt, just like the jacket, has bespoke buttons by Siri Berrefjord.
Sizes: Belt: XS (S, M, L, XL, 2XL) Cowl: One size
Finished Measurements: Belt: Bottom: 80 (90, 100, 110, 120, 130) cm/31.5 (35.5, 39.25, 43.25, 47.25, 51.25)” Top: 68 (78, 88, 98, 108, 118) cm/ 26.75 (30.75, 34.75, 38.5, 42.5, 46.5)” Height 30 cm/11.75″ Cowl: Height 46 cm/18″, circumference 92 cm/36.25″
For more info, see Gyda Cowl on Ravelry. The yarn for this set was kindly sponsored by Hifa and Du Store Alpakka.
Here are the fantastic photos taken by Eivind Røhne of gorgeous model Alexandria Eissinger at Pholk, with beautiful hair and make-up by Sissel Fylling, stunning faux suede dress by Judith Bech, wearing my design Gyda, a fitted jacket. The divine Elena black shoes designed by Monica Stålvang are not seen in these photos but photographed separately, see those on Ravelry together with more details of the pattern: Gyda. The Norwegian pattern is part of the Nordic Vintage series recently published in Familien Trend.
Here is my introduction to the pattern: Cables that create diamond shapes adorn this fitted jacket on all its parts. A deep v-neck and a button band with three bespoke buttons by Siri Berrefjord make it suitable to wear on top of any treasured outfit. The fronts and back are knitted flat, while the sleeves are knitted in the round, all in the bouncy pure wool melange Ask – Hifa 2.
The English pattern in all sizes from XS to 2XL is currently being test knitted in my Ravelry group with 12 knitters making the jacket, in addition to a some just making the accompanying tweed belt or cowl. Gyda Cowl has details for the cowl plus the belt, while Gyda is only the jacket. You can follow the thread if you are a member of Ravelry. The pattern will be released after the test knit is finished. I chose to end the cables before last bind off or short rows on the shoulder and gather them to avoid flat cables then continue the last few rows in stockinette stitch. Take a look at the triangle created by the short row shaping on the shoulder. Some of my test knitters have instead chosen to continue the cables all the way to the last row.
We have also been talking about preferences in the different hem techniques; I recommend to sew it by hand at the end to make it stay flat while others decided to use a temporary cast-on. Occasionally I also use two circular needles, where one is used as a holder until it is closed with a row of knitting two together with one stitch from each needle. This tends to make a hem that is more rounded and which tends to turn upwards so that the lower part of the WS is visible.
Butterflies adorn this generous cowl, in the shape of a lace pattern divided by a rib. A rich melange brown color has been created by combining the pure wool of Huldra Kamgarn by Hifa with the tonal alpaca mixture of Dreamline Soul by Du Store Alpakka. A tweed belt made for the Gyda jacket introduces the brown shade together with farmblue Ask – Hifa 2. The belt, just like the jacket, has bespoke buttons by Siri Berrefjord. The statement ring in silver is designed by Kaja Gjedebo. If you have been following my blog closely you will have noticed that the last photo has not been shown previously, and is not included in the magazine. It was another of my favourite photos that I just had to have.
The new Norwegian magazine; Familien Trend that takes over from Made by Me came out on Monday. My series called Nordic Vintage which includes 10 designs is part of it, and Saga has made it on the cover, worn over a stunning dress by Judith Bech with outstanding shoes by Monica Stålvang, by gorgeous model Alexandria Eissinger at Pholk, beautiful hair and make-up by Sissel Fylling, captured by brilliant photographer Eivind Røhne at Hvalstrand Bad. In addition to jewelry by Kaja Gjedebo and bespoke buttons by Siri Berrefjord. I am so thrilled with the result as well as the feedback I have received for this series, and hope to work with this fantastic team again! Thank you!
The series was commissioned by the skilled former editor Mary-Ann Astrup of Made by Me, now in charge of Egmont Publishing’s handicraft blog Tusenideer.no, and presented by her: “The stitch patterns in these unique garments have clear lines going back to Norse tradition and the intricate patterns we see in the Dragon Style. Paired with gorgeous dresses in Norwegian design, the goddess look becomes complete.”
Freja Top and Chocker: A stunning skirt with a train by Judith Bech, deserves a top with a train. Freja, named after the goddess of love with the added meaning of like a lady, is knitted with a longer back shaped at the bottom. Three Lace panels adorn the sleeveless top with garter stitch bands and vents in the side. A fine tweed yarn is held together with an alpaca lace yarn, with a chain construction, to create a fabric with beautiful stitch definition and a slight halo.
Eira Cowl and Belt: A sporty looking cowl with a matching belt knitted in a reverisble rice pattern closed with snap fasteners was the idea for Eira; A Norse name meaning merciful. A thin drapey mercerized cotton called Hifa, Perle, held doubled, seemed ideal for these accessories.
Yarn: Hifa, Perle held double. Size: One Size. Difficulty level: 2.
The bangle is privately owned. Shoes by Monica Stålvang.
Honeysuckle Shawl, Cowl and Belt: Inspired by the climbing of the Honeysuckle is this lace pattern which adorns a soft summer shawl that can be buttoned into a shrug. Like Honeysuckle it is equally beautiful on both sides. Wear it with a cowl as a collar and a stylish belt in stockinette stitch. The belt is worked as a hem and can either be tied or pinned together with a stunning brooch. Knit all parts in the cozy Rowan Softknit Cotton.
Yarn: Rowan Softknit Cotton. Size: One Size. Difficulty level: 4.
Atika Cowl and Loose Sleeves: A cowl to warm your shoulders or your neck. Or why not wear it as top with matching loose sleeves gracing a stunning dress like this designed by Judith Bech. Both the cowl and the loose sleeves are knitted in the round using a beautiful reversible stitch pattern called Hearts of Oak with both texture and a drapy edge. Make your own perfect yarn by combining a lace weight yarn like the luscious Dreamline Soul from Du Store Alpakka with a fingering yarn like Merino Tweed from Pickles.
The divine jewelry:
The earrings and ring you see worn by the model above is designed by Kaja Gjedebo under the brand KGD. Kaja says she is not lead by trends, but by personal interests. The result is elegant and timeless jewelry that combines natural shapes with delicate constructions. See more on www.kgd.no.
Hillevi Scarf : A reversible scarf with a large shawl collar in a self-made tweed mixture of Rowan Lima and Rowan Fine Tweed. Two staghorn cables form the stitch pattern combined with garter stitch edges and shawl collar. Wear it as a scarf with the collar tight around your neck, or as a shawl with the collar around your shoulders. You can even wear it upside down with the collar as a shaped curve, or as a top around your bust pinned together with a shawl pin.
Gyda Jacket: Cables that create diamond shapes adorn this fitted jacket on all its parts. A deep v-neck and a button band with three bespoke buttons by Siri Berrefjord make it suitable to wear on top of any treasured outfit. The fronts and back are knitted flat, while the sleeves are knitted in the round, all in the bouncy pure wool melange Ask – Hifa 2.
Yarn: Hifa Ask. Sizes: XS (S, M, L, XL, 2XL). Difficulty level: 4.
Gyda Cowl and Belt: A belt in tweed pattern lengthens the jacket and introduces the brown cowl. You can also wear the cowl as a belt and the belt as a large collar.
The nice buttons:
The buttons on this set are designed by Siri Berrefjord. They are casts of antique national costume silver. The jewelry is available for sale at Designerkollektivet, Norway Designs in Oslo and Trondheim, Sugarshop Bislett and Briskly, Maihaugen at Lillehammer and Galleri Osebro in Porsgrunn. See more at www.fredenshavn.no.
Saga Jacket with Extra collar/Belt: Inspired by the ancient sagas, I have designed a warm jacket with cross chain link cables that prepares you for the battle of the winter or for a cold Northern summer day. The jacket is straight and closed with three large bespoke buttons at the top, with cross chain link cables continuing across the saddle shoulders. The standing collar is a cable knitted separately and attached at the end. I knitted a second loose collar you can use as a belt if you prefer. The vivid melange color and lovely texture is created by holding Rowan Lima and Hifa Pelsull together.
The standing collar is knitted in cables separately, and attached afterwards. The extra collar is loose, and it can be worn as a belt if you prefer.
Hennika Bolero: A lace pattern with Gotic shapes adorn this bolero, which has a scarf collar where the pointed arches reigns. Hennika is a name with Gothic origin and means master of the house. The bolero is tapered and worked in pieces, while the sleeves are worked in the round. Wear the collar lying flat or folded in half lengthwise to add volume and close it with a shawl pin or a beautiful brooch.
Yarn: Hifa Ask. Sizes: XS (S, M, L, XL, 2XL). Model is wearing size S. Difficulty level: 4.
The lovely dresses
Judith Bech Designs
Judith designs fairytale bridal gowns and ballgowns with cool details and beautiful silhouettes. She likes to combine new and old style, and the fabrics are either made by her or antique Victorian fabrics from England. Do you want to see more of what she makes? Check out her Facebook page: Judith Bech Design.
The belt made of tucks can also be worn around your neck as knitted jewelry, pinned together with a delicate brooch.
Bech Shawl, Loose Sleeves and Belt: A stunning halterneck silk dress with a high waist and bare back, handprinted by Judith Bech inspired Linda to design a shawl, loose sleeves and a matching belt to accessorize it. By combining a beautiful pure combed wool called Huldra from Hifa with the luscious Dreamline Soul from Du Store Alpakka, she found a rich yarn shade and texture. Use the shawl with a shawl collar around your neck, shoulders, bust or upside down, just as you prefer.
The knitted garments
Intricate and beautiful cable patterns characterizes Linda’s knit designs. See more on her blog: www.marveng-puckett.com/wordpress/ and www.ravelry.com/groups/linda-marveng.
The divine shoes
Monica Stålvang Lange
The shoes in this series are by Monica Stålvang Shoes. They are clear-cut and urban in their style. The collections are designed in Norway, but produced in Italy in the best leather quality and often in uncommon combinations. www.monica-stalvang.com.
Jacket in Cross: Missoni’s thin and featherlight garments inspired me to design this jacket that can be tied in the back or front. I chose a neutral but fashionable color, namely Taupe in a thin Tencel yarn, a newer form of viscose, knit double with a divine gloss. The pattern creates an intricate cross effect and looks a lot more complicated than it is to knit. Extra long sleeves adorn the hands.
Yarn: Valley Yarns, Tencel 8/2 held double. Sizes: XS (S, M, L, XL). Difficulty level: 3.
The magazine, Familien Trend, is available in selected supermarkets and newsagents all over Norway. If you live abroad and read Norwegian, or simply are desperate to get your hands on it, you can order a copy and receive an invoice for the magazine plus postage from Customer Services by e-mailing: firstname.lastname@example.org. Do also check this link to see if it has become available as an iPad app: www.klikk.no/produkthjemmesider/familien/.
The photographer Eivind Røhne has also written a blogpost about the photo shoot with additional new photos available here: erohne.wordpress.com/2015/02/23/nordic-vintage/
All the patterns will be released in English. I will publish Jacket in Cross and Eira shortly, but want to organize test knits for the remaining patterns, beginning with Gyda in the beginning of March.